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Viewing 15 posts - 16 through 30 (of 267 total)
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  • in reply to: Whatever happened to … #40721
    softcore
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    I remember a time when the only known DJ software was traktor and Alcatech’s BPM Studio….lol

    in reply to: Question for Live 9 Users #40720
    softcore
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    In fact that was one of the “selling points” of the feature and it was featured in lots of promo videos – a guy whistling some notes to form a bassline or smthing.

    in reply to: Your SoundCloud Page #40719
    softcore
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    in reply to: I want to make my own track but which software? #40718
    softcore
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    Truth be told, most people would agree that Ableton Live seems to be easier than Logic. I wouldnt advise anyone though to base his choice on what looks – feels easier. While Ableton Live excells as a performance tool – software, and of course it is a full and capable DAW I wouldnt recommend it for production for two main reasons:
    1. the built-in instruments in particular, although capable, do not offer the amount of flexibility usually found in other DAWs which most often than not, also contain 3rd party (developer) plug ins bundled, therefore offer slightly more variable content to begin with.
    2. Its “linear” workflow (arrangement view) is somewhat lacking in intuitiveness and fast operations as opposed to other DAWs. Of course, that said, other DAWs do not feature at all the non-linearity of Live’s “Session view”.

    The greatest advice I would give, especcially since the dillema involves only 2 DAWs and not 10 or so (lol) would be to work with the demo versions of both for a certain amount of time – in a serious way, reading the manual, trying to make a decent beat and all – and decide for yourself which software’s workflow fits you better. Sounds like an advice which will require more time than just picking one and working with it, but its an advice that will save you from the hassle of switching DAWs later down the line (if you stick to producing that is).

    😉

    softcore
    Member

    It sounds like you have minor CPU usage spikes that cause momentary glitches to the playback. Disable all the stuff you don’t need running when you are DJing – background utility programs, stuff that automatically starts when Windows start, auto-detection-of-x-hardware things, auto-updates of rarely used software, antivirus, firewall. Also, check the advanced power configuration settings – make sure that none of the power saving features boggles down your PC such as USB port disabling, CPU idling, hard disk idling and whatnot.

    in reply to: Novation Launchpad #39921
    softcore
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    Launchpad is a nice addition to using Ableton for DJing just for the purpose of triggering clips or playing a few notes here and there (user1 mode)…It also features a “mixer” mode but frankly? How are you going to mix with a parameter resolution of 8? (each button becomes a “stepped” value of whatever is controlled in the mixer, since we got 8 rows we got 8 posible “stepped” values for the volume faders for example)

    It becomes a “must-have” if you also have MaxForLive and you are planning to inject some live performance in your DJing because its functionality is expanded to include creative device controling, step sequencers, and lots of other goodies.

    (here’s a litle showcase vid – nothing big)

    Yet still, to control mixer elements (knobs, fader, etc etc) you either have to invest in a fader-knob controller, or take the “mixing” out of the box (and Ableton) to a regular DJ mixer which sort of kills the purpose of using Ableton in the first place (multiple – in the box – channels, custom effect chains, etc etc) because you then become limited to the output channels your soundcard offers and the available ones the DJ mixer will have.

    in reply to: Best mic for voice records for radio show #39875
    softcore
    Member

    Gee is it really that bad? lol

    Sounds like I ‘ve got it a bit wrong then..I was given the impression its an “ok” (for its price) all – purpose mic….Thanks for the suggestions – I’ll check them out!

    in reply to: Best mic for voice records for radio show #39818
    softcore
    Member

    I didnt recommend it as the best mic in the world – in fact I rarely record “out of the box” sound sources so my knowledge in this field is close to non-existent. BUT the way I see it ,the OP asks for a mic that wont break, will be affordable, and willbe used for voice overs on a radio show – not to record a singer. Given the budget he described I think it fits the bill!

