Jon Baker
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Jon Baker
ParticipantDJ Psychotrance, post: 28617, member: 3792 wrote: to be honest buying 2 cheap subs that cost £400 each would be a total waste of your money, buy 1 decent sub for around £800 and if you want to add another save another £800 or so, you can get the RCF 705AS sub for £849 from here: http://www.decks.co.uk/products/speakers/rcf/SUB_705AS
That sub will more than likely sound better and outlast 2 cheaper crap subs.
All the other recommended subs like JBL and QSC their subs will cost you over £1000.
you could also get the Samson Auro D1800 Sub for £599, but i’ve not heard anything good or bad about them. http://www.decks.co.uk/products/speakers/samson/Auro_D1800
If i was you and you do not want to go over £800-£900 then i’d choose the RCF sub 705ASThanks.
Do you know how I would go about running just the single sub through two SRM450s? Would I have to buy some sort of adapter for the input to the sub itself to split it to the two speakers?Jon Baker
Participantellgieff, post: 19461, member: 129 wrote: Congratulations, man. It’s a good feeling, innit.
Exceptionally so. Still buzzed.
Jon Baker
ParticipantHee Won Jung, post: 19386, member: 948 wrote: LMAO!!!
I know exactly what u mean by this…I was spinning around 2 months ago and had some guy who said he was a DJ and his DJ name was DJ Ecstacy (yup never head that one before sooo original) and he was totally BLASTED out of his mind on well u guessed it Ecstacy…kept telling me to speed up the tempo and wanted to hear hardstyle and play this and play that…its like dude…you obviously arnt a DJ because if u were…you would know how annoying you are right now.
Lolll 🙂
I have decided that from here on in, I’m only going to admire a club DJs skills from afar, due to experiencing first hand the annoyance it causes to do otherwise.Jon Baker
Participantgbadegesin, post: 19384, member: 1507 wrote: Jon,
Nice one
Can you give us a brief on how it went? It will sure help alot of others in hereI had the gig booked for a local bar/club about a month ago thanks to a friend, and was understandably nervous in the weeks building up to the event. After all, it seemed all eyes were on me to pull off a good night, and having never done a set live before, I was a tad frightened of something, somewhere going wrong, somehow. And it did. Three days prior to the event, I was polishing off my playlist when suddenly what should happen but my Play/Pause button on the right hand deck of my Mixtrack Pro becoming completely useless by falling through the casing! After a helluvalot of attempted DIY and an untold quantity of hysterical panic, I gave in and on the night had to use the laptop’s spacebar as a substitute. I needn’t have worried as it turned out, as it actually helped me gain quicker access to my keyboard shortcuts etc throughout the night, and thinking about it, the crowd don’t really care what equipment you’re using or how you use it, its all about the music after all.
The night started out slow with a handful of people trickling through the doors for the first hour and a half or so, so as an attempted energy pickup, I was playing some house mixed in with a few chart acapellas, which seemed to work just fine as it seemed that within about fifteen minutes, the numbers had risen from about 15 to 50. As hoped, several of my friends turned up to support me, and from the look of the crowd by this point they were hungry for something with more energy than 128 bpm, so somehow I managed to bridge the gap between it and 175, and thus began the best two hours of my night. Numbers were up to around 75 people and many of them were dancing maniacally on the dancefloor to the likes of Sub Focus and Dub Phisix. I found I seemed to get the best crowd response with a mixture of DnB mashups and Drumstep, particularly the latter. Using this apparent preference of the crowd to my advantage, I managed to mix in a few dubstep bangers into my playlist to shake things up a little, and it went down an absolute storm. As a consequence I began to fluctuate every once in a while between the two genres, and people were loving it right through til around 3am, when all of a sudden the floor cleared and people began to leave. As it turned out, the bar had (stupidly, if I might say so) decided that they would prefer more people in the front bar than where I was playing (the club/rear bar area), even though the vast majority of people in the venue seemed far more inclined to be dancing to EDM in the back bar than the chart tat they played in the bar area. Nevertheless, I was told it was time for my last few songs at 3.15 and was done by 3.30.
Throughout the night, I was asked to play requests on numerous occasions, regardless of the fact that the booth door clearly said ‘NO REQUESTS’ in large black font. Nevertheless, I did manage to stick a few of them in, although they were usually mixed into some sort of mashup with the music currently playing. Yes, the majority of people approaching the booth in a haze of intoxication were mildly distracting, with some being outright annoying by refusing to leave me alone for an hour or so at a time, but I think that the absolute best parts of the evening were in fact due to these booth-clingers, when every now and again someone would approach me just to tell me that ‘YOU’RE F****** SICK MATE!’ or to inform me that apparently this was a ‘TUUUUUUNNNNNNNNNNNNEEEEEEEEE’. I don’t think I’ve ever felt more happy than when people were giving me credit for what I love, i.e. DJing the music I love, and pleasing a crowd.
The night was an overall success and I was even credited by the manager of the club at the end, who told me that they’d had an ‘unusual amount of business’ in the room I played in, suggesting that I might come back and play again some time in the process. I think the main thing I learned from the experience would have to be how to read a crowd, which is of course going to be a considerable learning curve over the course of my DJing career, but nevertheless was obviously considerably heightened by playing live for the first time to a large group of people. If I could say one thing to anybody whose first event is imminent, it would be that the nerves you are feeling are of course perfectly natural, but so long as you realise that your crowd isn’t going to care what equipment you play on, and a mistake here and there is only human (and easily forgiven by a crowd under the influence), then you’ll realise that its not as scary as it seems, so sit back, relax and enjoy what will undoubtedly be one of the most memorable nights of your life!Jon Baker
ParticipantMrLittlerSmith, post: 19091, member: 1577 wrote: I’m just curious, whats the difference between the CUE and STUTTER buttons? I haven’t really gotten around to using them yet aha
Cue is most often used to set up and skip back (or forward) to a cue point in a track you’re playing. Stutter is used for skipping back to the point in the track you most recently pressed ‘Play’ at, so for instance if you started the song from the beginning and didn’t pause it at all, it would send you back to the beginning of the song all over again.
Jon Baker
ParticipantMy Play/Pause button on the right hand side has done this twice in the past week, and I’ve got my first proper gig coming up in, oh, three days? I’m screwed.
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