DJ Hane K
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DJ Hane K
ParticipantPlaying with a pro pioneer cdj-mixer setup is pretty much nothing like playing with a mixtrack. If you’ve never handled a CDJ before, expect a steep learning curve – something you don’t want to experience while trying to play a set! I would give the venue a call beforehand and ask if it’s possible to bring your own mixtrack and hook it up to the house mixer. Otherwise at least try to get your hands on a similar setup and try it out.
DJ Hane K
ParticipantChuck van Eekelen, post: 42485, member: 2756 wrote: I generally use that little sliding knob thingie that lays flat under the upright sliding knob thingies … Somehow one track suddenly goes less loud and the other one get’s proportionally louder when you move it from one side to another, almost like magic! … Seems to work real well.
If I am playing with the old black plastic thingies and I don’t have the side to side sliding thing on my apparatus with all the sliding upright thingies and flashing lights and such, I just wait for one black round disc to finish and then stop it (or the pencil-shaped tip at the end of the s-shaped metal tube that moves from outside to inside of the disc will hit the self-adhesive paper thingie with the whatyamacallit’s name on it) and then press the square, pressable metal thingie that says “PLAY” on the other rotating machine. I just leave all the upright sliding thingies up as it seems that when I put them down, sometimes sound does not come out of the big, heavy, squarish wooden or plastic boxes with the round, moving, circular thingies.
It’s all still very complicated to me.
Greetinx,
C.This. This should definitely be the opening paragraph in the next “learn how to dj” guide.
DJ Hane K
ParticipantBack in the day when I DJd college/frat/sorority parties I always had some ‘police line – do not cross’ barricade tape with me so I could rope off a small area for myself. Not as safe as a glass canopy but usually did the trick.
DJ Hane K
ParticipantOne option a bit closer to home for you (and free, of course) might be the Sibelius Academy in Helsinki, Finland. They have both a bachelors and masters program in Music and Technology: http://www.siba.fi/en/how-to-apply/degrees-and-programmes/music-technology/about-us
Might be worth checking out 🙂
DJ Hane K
ParticipantI guess the new Numark Orbit could also be mapped to control remix decks?
June 21, 2013 at 1:12 pm in reply to: FOR ALL DJ'S, If you want a good laugh read about my gig this past Saturday #41491DJ Hane K
ParticipantColtrane09, post: 41646, member: 2800 wrote: there are a lot of young kids doing what I think they call “yiken” or “yiking” and it’s very disturbing to see young kids doing it and then uploading the videos to Youtube. *shaking my head*
Wow, classy as hell! 😀
June 21, 2013 at 12:33 am in reply to: FOR ALL DJ'S, If you want a good laugh read about my gig this past Saturday #41483DJ Hane K
ParticipantDj Emazing, post: 41639, member: 9575 wrote: I just brought the track off of amazon for 89 cents, I want my 89 cents back.
This is why we have Spotify and YouTube, to check the songs out before buying 😛
DJ Hane K
ParticipantI kinda liked the show, it was entertaining and all – although it could have been called ‘master of the scratch’ in my opinion. The judges seemed to favor scratch/battle style DJing much more than anything else. Of course, given how short the performances were, no surprise there. Especially Kid Capri seemed to be very oldskool in his judging, not really appreciating any act that didn’t have a scratch routine in it. And Mia Moretti? Never even heard of her before the show… and she never basically had anything to say.
But overall a decent show, hope they’ll pick up the pace and get some better judges for season 2!
June 20, 2013 at 12:23 am in reply to: FOR ALL DJ'S, If you want a good laugh read about my gig this past Saturday #41464DJ Hane K
ParticipantHah, red nose 😀 Never heard of the song before, and reading your story I immediately went to Rudolph the red nosed reindeer. Knowing myself, if someone had asked me to play red nose on a gig, I probably would have thrown good ol’ Rudolph in the mix.
DJ Hane K
Participant“Back in the days of REAL Disc Jockeys – the clue is in the name – there were no mixers, at least in the case of mobile DJ’s, just a console with two turntables, 2 volume controls & – guess what – in between tracks DJ’s ‘talked’ to their audience. Crazy, huh! Not like the computer geeks of today!
I do, however, acknowledge there is a skill to be learnt in mixing tracks seemlessly, it just doesn’t interest me & is not what my intended audience would want anyway.”This… has to be a troll, right? I mean sure, I was still rocking my dear old mum’s teats in the early 80’s, but surely DJs of that era did more than play a track, blab on the mic, then play another track. Mixing – blending tracks together to create a continuous flow of music – is what DJing IS. And if mixing isn’t what your ‘intended audience’ wants, why bother with a controller at all? Or any sort of DJ setup? Just grab your laptop/ipod/etc, press play, wait until track ends, talk to your audience, repeat?
DJ Hane K
ParticipantChuck van Eekelen, post: 41414, member: 2756 wrote: L
Line dance? Seriously? Not in Holland it doesn’t, lol.Greetinx,
C.Heh, after moving to the states one of the first clubs I went to had people line dancing in cowboy hats and boots. Coming from the club scene in europe, that was the worst cultural shock I’ve ever experienced 😀
DJ Hane K
ParticipantI think having an app with open text fields is a bad idea – how many times have you had someone walk up and ask for “the song that goes wup-wup-wup dobbidibidy-doo you know the one with the cool chorus and the girl singer”. Exactly. Now imagine getting a million of those through this system. Not that many people know or remember the artist and exact song name, especially when drunk!
DJ Hane K
ParticipantBy the way, what are the differences between different Rane SL interfaces (SL1, SL2…SL4)? Sure seem to go way up in price from 1 to 4, so I was wondering what more does the SL4 do compared to the other ones.
DJ Hane K
ParticipantSorry for the dumb question, but.. Given all the ‘cons’ of a dvs system you guys have described, what exactly are the ‘pros’ compared, say, to a controller like the NS7/V7 or any spinning platter controller out there? Just seems like a lot of hassle for very little gain to me… But then again I’ve never had hands-on experience with dvs.
DJ Hane K
ParticipantNo problem at all, you’re very welcome!
We’ve all had that horrific first gig – the jitters, the nerves, the mind-numbing terror – but it’s just something you will have to eventually get out of the way! I remember my first gig, it was a college party and everything was going great until this drunk chick spilled her drink all over my controller. After rebooting all my stuff (I wasn’t experienced enough to have an iPod or something as back-up, so there was a loooooong silence) I finally got everything up and running again, but the crossfader on my mixtrack was busted and wouldn’t work anymore, so on top of everything else I had to mix with channel faders, something I hadn’t really practiced to do. So yeah, shit will happen, but in the end it’s all for good – from then on I always carry SOMETHING to play from as backup in case of mishaps, and also have a big sign on the table saying NO DRINKS ANYWHERE NEAR THE DJ-BOOTH —- AND DON’T ASK FOR JUSTIN BIEBER!
And then there’s the stuff you just can’t anticipate, like this one time at a rather rowdy pool party a buddy of mine got his CDJs and mixer all thrown into the pool when a drunk dude knocked over the table.
But enough off-topic… I really don’t use any looping software myself, so can’t help you there. Sorry 🙂
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