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Viewing 15 posts - 31 through 45 (of 54 total)
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  • in reply to: Newbie Girl Needs Advice! :) #40595
    DJ Hane K
    Participant

    Nina, that’s exactly correct. Well, you CAN of course mix live using only your laptop and DJ software by using keyboard shortcuts, but doing this is far from intuitive and you for sure will have a much harder time pulling off all the cool tricks you could do with something tangible to mix with – a controller. Some “DJs” even play “gigs” using nothing but iTunes or winamp, but the quotes should give you an idea on what my personal feelings about this type of “DJing” are πŸ™‚

    And yes, you can pre-mix things at home and then just press play. Just look at what Paris Hilton does (ok, she doesn’t pre-record her own sets, someone else does this for her and she just stands behind the decks waving her arms and looking pretty). While an option to be sure, you will probably get a lot of grief from other DJs for doing this. After all, if you’re not mixing live, why should anyone hire you to perform, when they could just go on soundcloud and download a recorded dj-set from one of the world’s best DJs and play that?

    So I guess what I’m trying to say is, get some gear to practice on, learn the art, and then go kick ass pulling off crazy mixes and wowing people left and right! πŸ™‚

    in reply to: Newbie Girl Needs Advice! :) #40591
    DJ Hane K
    Participant

    Hi Nina,

    I didn’t quite get what you meant by ‘if my music is strictly put together on the laptop’ – are you saying you’d make mixtapes and then just play them out at parties? Or that you’d do your own remixes of songs at home, and then play those out when DJing? Either or, if you want to play live to an audience (and not just prepare a mixtape and let that play) you should get a controller (or CDJs/turntables and a mixer, whichever flavor or DJing you prefer).

    Regarding controllers, many new DJs prefer the Numark Mixtrack Pro or the latest version Mixtrack Pro II, but a common complaint is that these are pretty easy to grow out of once your skills develop. The choice of a controller depends of course on how much money you’re willing to spend and the types of venues you want to play (house parties, wedding gigs, bars, nightclubs…). Numark has gear that’ll pretty much fit any setting, ranging from the (cheap) mixtrack pro to the (expensive) professional NS6 and NS7 controllers. The Vestax VCI-300 and it’s successor the VCI-300mk2 are a bit older controllers but the upside is that they’re reliable, not too plasticky/toy-like and you can find pretty good deals online if you buy a used one.

    Maybe if you gave us a better idea on what kind of DJing you’re looking to do and what your budget is, we’d be able to help you out better πŸ™‚

    in reply to: Customer Song Request #16493
    DJ Hane K
    Participant

    I’d say there are about a million ways to easily do this. Ideally, you don’t want to use a dedicated app that people need to search for, download, and install because getting them to do this will be a pain (speaking from professional experience as a HCI researcher). Something people already have on their phones will definitely work best.

    The simplest solution, of course, would be good ol’ SMS – print a sign saying TEXT YOUR REQUEST TO XXX-XXX-XXX and hang that outside the booth. If you’re not comfortable handing out your number like that, use Twitter – again, print a sign saying TWEET YOUR REQUESTS – USE HASHTAG #REQUESTSTODJ or something along those lines, and then follow that hashtag yourself. Or Facebook, create a page for the event you’re playing at and let people write requests on the wall.

    I’m sure there are tons of apps out there that let you do many-to-one messaging, but like I said, getting people to download and install anything is usually difficult, especially due to the huge variety of brands and models out there – you don’t want to restrict this service to those with, say, Android smart phones.

    in reply to: Does it piss you off when a "DJ"… #15483
    DJ Hane K
    Participant

    I’ve seen this happen at a local rock/metal dive. For some unfathomable reason the place has a dj-booth and a dance floor, although I have never seen anyone actually dance, but then again I don’t exactly frequent the place either.

    The few times I’ve been there, being the curious soul that I am, I’ve sort of wandered to the general vicinity of the dj-booth to surreptitiously peek over the guy’s shoulder to see what he’s playing on, and boom – same thing. Laptop with winamp or something open. Then again, I guess heavy metal isn’t exactly the sort of music one can beatmatch or mix (?), so understandable in that sense… but why the place bothers to have a person sitting there is beyond me.

