Fxn-L
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Fxn-L
MemberIn that case, I highly recommend VDJ. I started on it; my starting gear was the MixLab skin, a keyboard, and a mouse. When I bought the MixTrack Pro, it mapped natively to VDJ really well. If you buy VDJ 7.0, there’s a filter wet-dry on the skin but not on the MixTrack and it’s super useful…I made a thread around here somewhere if you wanna check it out.
Fxn-L
MemberVDJ works very well for me. I’m still fairly new to DDJing and I’m still trying to figure out everything. One thing I’ve noticed though is that VDJ doesn’t really allow for specifying what cue points are what (i.e. cues, load marker, etc.) And from what I understand, VDJ doesn’t have features like Traktor’s quantize or loop snap functions. Either that, or I haven’t spent enough time reading about VDJ’s features yet.
September 10, 2011 at 4:54 pm in reply to: How Do You 'Actually' Feel When Your Work Is Criticised ? #1001642Fxn-L
MemberIf it can happen to superstar big names, it can sure happen to us!
No way! 😮 I’ll keep that in mind!
Fxn-L
MemberSup dude?
Fxn-L
MemberSlightly-off topic, but can I just say that I am really excited for those videos to be released?
September 10, 2011 at 3:47 am in reply to: How Do You 'Actually' Feel When Your Work Is Criticised ? #1001637Fxn-L
Member@Fxn-L – When something tells you “Dude; that Sucked Ass”; your Response is to just Accept it and say; “Oh; what I just did SUCKED”;
Well; Why Did It Suck; did the Person Tell You Why; do they have the Authority Of Technique and Skill to Say That ?
What Did You Think Of It Yourself ?(trial run of the quote button, hopefully it works)
I think I over-simplified my reply:
More often then not if I get a response like that, I will definitely ask them to elaborate. I’m not one to just take things at face value. Like I’ve said a few times before, DJing is not my profession; I work in the medical field. At work, I can’t just accept things at face value…I need to completely understand things or else people might get hurt. Likewise with DJing, I can’t allow just a simple “You suck” to slip by…I would investigate why they said that.
As far as having the technique and skill to judge like that, I wouldn’t necessarily say that technique and skill is a prerequisite to giving criticism– both the crowd and the DJ are consumer of music. Granted DJs are more active in their listening, I still think the layman has enough experience of listening to music to be able to give some kind of feedback. It’s up to the recipient of that feedback to do with it whatever they will.
And as far as how I feel about feedback like that? Just like I said in the above post, as long as they’ve got an opinion then I don’t really see any problem in it. People are entitled to their opinions, yknow? So it’s up to me to receive it in whatever way I choose and develop a game plan (or stick to the current one) right there. I played out at an EDM event (if you can call it that) as the opening DJ a while back. I made poor song choices and emptied the room. Honestly, I think that’s worse than someone walking up to my face and telling me that I’m sucking. Because if there’s no one around then how can I delve into the feedback beyond “You suck”? There’s no one there to ask why! I would’ve much preferred someone to tell me “you’re playing too fast” or “we want X type of music” or whatever. Because of my nerves and inexperience, I really didn’t know what to do. So I just kept with what I was doing and everyone came back later after the next DJ started his set. So if I could CHOOSE what kind of feedback to receive, I would always prefer 100% brutal honesty versus a nonverbal response to peacing out and coming back whenever the next DJ is on.
Fxn-L
MemberHell yeah, Ip Man!
September 9, 2011 at 2:48 am in reply to: How Do You 'Actually' Feel When Your Work Is Criticised ? #1001610Fxn-L
MemberI personally like it when people are 100% brutal. Because honestly, it’s more than likely what the crowd will be thinking in their heads.
I would much prefer someone tell me straight, “Dude, that sucked ass,” rather than get wishy-washy feedback that’s sugarcoating it. Because if I know right from the get-go, “Oh, what I just did SUCKED,” then I’ll know to not do something similar in the future. Whereas if people just grin and bear it or beat around the bush, I could potentially go about my day/evening blissfully unaware of the depth of how shitty I just sounded.
Fxn-L
MemberWhat a cool thread!! Mine are in no particular order as well.
1. BASEketball
2. Memento
3. The Game (Michael Douglas film)
4. Ip Man
5. Grave of the FirefliesFxn-L
MemberLove it! How do you stay informed about Goa/Psy? I want to learn more about the genre and broaden my horizons but house, trance, and electro dominate a lot of the places I look for cues (i.e. DJ podcasts, Beatport browsing, etc.).
Fxn-L
MemberFrom “technical”, I’m assuming you are asking about “technique” and not the “overall role of the DJ” in terms of her/his relationship to the crowd and venue.
But it sounds like you have a handle on it. I personally don’t mix rap/hip-hop/pop etc…not because I don’t like it, but because my love sits with EDM. My fiancee’s brother is a hip-hop and pop DJ at several bars in Florida. Although both him and I do not spin the same music, the general techniques remain the same. Understanding the nature of your music and understanding how to transition between songs effectively.
Tutorials are fantastic. However, it’s very easy to use them as crutches. Experiment a little as well. You don’t always have to go for a flawless blend mixed harmonically. You could try slamming Song B’s climax after Song A’s build-up or something. From what I understand about your chosen style of music, blends are a little more complex because you often don’t have those super convenient measures upon measures of instrumental breaks or whatever else. You may have to know your music more intimately than new EDM DJs (like myself) who use those convenient sections of music for blends and understand how to move back and forth between your songs.
I wish you the best, pal. I don’t know much about DJing or techniques for that matter, since I’m still pretty green around the horns myself. However, I love popping into the forum and helping everyone and — more importantly — learning from everyone. Skills that all of us use despite our chosen style of music is often transferrable between genres and that’s what makes this profession so appealing. You are always learning from others. Good luck!
Fxn-L
MemberIt’s a really neat genre. One of my favorites, actually. But it’s not really everyone’s thing.
Fxn-L
MemberFirst of all, I want you to know that I LOVE she, and major props for posting it.
I wouldn’t categorize it as dubstep for several reasons. The biggest being that it’s got a four-on-the-floor for most of the song, with the kickdrum hitting every beat. Given the overall sound of the song on top of that lends itself to be called some kind of house. However, because I know she uses old school video game sound samples (8-bit sounds via GameBoy and computer) I know that it is actually called “chiptune”. But there’s definitely some downtempo ambient aspects to certain tracks as well as some house elements used in his more dance-y tracks as well. It’s what sets him apart from other chiptune artists like Dubmood and Shirobon. Hope that helps you get the library categorized!
Off-topic: One of my favorites by she – destination luna4.
Even further off-topic: Another great chiptune artist who has more house/electro-y feel to his music is FantomenK, and he posts all of his music for free on 8bc.org. He’s also got a YouTube channel with individual links to each song for download as well.Fxn-L
MemberIf you’re into dubstep and its derivatives, my buddy opened his set at a recent club gig with this one: Pendulum – Witchcraft (Rob Swire’s Drumstep Mix).
Fxn-L
MemberSometimes I’ll take older house, acid, or trance tracks with somewhat lower energy to them and pitch them slightly down. One of the tracks I’ve done this quite a bit with is Flaming June (BT & PVD Mix). Then again, I’m not really all that experienced, soooo….
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