bob6397
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bob6397
ParticipantThere should be no VOLUME difference on the dance floor between a corrctly gained WAV and a correctly gained MP3 file. SO I reckon that your friend who was playing WAV’s simply had his autogain set a little high. Or he had his master higher. And, as louder sounds nearly always sound better to our ears than quieter ones, whether they are actully better or not, this may have tricked your ears a bit..
Try this – let us know how many you get right. http://www.npr.org/sections/therecord/2015/06/02/411473508/how-well-can-you-hear-audio-quality
As a sound engineer and DJ – I would say that I would struggle hear the difference between someone using 320kbps MP3’s and WAVs unless actually in a recording studio. And it is impossible (unless you are superhuman) to hear the difference in a club environment. PA speakers will never have the quality required to compete with even half-decent studio monitors when comparing this stuff. They are, after all, designed to do a completely different task.
bob6397
bob6397
ParticipantSome people on here will say “Play to your audience – not to yourself”. And this is true – there is no point playing for you (IE only playing music you like) if you are in front of a live audience.
However – I think that a DJ will never produce his/her best work if they are not playing tracks they really know – and if you don’t like them, then you are unlikely to know them well enough.
I would maybe consider starting your sets off at an even lower energy level – to give you somewhere to go. This would then mean playing those tracks you play not as warm up more in the livelier part of the evening. This however may not work depending on your music – so I would recommend finding something that you do like and then using “Recommended” lists etc. to ifnd more tracks similar – and build up your collection that way.
If it was me though, I would play to my audience – if they want EDM, then I play EDM 🙂
bob6397
bob6397
ParticipantThis I suspect is mainly to stop people from making copies and selling them on eBay… It is slightly unfair for anyone who doesn’t though (That would be 99% of people in the UK).
And, of course, as DJ’s, we are still meant to purchase a ProDUB license when converting from CD or Vinyl or Tape (not sure why you would convert from tape though unless you had no choice but..). I have never heard of someone being prosecuted for the lack of a ProDUB license though – as long as the songs were bought legally then you are probably alright. Of course, the only way to be completely sure is to only play downloaded tracks – which is what I do. It works for me, but then I don’t tend to play sub-genres with music you can’t get hold of anymore.
bob6397
bob6397
ParticipantOver a club sound system, which is probably (unless you are DJing in one of the most prestigious clubs in your country – so Minstry of Sound here in the UK for example) not perfectly setup, you will not be able to hear the difference playing a 256kbps AAC file (iTunes quality) or a 3000kbps FLAC file. Even so called “Audiophiles” would be hard pushed to hear the difference unless using their £1000 headphones with super hi-def DAC chips.
Many people even get it wrong in a back to back test between lossless files and compressed files.
So yes, you can use them. I DJ with files that I have bought from iTunes (as do most DJ’s on here I would guess) and no one has ever complained about sound quality.
Simply put – when playing at the volume that DJ’s tend to play it in clubs, your ear probably can’t tell between a 128kbps MP3 and a lossless file that has come straight from the mastering studio. Let alone a 320kbps MP3. (This does not mean that I recommend playing anything lower than 256kbps AAC or 320kbps MP3 though – that should be the minimum..)
bob6397
bob6397
ParticipantGenerally, it is difficult (though not impossible) to map non-native instruments controllers to traktor unless they were supported natively.
It is possible, but you won’t get full support of all the traktor features (as the mixtrack simply won’t have the correct buttons) and the jogs will probably not respond as well as they do with Serato..
Short Version: You can use it – but good luck making it work perfectly..
bob6397
bob6397
ParticipantWhat I tend to do is organise my music using the Virtual folders system in Virtual Dj (essentially crates) – I then export the folders as playlists and import them into iTunes.. Then I sync up to my iPod – my backup device..
There is no way for any DJ software to edit the iTunes library folder directly currently though.
bob6397
bob6397
ParticipantEven though you can’t see it, will it let you uninstall it??