    😉

    in reply to: Best mic for voice records for radio show #39808
    softcore
    Member

    The Shure SM58 is also a “classic”…

    😉

    in reply to: Soundcard help….. #39770
    softcore
    Member

    I think it will do just fine! 😉

    in reply to: Ipad? #39767
    softcore
    Member

    I agree with Chuck – better go with iPad 2. Also, if I may, Id say ditch TouchOSC and check out Lemur.

    in reply to: Opinions on FL Studio 11? #39766
    softcore
    Member

    its a powerful program, make no mistake. The bundled effects and synths are also of high quality. Its workflow however is somewhat different than the rest of the established DAWs – as is Ableton Live’s however. My main “concern” with FL studio is that around halfway its “evolution” the added features made it a bit unintuitive and cumbersome to work around in it with all the windows, sub menus, choices, pattern vs song and whatnot. And I was always pissed off that the “tracks” are not directly related to the channel mixers like the rest of the DAW world.

    My honest opinion would be to try the demos of both the programs – give around a month on each one and try to make a simple track in each one of them. This will definitely clear up some of your questions and hopefully help you decide which one is more suitable to your way of working.

    As for “sound quality” – a question that usually pops up – rest assured all today’s DAWs are equally capable of producing quality sounds – my honest advice to any beginner would be to not take extremely seriously any advice coming from a person that states that DAW X “has better sound” than DAW Y. At best its biased, at worse its “fan-boy-ism”.

    😉

    in reply to: What are Soundpacks? #37515
    softcore
    Member

    Yeah Im the reader-type myself too. I dont know the specific books in your other thread so I cant comment. I’ll have to look on one of my external hard-drives to remember the titles of a couple of ones that I would reccomend.
    Also, a great help can be the “Computer Music” magazine – it helped me a great deal when I was starting.

    As for the choice of DAW, to put the logic behind my above post, Ableton Live excells in improvisation-performing but the “arrangement view” which is the equivalent to other DAW’s “main view” (timeline view) is a bit lacking. Also, I find a bit limiting the in-built synthesizers which of course you can substitute with VST plug ins but most other DAWs already have better choices to begin with. All in all, all major DAWs pretty much share the same common “timeline view” and its a design which has been proven sufficient for decades hence my reluctancy to suggest Ableton Live to a person who wants to seriously work on producing music and not just fiddle around with effects and loops.

    CLARIFICATION: NOT that you cant produce seriously in Live, it’s just that its workflow kinda discourages a beginner to do so – he is more likely to get things done with loops and random experimenting rather than actually having a plan on what he is going to do. But everything is equally posible in pretty much all DAWs today!

    in reply to: What are Soundpacks? #37510
    softcore
    Member

    BTW if you want my honest opinion, I would choose logic over Ableton Live for production any time of the day! 😉 But thats just me and imagine I dont even use any of them (for production) so its not a matter of “fanboy-ism”

    in reply to: What are Soundpacks? #37509
    softcore
    Member

    niu02kevin, post: 37598, member: 8306 wrote: Seems a little like cheating. I can’t imagine that a lot of prominent artists/producers would use presets, do they? It may be a good place to start to get that sound you’re looking for, then maybe make some other adjustments from there.

    That’s a very popular discussion amongst producers – especially those who are new to production. Lets put some thoughts on the table though….

    Does a great pianist design how his own piano sounds or is he just very good at playing it?
    At what extend is a sound “yours”? If you designed a sound from scratch (usually “init” patch in a plug in synthesizer) is it really yours given the fact that someone else designed the knobs and the code with which this sound is programmed? So how about desigining your own synth….Hey but wait a minute, desigining a VST synth usually involves coding in a language like C++. But you didnt create the language….And oh, forgot to mention, you didnt even build the OS nor the computer in which all this stuff runs on…..So where does it end?

    Prominent producers, indeed do not use presets – but that, I believe, is not because if they did they would be “less” original or have “less” authentic or “personal” sound. Its, usually because the synth presets do not cover their own “notion” of how this or that sound should be. It appears as a need, not as a pre-active thought of “being original” – if I make sense.

    What Im trying to say is, I have never felt like Im cheating because I used an already made sound of a synth in one of my tunes – BUT most of the times, I dont like the ready-made sounds of my synths because usually the patches are showcasing the vast capabilities of each synth in creating “fat”, “dirty” gritty or what have you sounds. Now if you are into minimal stuff, most of the times these sounds are too “full-on”. So, all in all, it aint about cheating, its about what suits ya. 😉

Viewing 15 posts - 16 through 30 (of 267 total)