Charles Sue-Wah-Sing
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Charles Sue-Wah-Sing
Participant@Hee thanks I found the setting to change it to Z.
Charles Sue-Wah-Sing
ParticipantI can’t drink much before mixing in front of people. I don’t hear the music the same way.
December 11, 2012 at 12:28 am in reply to: If my FaceBook page is dead, am I doomed as an online DJ? #33408Charles Sue-Wah-Sing
ParticipantHow do you generate an online audience that will faithfully follow you online?
To generate an audience you need to build reach and be consistent in producing content. You need people to talk and sharing your content. But you have to think like a content creator and not like most DJs who are more concerned about posting mixes for self-promotion and showing off their skills (like me – LOL!!). If you’re going for a pure play online approach like a radio station then you have to think like a radio station. Music is your content. I know many peeps who listen to mixcloud or spotify or other streaming audio programs to hear music they can’t find on regular radio.
What I like about DJ Homei’s idea is that he is thinking about his mixes as content. It’s like how a web site would think about putting up stories about whatever. If that’s something his peeps want cool.
How would I build his audience?
1) I would make a simple web site and brand it. There’s tones of free ones out there. This is helpful to be found outside of FB using search to create awareness.
2) Use sites like Mixcloud or whichever to post your music. With Mixcloud you can link your posts with tools like WordPress for example.
3) Create an accompanying FB page. Not your personal one. You need one where people not in your network can find you also. And your listeners may not be interested in your goofy kitten pictures, or where you took your girlfriend last night etc. Again Mixcloud has an API or a way to link content to FB.
4) Start a Twitter account. And link Mixcloud to that too.
5) Spread the word (online or offline).The idea is to create content on a variety of platforms that will help increase your reach across networks. This way you’re leveraging your friends and your friend’s friends etc.
If this is Homei’s approach he will need to produce content on a frequent basis that his audience begins to rely on it. You can’t post one this week and not post another for two months. People will forget about you. The golden rule to build an audience on YouTube is to produce content frequently and share it.
I could go on. But those are some basics. Like I said in earlier posts it is a lot of work.
December 10, 2012 at 9:11 pm in reply to: If my FaceBook page is dead, am I doomed as an online DJ? #33388Charles Sue-Wah-Sing
Participant@DJ Homei I would take Hee’s comments with a grain of salt.
There is some sense in he what’s he’s saying. In the sense you can’t bank all of your exposure or growth on one social network only. Building a name for yourself takes a lot of work (online and offline). But it depends on your goals and approach. The key thing is if you’re using online you need to know who you are talking to and where are they.
@Hee to say the FB or any of these networks are a cope out is totally rubbish. Having built numerous events, campaigns and programs on these various platforms I can say confidently they do work. However, it does take planning and significant level of work. In the scene here if you’re up and coming or have been around you need to think about your online audience. And these platforms if used correctly is an effective part of your mix to market yourself.
December 10, 2012 at 11:44 am in reply to: If my FaceBook page is dead, am I doomed as an online DJ? #33341Charles Sue-Wah-Sing
ParticipantDude, my day job is in strategic online marketing, social and web applications. Outside of my day job, I’m currently doing side projects on YouTube, Facebook and Mixcloud. Not all for DJing. I have a FB page for my YT channel and in one month gained 100 likes. And I’ve reached thousands of view on YT. But I’m talking about cooking. Lots of people love to cook.
One thing you need to think about – do your FB friends share you’re musical tastes? I have close to 400 friends on FB. But I would say maybe less than 50 of them are into house music and/or are DJs. I know statistically less than 1% would post a response. So I don’t expect to get high response because Personal friends on FB are more inclined to respond to what’s relevant to them – cute puppy photos, foody shots etc. Your Mixcloud responses are good because you’re talking to other DJs or music enthusiasts or FB friends who have clicked on your posts. They want to hear music. The other thing I would suggest to do is not use your personal FB account to promote your music. Instead create a page as a musician and promote your music that way. Using pages you can personalize it, invite peeps to “like” your page and track who’s listen vs just liking your individual posts. I’m in the early stages of my DJing project and next year I’m focused on growing on my online audience and create more events. But I know it will take some work (eg. regular posts, sharing, inviting friends to my page, offline word of mouth etc.). Don’t be discouraged. Keep it up!!!
Charles Sue-Wah-Sing
ParticipantHere’s my latest. I worked mainly with the EQs and very little filtering. Tell me what you think.
Charles Sue-Wah-Sing
Participant@Hee how do you kill an EQ in Traktor 2.6 using an S4?
Charles Sue-Wah-Sing
ParticipantCharles Sue-Wah-Sing
ParticipantI was working on a new mix this week where EQing was something I needed to solve. Let me finish it this weekend and post it for your feedback.
Charles Sue-Wah-Sing
ParticipantThree things that helped me.
1) Look into harmonic mixing. Helped me big time. I love MixedInKey – which gives you the keys for harmonic mixing. And it’s pretty reliable – most of the time.
2) Song selection… I look for tracks that vibe together really well. Listen for tempo, feel, mood, vocals, and any unique signature riffs, baselines and tones
3) Phrase selection… I find it sometimes that starting off in the beginning of track is not always the best. Especially if the song starts with a big crash or huge vocals. But drop a cue point where might lend to a better transitionCharles Sue-Wah-Sing
Participantrjwhite41, post: 33402, member: 2565 wrote: Do you have a mix posted so we could hear what you’re talking about?
I have some stuff posted in the forum here: http://www.digitaldjtips.com/forum/threads/loving-on-the-dancefloor.6350/#post-32485 Or on mixcloud.com/shugafoot
Charles Sue-Wah-Sing
Participant@ Hee
I don’t rely on autogain at all. I use gain like a use salt in my food. Very conservative and to taste. But not to drive deh flava 😉 I have 2.6 loaded. But I haven’t tried the new kill features on the EQ. I’ll give that a whurl.
@Jam I’m picky with my headphones. I’ve settled with the Xone-XD-40. For the price they’re pretty good.
Charles Sue-Wah-Sing
Participant@Hee Won Jung Weird? In planning I’m more concerned about themes, tempo, feeling, cue points and the vibe of the set. It’s when I start practising and recording do I integrate EQ and effects. Like you I also use cue points extensively in Traktor.
It’s your take on EQs I’m looking for. I’ve been using the filter with the bass EQ to do what you’re saying. But it doesn’t have the same level of control you have. And if I don’t bring in the bass at the right time I get this tone with no meat to it (if you can imagine what I mean). I’ll give your approach a try.
Charles Sue-Wah-Sing
ParticipantDj R. driver, post: 33330, member: 5499 wrote: are you using good quality mp3s? Had to trash a few songs when I decided it was a good idea to import a friends hard drive. he had tracks as low as 128 kbs to even 96 kbs!!
I’m diligent in keeping my music clean and dumping bad mp3s. And I’m good at using gain to boost certain tracks that need that extra kick to stay level with my next mix. But if it’s a crap sounding track where I have to crank the gain, I’ll trash it.
Charles Sue-Wah-Sing
Participantrjwhite41, post: 33326, member: 2565 wrote: Have you tried a practice session without touching the eqs at all? Might tell you where you’re going wrong. What kind of music are you mixing?
When planning a set I never use EQ or my filter knob. I focus on matching tracks, beat matching, phrasing etc. It’s only when I start recording live do I work on the mixes and transitions etc.
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