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Viewing 15 posts - 46 through 60 (of 128 total)
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  • Dizzle
    Participant

    Free entry, guest list for friends, meeting international touring Djs, but most of all putting on one of my favourite tracks and watching the crowd go wild!

    in reply to: Some advice, if you please #42357
    Dizzle
    Participant

    Yea that or make sure your table is just big enough for your gear so that there’s no space for ppl to put drinks down on it. My mates used to bring their CDJ ‘coffin’ to house parties all the time… They can be the most fun if you have a good crowd and not too many d-bags or spoiled drama queens demanding their fav song haha

    Dizzle
    Participant

    That’s too bad mate. I’ve been living in Thailand for a few years and have friends living in mainland china not far from HK. We both agree that many of the cultures here try to avoid confrontation and hate “loosing face” more than anything else. Maybe the fake dj incident happened because you called them out on their fake dj and they lost face?

    in reply to: Steve Aoki Intro #42018
    Dizzle
    Participant

    I’m not trying to defend Aoki. I’m definitely not a fan of his work or the style of music he makes/performs for the most part. Just trying to say that even the “best” Djs out there have bad days.

    in reply to: Steve Aoki Intro #41918
    Dizzle
    Participant

    That’s from when he was first starting out…. see? we all start out at the bottom and work our way up

    in reply to: I Had A WTH Moment!!!! #41791
    Dizzle
    Participant

    Maybe don’t use cruise control when you’re playing out? :p

    in reply to: Why can't I vocal mix? #41574
    Dizzle
    Participant

    It can cause people to stop dancing. As a Dj you’ve practiced being able to pick out the two separate vocals in your head and make sense of them. To the average patron, it will just sound jumbled and will probably mess up their rhythm haha

    in reply to: Finally Secured My First Gig! #41434
    Dizzle
    Participant

    Chuck van Eekelen, post: 41573, member: 2756 wrote: Might wanna see what Platinum Notes can do with them. I have had quite a few satisfying results with it’s expansion capability and the option to add some warmth.

    Greetinx,
    C.

    What kind of tracks were you using the warmth on w/Platinum notes? I put a bunch of Bass/UK Funky & Trap in it and had to reprocess the tracks b/c the output was less than favourable to the bassline haha

    Dizzle
    Participant

    Whatever reggae you play, try not to make it all sean paul & bob marley tracks haha. Reggae Hits has at least 30 volumes of popular tracks from as far back as the 80’s cherry pick a few tracks from that.

    in reply to: What is this called? #41408
    Dizzle
    Participant

    I would call it a mini mix… if the songs are not being played together and it’s just intro of song a; drop song c then outro song b I’d call it a mini mix or maybe a bootleg (a remix not sanctioned by the original producer or made without the original stems of the songs being tweaked/edited/mashuped etc

    in reply to: Serato … should I try … #41407
    Dizzle
    Participant

    I’ve only ever owned Serato gear. I started out with a Vestax VCI-300 and Itch and upgraded to the 380 and subsequently Serato Dj. A few of my mates use Tracktor…mainly those that went with the S2/S4 to start their digital djing. Most of the Djs I work with use CDs or a Serato box. I’ve used Serato with a pair of technics and tracktor with a similar setup.

    I feel more connected to my library and tracks that are playing in Serato. Trackor makes me feel less connected to the music “on the platter”. Trackor has a more powerful and expansive feature set, but I play mostly hip hop & reggae at most of my paying gigs so most of those features are not necessary to me. I also love how Serato is plug and play, no configuring sound cards or midi mappings. Just plug in your rane mixer or serato box and go.

    It’s kinda like comparing Windows vs OSX:
    Windows (Tracktor) is very open ended. you can configure it almost anyway you want and it’s built to work with many different setups.
    OSX (Serato) is a much more closed ecosystem. You have less choice with customization, and can only use it with a handful of systems.

    However, I feel that it is a benefit to Serato as they only have to write the software to work with a few systems. Which allows the software to have tighter, more responsive controls that are prone to less random glitches. The introduction of Serato Dj to the Vestax 300 series controllers further confirms my theory as I’ve had more random crashes and glitches using Serato Dj as compared to Itch, which I used for a couple years with almost no problems at all. Serato Dj has to work with a much larger selection of midi controllers from a wider variety of manufacturers.

    So to sum it up. If you’re playing lots of loops and samples that you want to “play live” in your sets a la Tracktor remix decks, or you are pursuing a controllerist style of Djing, tracktor might be the software to go with. But, if you play songs that were made before DAWs were around to keep the BPMs static and the most you plan to use for loops are a few bars here and there, or maybe loop roll then Serato is where it’s at. I’ve seen some videos online where DMC champs compare the DVS performance of the two softwares where they claim there is no discernible difference. However, in my experience Serato is the better option for me.

    in reply to: Hip/Hop Transitions: Methods & Techniques #41405
    Dizzle
    Participant

    darerick, post: 41557, member: 324 wrote: ” I just saw an international hip hop Dj the other day do a set that had 0 mixing, all his transitions were quick cuts or scratches into the next track…”

    what was the name of the international hip hop DJ you made reference to..thanks ?

    Biz Markee was here about a month ago and played a NY style mix (30-40sec of a song, then cut to the next one) and the crowd was into it for the whole set. Last weekend Afrika Islaam (understudy to Afrika Bambata of the Zulu nation) performed a similar set. Biz spiced it up with some beat boxing as well, but both definitely rested on their name recognition as opposed to their djing skill.

    in reply to: Which Decks for Beatmatching? #41162
    Dizzle
    Participant

    Adjusting pitch with keylock will result in the choppiness/distortion you speak of. It’s most noticeable for me with pitch shifts of 5+ bpm (70-135) or 10+ (140+ bpm). The dj software struggles to adjust the tempo wile reproducing the same sounds. I play a lot of bass heavy music (dubstep, trap, d&b etc) and have experienced the same problem.

    My solution was to stop using keylock for electronic music. For hip hop and other more conventional genres, I still use keylock from time to time as the tempos of the tracks are all over the place. There was an article referenced here or on dj tech tools that argued that no one should use keylock as it will degrade the sound quality. If you turn up the volume or have big speakers you can hear the bass stuttering on my most recent mix on soundcloud. I recorded it back in November and since January I stopped using keylock for my electronic music sets.

    in reply to: Playing the same tunes, but at a different party #41154
    Dizzle
    Participant

    Exact same set as before is definitely wack.
    But if you are packing your crates with 2x-3x the amount of tunes you need to do an hour set, you can play the crate differently almost every time. If you’re playing super long sets very regularly (weekly etc) it’s pretty much impossible to play completely new tracks every time you go.

    in reply to: What is wrong with this one? #41153
    Dizzle
    Participant

    It looks like the the track on the right has been compressed quite a bit and the output gain has been reduced.

Viewing 15 posts - 46 through 60 (of 128 total)