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Viewing 15 posts - 91 through 105 (of 738 total)
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  • in reply to: Best transition effects #2393041
    Alex Moschopoulos
    Participant

    Best “transition effect” I’ve used is plain ol blending. Not just beatmatching, but using the EQs to further blend sounds as well as good programming to use tunes that meld together well.

    In terms of going from drastically different tempos, I usually like to quickly fade through, or use a delay to have it go out while bringing in the new tune, or if I happen to have a good “transition tune” (one that changes from one tempo to another) then I’ll go from there.

    in reply to: Flashback Friday Music Share for 05/06/2016 #2392501
    Alex Moschopoulos
    Participant

    Was listening to an old school mix I did and kept humming this one all weekend.

    Title: Don’t You Love Me
    Artist: 49ers
    Label: 4th and Broadway

    Genre(s): House, Italo House
    Year released: 1990

    While Chicago was the place mainly associated with house music in the 80s and into the 90s, Italy was a factory churning out many summertime anthems of the time. While they might not have not made sense vocally at times, the sounds from the peninsula always rocked dance floors and added a melodic touch to the urban sound of house.

    The 49ers were a notable group at the time, despite that they seemingly never had massive success beyond their debut album. Most fans were deep into their classic single “Touch Me”, but “Don’t You Love Me” was a great piece of music that saw much airplay on Top 40 radio here in the US.

    in reply to: Flashback Friday Music Share for 05/06/2016 #2392491
    Alex Moschopoulos
    Participant

    Here’s a few that crossed my ears this week that took me back…

    Title: Open Up Your Eyes
    Artist: JohNick
    Label: Henry Street Music

    Genre(s): House, Deep House
    Year released: 1998

    A clever sampling of “One More Minute” by Saint Tropez created an anthem for the late 90s.

    in reply to: Song Choice to Learn Beatmixing #2392041
    Alex Moschopoulos
    Participant

    My suggestion…find two tunes with SIMPLE RHYTHMS.

    I don’t have any titles off the top of my head, but try tunes that have the simple kick drum and hi-hat rhythm…as opposed to some complex “busy” rhythm. Your goal is to just differentiate the two tunes playing and then keep them held together. Eventually you’ll grow into more complex tunes where you’ll decipher the kick drum from all the other sounds.

    in reply to: Tuesday Music Share for 05/03/2016 #2391841
    Alex Moschopoulos
    Participant

    An unlicensed remix of Cosmic Gate for those into trance…

    https://soundcloud.com/everlight/am2pm-everlight-remix

    Title: AM2PM (EverLight Uplifting Remix)
    Artist: Cosmic Gate
    Label: No real label, but the original is on Wake Your Mind Records
    Genre(s): Trance

    in reply to: Tuesday Music Share for 05/03/2016 #2391831
    Alex Moschopoulos
    Participant

    Yay…not too late. Been sick all week. 🙁

    One from Funkstar with Audio Jacker. A nice bouncy tune for the warm weather:

    Title: Make Me Wanna
    Artist: Funkstar
    Label: Tasty Recordings
    Genre(s): House, Funky House

    Alex Moschopoulos
    Participant

    When it comes to vids on youtube, should just vids containing just audio tracks be used at all or is it better to have something with activity going on? My vids were just audio tracks. I haven’t made any real music vids yet.

    I wrote an article on utilizing video for promotion: http://www.digitaldjtips.com/2014/03/creating-killer-dj-promotional-materials-part-6-videos/

    My suggestion to you, since you’re doing your tracks, is to make a template graphic where you can place the name of the tune and artist (yourself), like a piece of album art. Keep it simple for this. Go more “crazy” on bigger promotional items, like video of you performing.

    And don’t worry if your album art looks “dated”. It’s the brand you released the tune on. Don’t go changing it up and thus potentially killing the familiarity your fans have with that tune.

    Alex Moschopoulos
    Participant

    Here’s my advice on social media:

    1. Only use the platforms that you know will benefit your efforts. I’ve seen kids sign up for anything and everything, placing 10-15 icons on their websites, but only seeing 2-3 platforms gaining them a fan base. If you really don’t see a market on a platform, or you have no time to use it, then skip it.

    2. Make an investment in your social media. Beyond signing up for too many platforms, the biggest mistake I see many make in social media is to only use them for promotion. If all you’re posting are new releases and upcoming events, then people will ignore you. The winners in social media are those who actively engage with fans on a daily basis. They’re the ones sharing their personal lives, conversing with fans, and being with them…as opposed to above them.

    3. Be secure in yourself and your accounts. I have one colleague whom I swear seems to delete his accounts and set up new ones every few weeks. He says he gets hacked a lot, or is overrun with trolls, so he “cleans the slate”. What he should do is make sure he uses very secure passwords (to hopefully prevent the hacks) and learn to ignore, ban, and/or deal with trolls. Your fans won’t keep re-liking your profiles if you keep deleting them. Build that strong fan base, and they will become your advocates…attacking the trolls who try to make your life miserable.

    4. Understand and accept your limits. This ties into your problem. You have 887 videos on YouTube. Are these your tunes? If not, then consider deleting a large chunk of those videos if they don’t serve your benefit. You should also not worry about “old art”. I have mixes on my site with the old album art format I used to use. It’s pointless for me to “redo them” when I made a new look/feel/brand, as it would destroy the recognizability of those old items.

