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Viewing 15 posts - 106 through 120 (of 279 total)
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  • in reply to: Legal Sampling #2047789
    Marco Solo
    Participant

    If you’re talking about the internet then it almost becomes irrelevant where you live. You can expect a DMCA takedown or the location of your track will be omitted from any google search.

    in reply to: Terminal mix 8 questions #2047777
    Marco Solo
    Participant

    Ah, I see it now. I thought I must have missed something, because every controller with an aux function has a seperate volume for it as far as I know.

    in reply to: Legal Sampling #2047775
    Marco Solo
    Participant

    If a track is not under a creative commons license, you can assume it’s copyrighted. At least under US law it makes no difference how long, short, old or new the sample is. Technically, you could be sued for singing “happy birthday to you” in a public space.
    This stuff is all locked down I’m afraid.

    in reply to: Which software #2047715
    Marco Solo
    Participant

    While I agree that mapping isn’t for everyone, I didn’t find it nearly as difficult as you described it to be. You make it sound like it’s this really hard thing, while all you need is an understanding of the way the workflow is set up. Get some videos or articles and you´ll be mapping in a day or two, easily. I bet I could teach anybody in a few hours using text and a couple of screenshots.
    Also, it’s not something I did once or twice and never touched again. It’s an ongoing process. You have an idea of a new feature or you want to change something. Then you look at where you’ll map it and which commands you need. This happens to me on average once a month.
    I find it really handy that I can make the controller do exactly what I want. I’ll give you two neat examples. My headphone cue buttons don’t work like you see them in any standard software. If I have let’s say deck A cued up and it is now playing and you want to switch your heaphones to deck B, all you need to do is press the headphone cue of B and A will switch off. If you want both on, you press and hold B and then press A. And I have a button combination that triggers the search bar, so I don´t need to use the keypad or mouse to get there. These two are really handy and save up a lot of time over the course of a single gig. My whole mapping is filled with these little tricks that make working with Traktor a breeze for me and I really miss these features if I go over to Serato.
    Even if you did only use it once or twice, you´ll have the benefit of your work every single time you start up your software.

    But even if you don´t want to map anything there´s no need to stop there.
    Most hardware manufacturers provide a full functional mapping for other packages. And not just for Traktor, also for Virtual DJ for instance. But even when they don´t, there are dozens of websites out there where you can get really solid mappings. Most of them better than the ones made by the manufacturer. Combine this with any mapping skills you may have learned and you´ll have a controller that does exactly what you want it to do before you know it.

    About the major upgrades. While they don´t happen that often, it´s not like you have to start all over. Mappings of old versions generally work with newer versions, just not the other way around.

    Don´t just say mapping is hard/boring/not for beginners/whatever because you don’t like it, let the readers find it out for themselves. Don’t underestimate them, there are capable people here. And if you try to create your own mapping and you don’t like to, at least you tried it. And now you have a good reason why you don’t do it instead of “meh, it looks difficult”.

    in reply to: laptop purchase advice plllease ? #2047656
    Marco Solo
    Participant

    I can’t name a specific model, but all I can say is you don’t need a top spec laptop for djing. Dj software doesn’t require that much performance. It only requires a somewhat decent processor. If you start to go into DAW’s you’ll need real power.

    in reply to: Terminal mix 8 questions #2047655
    Marco Solo
    Participant

    The Terminal Mix has pretty awesome jogs, so it’s a good choice for scratching.
    An aux channel won’t even be picked up by Serato so it must work outside Serato. I own a DDJ-SR which also has an aux channel and it’s completely seperate from the sound from Serato or any other dj software for that matter. But I don’t see any seperate volume knob for the aux, which is weird. My Pioneer has a knob on the back for aux volume. The Reloop only has a master and booth level as far as I can see. No input level.
    I have no info on the mic, I can’t help you with that.

    in reply to: Which software #2047650
    Marco Solo
    Participant

    You’re not exactly correct on your Traktor and Cross analysis Michael. You can use any midi device ever made in the history of mankind with Traktor (and with Cross too). Cross has a HUGE list of controllers where they provided a mapping for. Enormous.
    If the controller is not on the list of either program, you can map it yourself or find a mapping on the internet. Both programs offer many options for mapping. Pretty much any function is mappable.