    Maybe it’s an image thing? As in “Look, we’re a cool, hip place, we’ve got a dj and everything!”

    in reply to: I just need some advice.. #14983
    DJ Hane K
    Participant

    Well, to each his own, I guess… If your library is well organized and you’re used to working with that, who am I to tell you differently πŸ™‚

    I could never work like that, personally, but that’s just me. For instance, I’m playing a 4 hour set this coming saturday, and my virtual dj-bag for that gig currently consists of 135 songs, which I feel is too much already. But I know every beat and every drop of each of those songs like my own pockets which, to me, is the most important thing.

    in reply to: Need help on the mic #14966
    DJ Hane K
    Participant

    Are there still clubs that actually have DJs who get on the mic and blab in-between and/or during tunes? :O

    Must be more than ten years since I last saw that! Well, except for this one sad occasion rather recently where a club had a pseudo-celebrity rockstar-turned-wannabe-DJ as a ‘headliner’ who had an MC with him, and the guy just would not shut up – he kept spewing the most clichΓ©d slogans (“party people come on put your hands up, woot woot!”) to cover up for the fact that the ‘DJ’ kept trainwrecking every single mix. I for one found that extremely irritating, up to a point where I just had to leave to preserve what little faith I still have in humanity.

    I bet I’m not alone in this, either, so… perhaps it would not be a bad idea to talk to the club owner about how this sort of thing is better left in 90’s, where it belongs.

    in reply to: I just need some advice.. #14963
    DJ Hane K
    Participant

    Also – and this should go without saying – regardless of what you play on, you really shouldn’t take 147k songs with you for one gig! Depending on how long your set is going to be prepare a setlist accordingly, and make sure you know each and every tune to the boot. Otherwise you’ll be digging through your enormous library trying to find the next tune, and not paying attention to the more important stuff like mixing, feeling the crowd and, yes, having fun yourself.

    DJ Hane K
    Participant

    Hiya!

    Counting beats and bars is one of the very foundations on which DJing (and, indeed, playing any instrument at all, with the possible exception of the didgeridoo) is built on. So you really need to learn that. Fortunately there’s tons of tutorials on youtube. For instance, just type in ‘counting beats dj’ and start viewing away!

    Here’s one to get you off to a good start:
    [media=youtube]BdNmogFVJTo[/media]

    And here’s one about counting beats and mixing dubstep:
    [media=youtube]shfCZZ-6jCw[/media]

    Best of luck, I personally think it’s pretty admirable that you’re taking the oldskool route and learning with vinyl first – most people don’t have the patience any more, since everything is just so much more difficult on vinyl than on digital gear (ok, just my personal opinion, that last one).

    Cheers!

    in reply to: Things needed for Digital DJing #11892
    DJ Hane K
    Participant

    FYI, the N4 is out. You can order one from Thomann, for instance.

    Check it out: http://www.thomann.de/gb/numark_n4.htm

    in reply to: Things needed for Digital DJing #11827
    DJ Hane K
    Participant

    Okay, um… So you say you want to learn the ‘art of DJing’. Others may disagree with me, but I would definitely say that Ableton Live is NOT the best way to start learning – as I said before, it’s really geared more towards music production and as such, has tons and tons of features that will confuse you and get in the way of actually learning how to mix tunes together.

    Here’s what I’d suggest:

    Step 1. watch this video:

    [media=youtube]IIt0ola2HOQ[/media]

    Step 2. watch all the other videos by ellaskins – for easy access go to http://www.djtutor.com/tutor/ellaskins/
    Step 3. get something to practice on – be it your dad’s old turntables, a couple of 2nd hand CDJs and a mixer, or a digital controller such as the Numark N4 (which, at least here in Europe, is already out and shipping)
    Step 4. Practice.
    Step 5. Repeat step 4.

    Then, after you’ve got the hang of maintaining a decent mix, and maybe with a few gigs under your belt, dig out the Ableton Live box you’ve ordered and start playing around with that – this way, the tons of features offered by ableton may not seem as confusing and intimidating anymore.

