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  • in reply to: how do i prepare myself to dj solo? #37944

    Chuck pretty much nailed it.

    Will add in, have ONE drink before your set if you are a drinker. It’s a great way to calm any nerves and get you into the club goers mind set. The first club gig I did, I was nervous as hell and my set suffered for it. The second time, I had a drink about 10 mins before I went on. It calmed me immensely and just let me go right into it. At the end of the day always remember that your crowd wants to dance, that’s why they are there so just have fun with it. Don’t get hung up on making mistakes, everyone does. Just keep the beats bumping and get out of a bad mix quickly if you have to. The crowd will forget because, remember, they want to dance and if you have a total of 2 minutes of crap mixing out of 2-3 hrs, they aren’t going to remember that 2 minutes.

    in reply to: Mixing help w/ transitions etc. #37221

    DJcRave, post: 37348, member: 3862 wrote: Beatmatch
    simple really.
    i also learned about looking at the seconds..
    electro-house 128bpm usually “drops” at 1:00 or 1:07 and the second drop is usually around 2:30 (dont really pay attention anymore) how i mix it is i start the second song at the start of the second drop and usually(not all the time) it’ll transition well either from the end of the drop to the beginning of the break down (song 2) or end of the drop to the start of the drop (song 2) depending on the key…
    trap and dubstep are a little harder..
    but the key thing to remember is beat match.. usually 16 bars/counts then its something different a drop is usually 32 bars
    a breakdown is usually 8 bars and intro can be from 32-64 bars…this is house/electro

    Basically this if you are doing house/electro. The easiest way to start is by endzone mixing. Most house has a 32 bar intro and a 32 bar outro (roughly 1minute long each). Start the second song at the start of the first songs outro. You can usually even see where it starts/ends by looking at the waveform. I started by doing just endzone mixing. Drop the bass out on the second track and 16 bars in, switch them. It’s not the most “exciting” mixing ever but it gives you a nice feel for how things flow together and to just get the basics of blending two songs together, playing with the eq, effects, etc. After getting proficient with endzone mixing, you can switch to doing new things like dropping during a chorus, during a drop, loop rolls, quick cuts etc.

    in reply to: How best to structure songs in folders? #36962

    It’s a personal thing you’ll have to figure out.

    I use Traktor. I have all my songs separated to quickslot playlists numbered 1-12 which I put songs into based on their key. I then just jump around those to pick or just click on on track collection to see everything which I sort by BPM. That’s the system and workflow I’ve gotten use to so it works for me.

    in reply to: BPM analyzing. #36921

    There is an option in the settings that basically says “analyse and beatgrid when adding to collection” (that’s not exactly what it says but it’s close to that). Check that off, then click the first song in your itunes library in the traktor browser, scroll to the bottom. Hold shift, click the last song so every song is selected. Then right click and hit “add to collection”. This will analyse and add every track to the traktor collection. Will take awhile depending on the amount of songs. Don’t interrupt it or stop it.

    The way I organize is I open up traktor. Go down to the itunes browser and then go to the recently added playlist. There is an icon that tells me if it’s been added to my collection or not. I add those not in the collection so they get grided/bpm detected. I then have quickslot playlists set up for MIK 1-12. I add the songs to the appropriate playlist and I’m done. Everything generally organized in about a minute.

    in reply to: How did you get your first set in a bar/club? #35940

    One of my friends was holding an Australia day party at a club in TO. I am still the resident DJ for every house party my large group of friends hold (average 2 parties a month for them), so I said I’d do the gig from him. I thought it be just like a regular house party thing but at a club. Instead, it was the club being open like normal but them having the run of the place (music, photos, contests, etc) for a few hours. Met some cool DJ’s and promoters during that first gig.

    in reply to: Do you remember the first day you had a DJ controller? #35687

    2/10

    Got a original Hercules RMX used. Took me over 45mins to find the guys place who I was buying it off of. Got home and had no time to try it out as I had to head to work. Got home and spent the next 2 hours trying to get it to work right with VDJ, just couldn’t seem to do it. Eventually shelled the money out for traktor (since the guy I bought it off of suggested I do so). Took me about 2 days to get everything working right.

    in reply to: Mixing with only filter #35686

    Perfectly fine to do. I avoid using filters because they sound “too clean” if you get my drift but do use them on occasion. I mostly do endzone mixing so I usually drop out the low on the EQ of the incoming track and up the High or Mid or Both depending on the sound I want. Then slowly bring up the low on the new track while dropping the low on the old if the low stays hard right till the end of the last track. I usually have the low back to 12 oclock 16 bars in, as this is when the build up starts for a lot of the music I play and I want the new track to be the more powerful one by this point with the old still being there but less pronounced.