If it will, first check if the C://Program Files (x86)/iTunes folder still exists. If it does, is there an iTunes shortuct in there? It my be that only the shortcut has been deleted. If it isn’t there, find your iTunes library files (Usually in your Music folder for your User unless you moved it yourself) and rename the library file (iTunes Music library.xml or iTunes Library.xml) as something else so that it isn’t overwritten when you re-install it.
Then, uninstall iTunes (if it will let you), then run C-Cleaner (https://www.piriform.com/ccleaner/download), and run the registry cleaner. This will get rid of any remains in the registry of iTunes. Then re-start and run it again.
(Running the normal cleaner won’t help the iTunes but it will make your PC go faster – just check all the tick boxes are ticked to your preferences. the default settings aren’t great..)
Then re-install iTunes, run it, and then replace the new “iTunes Library.xml” (or “iTunes Music Library”) with your old ones, with the same file name as they had before. Then, hold shift whilst launching iTunes. Select “Choose Library” – pick “iTunes Music Library” if have that file, “iTunes library” if you don’t. (This is as Apple changed their system a couple of years ago).
That should have fixed it..
bob6397
bob6397
ParticipantI don’t tend to create mixtapes as such – the kind of DJing I do doesn’t require it – but I do all my audio editing, remixing, mashups etc.. in Logic Pro – and I would do mixtapes in that if I was to do one..
bob6397
bob6397
ParticipantI think Vintage means any IOS compatible controller – Pioneer make a couple, as do Numark.. Stick with big brands.. I would then hook it up to an iPad (or iPod at a push but the screen may be a little small..)
bob6397
bob6397
ParticipantThe standard at this sort of price is KRK’s – you should be able to pick up a pair of 8″ models for that money.
Generally, the bigger the cone the better as you will get a bigger sonic image (and deeper bass) with bigger cones – without having to use a sub, which can cause all sorts of additional room-tuning issues that just having a pair of speakers will not give you. We recommend a minimum of 6″ cones for DJ work..
All the brands you mentioned will have decent products though – I would look at the Yamaha’s and the KRK’s mostly, and go listen to them, ideally in the space (or a similar space to) what you will use them in – speakers sound different in different rooms.
bob6397
bob6397
ParticipantWhich country are you in – this matters as the US charts tend to be around 3 months ahead of the UK charts??
What I do when I DJ discos is play a mix of the really popular (so no less than #4 in the charts) pop – anything they will know the words to works – so a bit of Ed Sheeran works – as well as some older stuff – many of them at that age will still be listening to their parents music – so some classics – big Queen hits, Disco classics – Macarena, Cha Cha Slide, Hokey Cokey etc.
Be prepared – and I would tell them that they can ask for tracks – this is the best way of knowing what they actually want!!
bob6397
bob6397
ParticipantAs far as I understand it, in England at least, only certain organisations can apply for DBS checks for their staff – for instance I am checked due to my work with Scouting – but then you need a different DBS check for working within a school for example.
So if someone has asked you if you are DBS checked, it shows that they themselves do not understand the system. If that person is a school, then they will need to process the DBS for you – but it is not possible for you to get yourself checked with an English DBS..
bob6397
ParticipantHere’s mine for the week – not especially new as such – but I found it last week and love it.. such a different vibe to the original..
Track: Get Lucky/Doin’ It Right
Artist: +2dB / Daft Punkbob6397
bob6397
ParticipantYeah, as far as I know, PLI is the only “Legally Required” type of insurance. I would recommend equipment insurance however – and it may be worth getting your kit PAT tested as some venue owners can insist on it – there is not legal requirement for this though – it is entirely at the venue owner’s discretion.
bob6397
bob6397
ParticipantHere’s mine for this week (Sorry I missed last week – I had not internet for a few days as I wasn’t at home – too busy Djing 😉 )
Track: Get Stupid
Artist: Aston MerrigoldMy only issue is sourcing it.. I have been trying to find a source for it (Legal) for the last few weeks and – for the first time ever – have drawn a blank… It was due to be released over in the US last week but after the Pre-order date passed in their iTunes store is vanished.. Does anyone know if it has been pulled??
bob6397
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