    I hate to be harsh here, but I really, truly and honestly believe that Ableton will mostly likely only get in the way of you learning how to DJ, seeing how confused you seem to be about the whole thing. I mean no disrespect, just the opposite, I think it’s great that you want to learn to DJ, but trust me – learn to walk before you try to learn how to breakdance!

    in reply to: Things needed for Digital DJing #11780
    DJ Hane K
    Participant

    Hey,

    if I understood you post correctly, you’re looking to practice DJing which, usually, means playing music from two (or more) decks (i.e. audio sources) and mixing them together on the fly. Ableton is really more for music production – making music, remixes, etc. So, while many DJs nowadays are also producers, if you’re looking to really learn the basic skills of playing music in a live situation in front of an audience, I think you should consider getting a controller better suited for this purpose. For the price of Ableton Live 8 and Traktor Audio 6 (Ableton Live being around 300EUR, and the audio interface a little less but still over 200EUR) you could get a very decent 2 or 4 deck all-in-one controller with physical controls, mixer section, soundcard etc.

    Many start with the Numark Mixtrack Pro (~200EUR), but if you’re looking to spend a bit more, for less than the ~500EUR you’d spend on Ableton and TA6 you could get, for instance, the new Numark N4 which to me looks like a very capable 4-deck unit.

    in reply to: Help regarding Numark Mix Track Pro … #9327
    DJ Hane K
    Participant

    Damnation, this forum software completely messed up my beautiful ASCII schematics πŸ˜€

    Oh well…

    in reply to: Help regarding Numark Mix Track Pro … #9324
    DJ Hane K
    Participant

    Mixtrack pro has two ‘decks’, A and B. You load songs to both decks, and then mix between them using the built-in mixer, the most simple use case being bringing the crossfader from deck A to deck B. The audio lead from the master output on the mixtrack connects to your speakers, and thus the mixer controls what’s coming out from the speakers.

    Like so:

    DECK A ———|———- DECK B
    ……………..crossfader
    …………………..|<- master out audio lead
    …………………..|
    …………………./
    …………………/..
    …………….SPEAKERS

    Now, if you add in an external mixer, you’ll get a situation where the master out audio lead is connected to one of the mixer channels – let’s call that channel 1. In this situation, all audio from the mixtrack is going in to channel 1 – exactly the same thing as when the master out was connected to speakers (without the external mixer). So the schematic would be something like this:

    …………..
    DECK A ———|———- DECK B
    ……………..crossfader
    …………………..|<- master out audio lead
    …………………..|
    ……..
    CHNL 1 ———|——– CHNL 2
    (mixtrack) ….xfader…. (nothing)
    …………………..|
    …………………..|<- mixer output
    …………………./
    ………………../…
    ……………..SPEAKERS

    So, now, moving the crossfader on the external mixer between channels 1 and 2 basically does nothing (besides mutes audio coming out from mixtrack on channel 1) – unless there is another audio source like a cd-player connected to channel 2. You will still be able to use the mixtrack crossfader, of course, and in this case the audio is simply routed through the external mixer, but using the external mixer to mix between decks A and B on the mixtrack is not possible.

    I hope this rather lengthy explanation clears things up a bit πŸ™‚

    in reply to: Dj Name Troubles #8916
    DJ Hane K
    Participant

    I don’t know man, my immediate reaction was to think ‘prance’ which, to me as a non-native english speaker anyways, brings up connotations of being silly and/or arrogant, i.e. prancing around. Merriam-Webster defines ‘prance’ as

    1. to spring from the hind legs or move by so doing
    2. to ride on a prancing horse
    3. to walk or move in a spirited manner: strut; also: to dance about

    But maybe that’s just me, I don’t know πŸ™‚

    DJ Hane K
    Participant

    DJ Loso, post: 7375 wrote: Personally, I think you are not a Dj if you dont scratch.

    Ooh, the first shot in what will surely escalate into a huge flame war!

    Please don’t go saying stuff like that, it’s just plain dumb.

Viewing 15 posts - 31 through 45 (of 54 total)