Alex Moschopoulos

Yeah…didn’t realize it until after I posted.

Are you on Traktor or Serato or VDJ or something else?

I’d tell you then to look at functions and buttons, as well as levels of durability.

In my book, “beginner” means a simple controller with the basics for DJing. “Intermediate” is when you have the controls to use the samplers, remix decks, etc…and you use them. “Pro level” are the $1000+ high end controllers.

Man…most of these sites are GONE.

I usually organize my music two times:

Once is just for storage, with some more “generalized” genre. I don’t use anything other than simple folders. From there, I burn said music on DVDs.

The second time is more for when I want to play out or make a new mix. I don’t put my entire collection on my hard drive, but pack a folder much like I’d pack a record box back in the day. You don’t need thousands of songs for a gig unless you’re doing a 8-10 marathon set, or you’re playing mobile events where you take requests.

I only keep on hand the music I will play. Stuff I barely touch I leave on the DVDs.

I just like being free of the record store limitations. I like that I can be at my work, doing my work, but listening to tunes off the stores. I like how I can add stuff to my cart, sleep on it, and it’s there for me in the morning…no “sorry, we’re out of stock”.

I’ve always hated the “mad Thursday rush” to the record stop, fighting through crowds to get some new/cool stuff. Worse when a really amazing tune comes out and the few copies the store has are all in the back room, being bought up by the staff.

I like how I can sit on the train with my tablet (and MixxVibes) and plan out a set. I like how I could be out of the house with my laptop and a simple midi control, and record said set.

I just like how I have less of a footprint with gear and more accessibility.

I’d tell you to buy what you like now. If anything, maybe after NAMM you’ll see some big deals for old stock many want to get rid of.

I agree though with Terry_42 in how the technological advances have been slow, mainly because there’s only so much we can do in the simple world of DJing.

Here is Part 1: http://www.digitaldjtips.com/2011/09/how-to-promote-events-throw-your-own-parties-part-1/

I am in the midst of “updating” them for the modern times…but the info is still relevant.

Throwing an event can have loads of variables in the mix. You have to first have an idea and secure a solid venue for it. As I stated, don’t just take the available venue…find the right venue.

You have to plan out what the evening will be, how you’ll be a value to those who attend, and how you can avoid losing money in the process. Costs could include a venue rental (if this isn’t just some club/bar night), staff to work the event (if it’s not included), potential acts you’re booking to be there (and any riders they request), any sounds/gear/lights you might have to rent (if the venue has none), promotional materials, any refreshments you’re selling (if the venue isn’t doing it), and those small costs that pop up out of nowhere.

MY SUGGESTION: If you’re a neophyte, then hook up with an established promoter. Help out, show ambition, be responsible, and work hard. Believe me, most crews are usually made up of 1-3 dedicated folks and loads of mooches hanging on for free drinks, free entry, and potentially small amounts of money for supposedly “promoting”. Be one of those dedicated and the promoter will take you places.

If you want to go on your own, then find trustworthy partners and start small.

Let’s see…

Online shows, podcasts, college radio, raves, teen clubs, school dances, house parties.

Clubs and bars are tough to get into if you’re not 21.