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  • in reply to: Funniest DJing moment #7612
    DJ Dain
    Member

    Last time I was DJ-ing in the UK, I was playing mostly remixes and mashups throughout the night (that’s my style and I had built up a little bit of an audience during my time there). Near the end of my set, around the 2nd or 3rd to last song, I hear a voice from behind the left stack of speakers rise up over the music: “I FUCKING HATE THESE REMIXES. BOOOOOOO REMIXES! BOOOOOO!” I couldn’t see the guy, but I could see plenty of people’s faces looking in his direction in confusion and little bit of disgust. I found it really entertaining because for me, as long as I’ve managed to get a reaction out of someone – good or bad – I feel like I’ve done my job. Indifference = failure for me. I’m proud that my set was so provoking that it caused this guy to cry out. 😛

    in reply to: The 'Mash-Up' #7610
    DJ Dain
    Member

    I DJ with mashups almost exclusively and have been producing my own since 2008. I consider them a sub-style of remixing since there’s usually a fair bit of a production process involved. I love playing them out because of the reactions I often get. People think they’re about to hear one song, but when they hear another vocal the also recognize they usually freak out in a good way. There’s always that moment of audible confusion, which can be really tense and can go either way, but usually there’s a group of people to lead off with a sing-a-long. Hearing people switch between singing Lady Gaga’s “Just Dance” and Journey’s “Don’t Stop Believing” is always a fun sight to see. 🙂

    I used to consider Girl Talk’s work “hyper-sampling” or a “hyper-mashup” but then I discovered Madeon:

    [media=youtube]lTx3G6h2xyA[/media]

    This kid is only 17! Sometimes it makes me rethink what I’ve been doing. 😛

    I’m actually thinking about starting a more advanced mashup project in the vein of Girl Talk that will allow me perform more as an electronic artist than a DJ – that is, most if not the entire performance would be prepared in advance, like a rock band plans a set. There would be some breathing-room to improvise or change if nessasary, but ideally it will follow a predetermined plan. This will allow me to (eventually) build and add-on a programmed light show, which is not something I can currently achieve just through DJ-ing.

    in reply to: What are some good warm-up songs? #1001704
    DJ Dain
    Member

    I was going to suggest soul/funk/disco/and some hip-hop tracks under 120bpm, but like others have said – it depends on your style and the audience your dealing with that night.

    in reply to: What is the main role/task of a club DJ? #7607
    DJ Dain
    Member

    For me, the core job is constantly asking myself “What is the right song for this moment, right now?”

    Then you play the song (provided you have it with you!) – It’s about a very Zen way of thinking.

    Everything else is just style and polish.

    in reply to: David Guetta..Your Opinion! #1001703
    DJ Dain
    Member

    “I hate what teens listen to. Pop music peaked at the exact moment when I was most emotionally vulnerable to trite love songs.” – SMBC

    But seriously, I saw David Guetta live in Ibiza early this summer and it totally changed my opinion of him. I still think most of his songs follow the same formula too much for my taste, but he’s one of the least cynical DJs I’ve ever seen. All the guy wants to do is throw parties and have fun. All the power to him!

    Also his accent just makes him adorable whenever he gets on the mic. He’s like a little kid!: [media=youtube]hYB1f0PnIQg[/media]

    in reply to: Mashups/Bootlegs/Remixes #7605
    DJ Dain
    Member

    Mashups you say?

    For websites that aggregate and filter mashup content try Bootie and Mashup Town. Most of mashup producers I follow post most of their own content online, including Party Ben and DJ Lobsterdust.

    Then there’s my stuff (shameless self promotion link).

    in reply to: Is my music to 'filthy' for he general public #7604
    DJ Dain
    Member

    The way I see it, you have two options: slowly build up towards the track you want to try – maybe starting with a less aggressive and more accessible dubstep (inspired) track. Or just trust your gut and drop the tune in whenever you feel it’s right for the moment.

    Don’t forget, DJ Pierre had to play “Acid Trax” four times in the same night before eventually winning the crowd over.

    in reply to: Q: Slipmat Storage #1001437
    DJ Dain
    Member

    Thanks for the tips! I found an empty record sleeve to store them in and placed it roughly in the middle of one of my record shelves.

    in reply to: Seeking Advice: Expanding on Ableton Live with a DVS #1000956
    DJ Dain
    Member

    DeeJayIvan, post: 3277 wrote: I have no experience with this but it might be worth checking out:

    http://mspinky.com

    Apparently this was the first DVS-style integration that came out as a VST plug-in for Ableton even before the Bridge.

    Damnit! I would love to experiment with this, but it requires Max for Live which is really out of my budget right now.

    DJ Dain
    Member

    I won’t claim to play anything in a professional capacity – I prefer to self-teach/learn by ear. I started out with piano/keys when I really young (with private lessons), drums (the full kit) in band class in grade five, alto saxophone in my High School’s band class (plus private lessons), plus electric/acoustic guitar, ocarina, and harmonica. Sometimes I’ll also beat-box and/or hambone a beat to myself.

    in reply to: What's Software do You Use? #547
    DJ Dain
    Member

    I’m currently using Ableton Live 8. I started out in 2003, messing around with a few different DJ programs, mainly one called DSS DJ. I switched over to Ableton around 2008 when I started using it to produce and I realized I could DJ with it as well. I’ve played around with Traktor a few times, but I’m much more comfortable with how I use Ableton now.

    in reply to: What type of person is the most annoying during your set? #546
    DJ Dain
    Member

    Phil Morse, post: 506 wrote: I don’t mind this type, I enjoy sharing info about my set-up etc

    Seconding this.

    The first thing that comes to mind as “annoying” are the times someone places a request and then proceeds to hang around the booth waiting for me to play it. It creates a really uncomfortable atmosphere – as if their entitled to whatever they requested to be played right away (or at all for that matter). Next to that would be people who return to the booth and ask why their request hasn’t been played yet, and/or when I’m going to play it. I really want to tell these people to just chill-out, go get another drink and find someone to dance with in the meantime. I don’t mind requests too much because it’s valuable info for reading the crowd, but I hate being treated like a jukebox.

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