Nicko D.
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Nicko D.
MemberHow about this? Get the bar owner to get you guys radios. Basically the ones you see sold at Walmart for campers etc. I saw a pair that had a squelch button on them. If you are finding yourself running out of diplomatic options simply reach underneath the shelf and press that and the outside bouncer should come running. Just an idea.
Nicko D.
MemberYa, one of the interesting facts about the rise of EDM scene was when the gay club was starting to fill up with straight men and women of all ages that were going there because there was no other place playing that kind of music.
Nicko D.
MemberWow. You don’t live in Sacramento, do you? 🙂
I feel your pain man. But know that if you are really passionate about EDM then you can find a venue. Even in Top 40/Everything Latin-ville I live there is slowly a move towards commercial EDM tracks because of the rise of the DJ we are witnessing.
So I’m on the same boat as you: I want to have fun playing my tunes. My choices in Sacramento are a small bar/club downtown that’s relatively new and hip (and I would love to play there), a pizza place (no joke), and the token gay club that has always played EDM music anyways.
Amazingly DJ’ing at a pizza place is not high up there on my “fun” meter but if you love the music you do whatever it is you need to do.
And as Terry said, you always get paid. It’s amazing how easy it becomes to quantify the benefit of a business relationship when there’s a monetary transaction attached. 🙂
Nicko D.
MemberOne of my worse stories is from when I was DJ’ing in Greece. First a little background:
In Greece military service is not volunteer like here in the States. You simply get drafted when you turn 18 unless you have a pass from a major Greek university. So everyone is dreading getting in to do their 18 months but (most importantly) looks forward to getting out.
So up to my booth strolls this one drunk dude. He manages to explain that he is finally done with his military service and he is getting ready to go home in a couple of weeks. After a bunch of “cheers mate!” (or “yassou!” in Greek) I play for him a rather popular song at the time that we used to play when we had military members in the club that were about to go home. Everyone was happy and I moved on with my set.
About 15 minutes later he comes up to me and asks for the song again. I politely decline. After 5 minutes he comes up with a drink that he bought for me (or whatever was left in the glass since his balance was not the greatest at the time) and asks for the song. I decline again stating club policy. After 10 minutes he comes back and asks for the song but this time you can tell he is going into drunk rage. I say “let me play some more songs and I’ll try to get to it” to keep the peace. That worked for another 20 minutes.
At that point he comes up to my booth, grabs one of the club’s ashtrays, and swings it at me. Thankfully I was able to dodge it and it smashed behind me. Security was on him so fast that but the time I recovered from ducking out of the way I saw him half way across the club as he was being dragged by the bouncers.
The kicker: The club called the military police that came and picked him up. His punishment, as I learned later, was 9 months in jail. If you are in the military that means you serve at the same camp you are posted for your jail term and then also your remaining time. So his two weeks essentially became 9 months and 2 weeks all because he wanted to listen to a stupid song over and over again.
It still amazes me how many people don’t understand the different between a DJ and their iPods (or Discman at the time this story took place).
Nicko D.
MemberYou should try downloading Mixx (http://www.mixxx.org/). It’s free.
Nicko D.
MemberWell if you were forcing me to make an educated guess with limited information and taking my personal bias into consideration I would recommend you looking into the Mixtrack Pro. Again, I am not sure what your comment about effects has to do with the controller but I would think that for a house party situation you would get a lot from that gear.
Nicko D.
MemberBunyip, post: 25651, member: 2464 wrote: hehe. Could make a good sample though if you really messed with it.
Yeah I can hear it now. “YOU ARE IN A STATE OF TRANCE WITH” all professional and then everything cuts and you hear “STEVE!” 😀
Nicko D.
MemberI am confused. The effects are usually software controlled. Are you looking for a Launchpad perhaps?
Nicko D.
MemberI would suggest to you that you need to get Phil’s course. This is not an advertisement and I am not a paid endorser. But honestly, you are the prime candidate to get the most out of his experience. For example, if I were to suggest to you that you can be a pro with a Mixtrack Pro and VDJ it would be simply because of what I understand or expect from a “pro” with that equipment and mine and your definitions don’t match. Perhaps you’re wanting to get something with four decks, midi boarding, etc.