    in reply to: First Club Gig- Getting Paid? #35419

    Run from this if they are insistent on it. I’ve never heard of any club making the artist pay them to play, it’s suppose to be the other way around. They are going to be open any ways so what difference does it makes if it’s you as a DJ or them plugging an iPod in? They are going to make what they are going to make (but yes, you should promote yourself as well. At the start, I almost always got 20-30 of my friends to come out). My first few club gigs, I did for free or for gas money. Usually after my set, they’d throw me a bit extra if I really had the floor going but I wouldn’t take that deal in a million years.

    in reply to: Droppin da tune #35369

    I do both. If I am manually beatmatching, I start it low because the competing beats will sound horrible if I don’t hit it perfectly and with a midi controller, there is always a small delay from when you hit the button and when the track starts. Even a fraction of a second makes a difference. If I’m using the sync button OR the beat I am dropping doesn’t have a drum (think synth/singing intro), then I’ll start it around 3/4 volume. I do this especially when endzone mixing because you can usually barely notice that the sounds are even changing.

    in reply to: What do you carry your gear in? #35276

    Hercules bag for my rmx2
    Laptop bag for laptop, cords, stand, etc.

    Usually just put the laptop on my shoulder and carry the controller by the handle of the bag. Been looking at finding a more all-in-one solution but it works for now.

    in reply to: difference between creating a mix and playing live #35233

    I hardly ever use effects in my mixes because if I screw it up, even slightly, you can hear it every single time you listen to that mix. It is there forever but in a club, if it’s slightly off, it’s easy to recover from and is easily forgotten. I always take more risks when playing live then I do when recording mixes.

    That’s not to say I won’t try different things out at home even while recording mixes but I am more selective. If I’m working on a 45min+ mix and I screw up 30mins in, then I just wasted 30mins of my time since I will always stop right away and restart.

    in reply to: DJ Controller for my first gig #35112

    I’m a fan of the Hercules RMX. It has a small footprint but is built tough and doesn’t break the bank ($300 CDN for the RMX2). I just ordered the RMX2 since it has a few more features than the original but same basic design, just waiting for it to arrive but if it’s anything like the original, it should be perfect. You could obviously go the route of the S2 as well, which works perfectly with tracktor software if that’s what you are using. If you have a decent music shop near you, go in and try some out.

    I pair mine with a pad midi controller as well so I can remix samples and such on the fly. Been using an old Korg that costs around 50 CDN but will probably change that soon as well.

    It all comes down to what you want and where you want to go with being a DJ. I DJ as a hobby, doing parties and the odd club gig so my set-up works for me. It’s easy to transport and takes up a small amount of room (which can be a concern in some clubs and house parties). If I can find somewhere to put a laptop stand then my set-up will fit as well. If I did it more seriously, I’d probably invest in at least an S2 but probably an S4.
    My two cents.

    in reply to: Where do you post your mixes online? #35090

    Personally, I just make videos (usually just a picture, DJ name and “30mins or Dance 1/2/3/etc) and upload them to youtube. It’s easy to share on facebook/twitter, can be streamed on everyone’s phone, tv, videogame system and haven’t had problems with copyright. Got an e-mail a few days ago saying one mix had copyright material but it wouldn’t be taken down, just blocked in some places or ads added. I encode at highest possible bitrate for audio and then less quality for video itself (since it’s a static picture). It’s different then a lot of people but it works for me.

    I just switched DJ names so just opened a new channel but this is all I do http://www.youtube.com/user/AGoodStorymusic/videos?view=0

    in reply to: forced to use cdjs #35088

    I usually avoid this problem by telling the club promoter/manager/whoever is booking me that I use a laptop and controller which is non-negotiable. It helps that I use a Hercules RMX2 (just upped from original) as it has a small footprint. If there is room for a laptop stand, there is room for my controller and that most of the clubs in my city are newerish with big booths.

    in reply to: My DJ software is __________, and this is why… #13317

    I use Traktor because I find it the easiest to use. I found a decent mapping for my RMX that I have slightly tweaked over time. Use to spin with VDJ but I just didn’t enjoy it. As soon as I used traktor, I was hooked.

Viewing 15 posts - 1 through 15 (of 16 total)