    I’ll also toss in that you should not worry so much on the art, if you’re pushing music. If you look at a lot of art on music now, they keep it simple. Some make one layout and use different colored versions to separate releases. Others simply have a logo of the label with the title/artist on it. No one’s seeking Picasso/Michaelango level artwork on a release. Keep it simple. If you need help, try networking with design students.

    Lastly, social media and marketing is a side portion of your work. If you find you’re spending more time on social media than on your actual work, then it’s time to cut back. The folks I see who “invest in social media” still only post something once or twice a day, or even a few times a week. Take a deep breath and look into what will benefit you, and what is just a waste of time.

    in reply to: Really, Really Old School! #2390311
    Alex Moschopoulos
    Participant

    I’d probably look at iTunes and Amazon Music for starters.

    Maybe hit up your local second hand music stores (if you have any) and seek out any CD compilations you can rip into files.

    in reply to: Finding Music #2390021
    Alex Moschopoulos
    Participant

    I’m a nut for the “138” style of trance, and I’ve found some success with the “My Beatport” system where I follow artists and labels who CONSISTENTLY put out good tunes, rather than those who maybe put out 1-2 good tunes.

    Live sets are a bigger one for me. Usually after Ultra and Luminosity, I’ll look for the live sets and tracklistings online, listening and shopping off them for the the tunes I liked. ReOrder, Darren Porter, John Askew, and Standerwick have been good sources for me lately.

    I also think if you’re seeing a saturation of mediocre or cookie-cutter tunes on the web, then look into other sounds or genres. Try Psy-Trance, some harder hybrids of trance and techno, or whatever might float your boat.

    in reply to: Tuesday Music Share for 04/26/2016 #2389491
    Alex Moschopoulos
    Participant

    And one from the Cube Guys with Dual DJs:

    Title: Everybody
    Artist: Dual DJs with the Cube Guys
    Label: Cube Recordings
    Genre(s): House, Tech House

    Just a nice dark banger in my book.

    in reply to: Tuesday Music Share for 04/26/2016 #2389481
    Alex Moschopoulos
    Participant

    Here’s a trance tune for this week…

    Title: Purgatory (Ciaran McAuley Remix)
    Artist: Scientific Harmony
    Label: Borderline Music
    Genre(s): Trance

    To the not-so-into-it ear, it sounds like the usual sound of trance, but it’s the synths with the small snippets of echoed voice that made me pick this tune out of the much that is released weekly.

    in reply to: Flashback Friday Music Share for 04/22/2016 #2387941
    Alex Moschopoulos
    Participant

    I have one more for today, and thankfully it’s not related to a recent death:

    Title: Glow of Love
    Artist: Change
    Label: Warner Brothers / WEA

    Genre(s): Post-Disco, Italo-Disco
    Year released: 1980

    This is one of those tunes I didn’t really know of until I heard someone sample it. For me it was when house producer Daddy’s Favourite produced their track “Honey Cricket”. I just looked the guitar/piano rift, and didn’t discovernits origin until years later. Janet Jackson also sampled this tune for her but, “All For You”.

    Change was basically an Italian Post-Disco project started by producers Jacques Fred Petrus and Mauro Malavasi. Heavily influenced by Nile Rogers and Chic, they produced several albums until their demise due to the death of Petrus in 1986. Glow of Love features an early start for R&B star Luther Vandross as lead vocalist, but Change also features other big dance music vocalists like Jocelyn Brown and Deborah Cooper. Their work later helped craft C+C Music Factory, as some members moved on to work with Cliviles and Cole.

    in reply to: Flashback Friday Music Share for 04/22/2016 #2387901
    Alex Moschopoulos
    Participant

    There was another notable passing in house music this week. While not as famous as Prince, his signature tunenis well known in many circles.

    Title: Zig-Zag
    Artist: Zig-Zag (DJs Chunk-A-Bud & Fiasco)
    Label: Zig-Zag

    Genre(s): House, Deep House, Jazzy House
    Year released: 1993

    Earlier this week, Chicago lost one of its DJs who helped shape house music into the modern sound we know. DJ Adam ‘Chunk-A-Bud’ Malian died mysteriously this week, as his cause of death has not yet been determined. He was 43.

    While most people will not know of his name, many will know this tune. There isn’t some mistake on why the title, artist, and label are all “Zig-Zag”. The record simply never had much information onnit beyond that and two names. It was pressed from Trax records on an affiliate label.

    I can’t imagine any house head in Chicago no knowing that signature saxophone sample. It was one of the first new releases in 1993 that signaled a change in dance music. A move away from the hard rave techno of the early 90s and into what became this Jazzy House sound of the mid 90s. Malian didn’t have a lot of releases under his belt, but he was resident DJ at the infamous Chicago club, Red Dog. He and that club have to be some of the most influential factors in what reshaped house music and inspired many local DJs and producers to experiment in deep house, jazz, Latin influences, etc.

    in reply to: Flashback Friday Music Share for 04/22/2016 #2387891
    Alex Moschopoulos
    Participant

    It was a shock and shame Prince died. Here would be what I think of as my favorite piece from him:

    Title: Erotic City
    Artist: Prince and the Revolution
    Label: Paisley Park / Warner Brothers Music

    Genre(s): Pop, Funk
    Year released: 1984

    I’ll admit that while I respect Prince and his work, he was never at the top of the list of 80s artists I liked. Erotic City always stood out to me for its funky beat and interplay between Prince and female vocalist Shelia E. I grew to really love this tune for how well I could integrate it into DJ sets in the 90s.

    Regardless, it’s still a shame he died. Truly a loss for the music world.

Viewing 15 posts - 91 through 105 (of 738 total)