I guess what I am saying is that if I were in your shoes, getting ready to drop about a grand in a purchase the $50 of Phil’s course to get you started, not only for your gear but also for DJing in general, is a very very wise investment.
Nicko D.
MemberAnd please…for the love of all that is Holy….don’t simply play the podcast. If you want to play the songs then buy and play the actual songs. There’s nothing more embarrassing than zoning out to some awesome beats only to hear from the bar speakers “YOU ARE IN THE STATE OF TRANCE WITH ARMIN VAN BUUREN”. It is the one for sure way to never be taken again seriously even if you were responsible for 95% of the rest of the set.
August 8, 2012 at 10:51 pm in reply to: Is the DJ pool from the How to digital dj fast course legal? #1009380Nicko D.
MemberIt depends.
If you are a DJ at a club or similar venue then the venue is responsible for paying the performance rights to the recording agencies.
If you are a DJ that’s charging people money to come and see you independent of a club then you are responsible for paying the performance rights to the songs you want to use.
If you are DJ’ing at a party where people are not being charged then you are OK with not paying the performance rights as long as you have legally obtained the songs.
DISCLAIMER: I am not a lawyer and all that jazz. Take my words with a grain of salt. 🙂
Nicko D.
MemberBasically if you use booth monitors you are at a place that’s pretty isolated from the main dance floor. So if you were trying to listen to you earphones and match it up to the set it would be “off”. Not really sure how to describe it more elequently and English is my second language (I’m Greek) so I apologize in advance. 🙂
So having the ability to have an input mapped to your booth monitors enables you to really listen to what’s going on out there.
If the mixing area is not really that isolated then you probably won’t need it though. In that case I’d make sure that your earphones are comfortable enough to really glue to your ear. I usually have one ear to the earphone, leaning my head so my shoulder is pressing the cup that is in turn pressing against my ear and listening to what’s out there with my other ear instead of wearing both cups and using the cue mix knob.
Additionally, remember that most clubs are set up so the main monitors are pointing towards the crowd. Unless you have a weird setup where you are in the middle of the dance floor (I’ve seen it like that in a club in Greece and it was pretty weird) you will not be right smack in the middle of the decibels.
Again, my apologies if it’s not clear enough. I think the point I am trying to get to is that unless you are going to have a jet taking off near your setup I highly doubt you have anything to worry about. 🙂
Oh and BTW, CONGRATS ON GETTING THE SET!
Nicko D.
MemberIf you have a Mixtrack Pro you are all set. You have two options:
1a) You have a knob called CUE MIX – Turn to mix between Cue and Program in the Headphone channel. When all the way to the left, only channels routed to CUE will be heard. When all the way right, only the Program mix will be heard. (straight from the manual)
1b) The Mixtrack Pro has two audio RCA outputs. So you can use one for the main console and one for your booth set.
2) Dude. Who cares? If the sound you produce is straight and the floor is bumping you fellow DJ’s should be giving you fistbumps instead of making fun of you for your Mixtrack Pro. IF someone tries to go down the road of vinyl vs. CD’s vs. digital with you just smile and nod politely and remind them we are all in this together.
August 2, 2012 at 4:04 pm in reply to: Is counting to 8 instead of 4 in your beat counting wrong? #1009124Nicko D.
MemberI count to 4 x 4 times since in trance music something different always happens on 16 beats. 🙂 I’d love to also get credit for proper music instruction (that I did have at a young age) but I honestly just do it because I noticed the trance pattern.
Nicko D.
MemberI am working with a MacBook Pro Air that I bought off Amazon for $1400 and I love it! The main selling point for me was the SSD (solid state drive). Even from a complete crash (that has never happened so far, knock on wood) I could be back up and running in about 12 seconds (the time it takes from the moment I press the power key to the moment VDJ is loaded). The rest of the time is taken up by me moving the sliders and knobs on my Numark so VDJ can re-adjust. 🙂
So Mac is the best way to go and if you can get one with a SSD you are all set!
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