    Serato on the other hand, not so much. You have a limited choice of controllers (albeit a good one), and nothing on those controllers is mappable. You can add controllers next to the main Serato gear and map it, but only a few functions are mappable at the moment. Previous generations of Serato had more options, but even those had less than Traktor or Cross.

    I would therefore say that Serato is the Apple of DJing. You’re only supposed to use it the way the designer intended it to be used.

    in reply to: Prepped Setlists vs. Improv #2047649
    Marco Solo
    Participant

    Ok, I think that’s a good idea.

    in reply to: Prepped Setlists vs. Improv #2047639
    Marco Solo
    Participant

    I wouldn’t trow everything out and start over. You can also start making playlists ordered by genre, time of the evening, etc and work your way through your current collection this way. Take your time, Rome wasn’t built in a day.

    in reply to: Which software #2047638
    Marco Solo
    Participant

    Some programs work better with certain genres. If you play mostly hiphop, I’d stay away from Traktor and get Serato or Cross because of their elastic beat grids which allow for tempo changes in the track itself. But if you like techno with lots of effects, Traktor would be a good choice.

    There is not one right answer. Even people who know the differences in and out will disagree (just look at some conversations between me and Vintage :P).

    in reply to: Mixtrack Pro II with Traktor #2047636
    Marco Solo
    Participant

    I have done this. This was my first setup for live gigs. I can even give you my super deluxe 4 channel mapping if you want. But beware, it’s pretty complicated. You can download a basic mapping on the numark site. Works pretty good.

    But yeah, you can’t legally get Traktor LE if you don’t own a controller that has it included. It wouldn’t work anyway, since you can’t import custom mappings in LE.

    in reply to: Prepped Setlists vs. Improv #2047612
    Marco Solo
    Participant

    The mini playlists are great. You do tend to end up with those automatically over time in my experience. Just play around, there is not one right answer. Also, make loads of mistakes. I was reading a book lately called “wie domme dingen doet wordt wijs” which loosely translates to “those who do dumb things become smart”.

    in reply to: Why is Mixvibes Cross so neglected? #2047610
    Marco Solo
    Participant

    I know those are the rules, Vintage. I was really under the impression I was using facts as much as possible (the whole Traktor paragraph alone was pretty much all fact) and that I said these were my reasons for choosing (=opinion). But I’ll use more ‘opinion indicators’ from now on. You can disagree with me as much as you like. In fact, I like it when I disagree with somebody, it gives us something to talk about.

    I didn’t mention the parallel waveforms intentionally. I did at first, but it would’ve made the post twice as long. So I decided to just post the reasons I had for choosing. The remix decks also fall under this category, I don’t really care how many dj’s use them. I know Cross has samples, but they are not as useful for me as the remix decks, because they have 8 instead of 16 samples. Hence the Ableton reference. Ableton would be the most versatile in my book as you can use 16 at once instead of only 4 in Traktor. You can use 8 at once in Cross, but the 16 per page in Traktor trumps that for me, especially for fingerdrumming. Nothing is perfect, apart from maybe the Ableton drumrack 😉 I recently mapped my F1 to Cross, so I might have a go at fingerdrumming in Cross. Never tried that before.

    I didn’t know about the age of Mixvibes, althoug I do know they were the original creators of Rekordbox. Thanks for the addition.
    The preview option is somewhat simmilar to the one in Traktor, although I will concede the one in Cross is more useful.

    My intention is not to claim victory for one dj software over another, but simply the reasons for me not to choose Cross as my weapon of choice. Although you thinking I did maybe means I’m quite convincing 😛
    It’s good that we have a choice. It gives more power to us, the consumers.

    in reply to: Prepped Setlists vs. Improv #2047608
    Marco Solo
    Participant

    You do a combination of both. You prepare a list of tracks you want to play and you improvise based on that list. Make the list about twice the size of the set. If you think you’ll be playing about 40 tracks, bring 80.

    in reply to: First DJ Controller #2047604
    Marco Solo
    Participant

    Are you planning to learn to beatmix manually? I ask this because the Instinct does not have tempo faders, but something of a switch instead. I imagine this would be a nightmare to beatmatch manually with (I’d love to give it a go though!). But if you’re just going to use sync anyway, it won’t be a problem. Another annoyance for me would be the lack of a master volume. Apart from that, I’m sure you get a lot for your money.

Viewing 15 posts - 106 through 120 (of 279 total)