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Viewing 15 posts - 16 through 30 (of 128 total)
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  • in reply to: Question for the mobile DJ's #2140001
    Dizzle
    Participant

    Yea I’m with Vintage on this one, smaller BPM changes are better. Instead of trying to go straight from 117 -> 128 try playing another track or two that are around 120, then 124ish etc. From club to wedding gigs, I prefer to play a set that starts at about 70, climbs right up to 140 and sometimes beyond if I think the dance floor will go for a bit of d&b or some such haha

    in reply to: Music Library #2139991
    Dizzle
    Participant

    Join a record pool that has unlimited downloads and go to town for a month or two?

    in reply to: Show us your DJ website! #2139981
    Dizzle
    Participant

    Mine is still going. I actually changed up the design slightly for the new year. It’s basically just a Tumblr page with my own domain, but let me know what you think! 🙂

    http://DizzletheDj.com

    in reply to: First Gig, big event! #2139971
    Dizzle
    Participant

    Sounds like fun! You going to play any Buraka Som Sistema?
    I’d imagine Portugese kuduro would go over well. Hangover is one of my favorites.

    Dizzle
    Participant

    Also, if the song I’m mixing in is one that hasn’t been ‘processed’ (cue point & beat gridded correctly) yet and the beat is not too complex or variable, I’ll set some cue points or adjust the beat grid using my controller after adjusting the gain and previewing the potential mix in my headphones. Sometimes I find it actually helps me from rushing through the songs too quickly.

    Dizzle
    Participant

    Once you’ve had more time to practice, you’ll realize that many genres, if not most, have a typical arrangement of phrases (e.g. Hip Hop tends to have verse, chorus, verse, chorus, break, verse; or Trap intro, build, drop, break, build, drop) and you can mix in the next track accordingly. Very rarely, if at all do I cut/slam in next tracks. Once you can beat match and understand the usual phrasing of the genres you’re playing you’ll find mixing/blending on the fly is both fun and easy.

    As for on the fly mashups, you can create auto-loops and adjust them in you headphones such that you can find a pretty solid 8-16 beat loop in even live drummed track.

    The only time you should be trying to just cut over to new tracks is when you’re changing genres drastically, doing a scratch routine, or both songs have vocals in the sections you want to mix.

    in reply to: What does a 2nd or even 3rd DJ usually do? #2139941
    Dizzle
    Participant

    4 hands = more EQ or effects in the mix. Sometimes one guy does the mixing and the other selects the tunes. 3 sounds like a bit much, maybe they’re taking turns and going B2B?

    in reply to: Database (login) issue. #2139531
    Dizzle
    Participant

    Thanks for the update.

    in reply to: Help with learning to scratch. #2139401
    Dizzle
    Participant

    Yea like @chuck-van-eekelen said, tons of videos out there. I’d recommend watching performances by DMC competitors, or legends who still do it like Jazzy Jeff, Just Blaze, Kentaro, A-Track, Craze etc. etc. There are some scratch tutorial courses out there that offer demo videos for free that can at least get you started.

    What worked for me was making friends with accomplished scratch DJs and learning from/ scratching with them

    in reply to: 1st time DJING = messy! #2139391
    Dizzle
    Participant

    What were you playing from? Sometimes if I’m running too much in the background or WiFi is activated Serato Dj can have momentary lapses in music being pushed out to the speakers. It’s also possible that something conductive touched the platter and momentarily stopped the track from playing?

    in reply to: Are sound systems dying out? #2139381
    Dizzle
    Participant

    I went to a warehouse party a few weeks ago in Brooklyn that had a sound system involved. They rent it out to other parties and have selectors who play Dub too. I think it was called Tsunami Bass

    Dizzle
    Participant

    I have 7600 tracks in my library as I use the same laptop for mobile Dj gigs as well as the music driven nights I host/perform at. I’d say only 5% of my library has cue points and double-checked beat grids. Planning the entire set can help when you’re first starting out, especially if the idea of playing out makes you very nervous.

    Most times now I either just select from the smart playlists and crates I’ve created. If there is a certain theme for a gig that I’m booked at, I might throw some appropriate tracks into a crate without any real consideration to the order I’ll play them in, since that should be dictated by how the crowd reacts.

    Before I go too far off topic though, if you master your beat matching and learn the general arrangement of the genres of music you like to play, it doesn’t take much time at all to cue up the first beat and have it ready to mix in with or without cue points. The cue points just help to make the mixing even sharper,for instance if one song’s breakdown is shorter than the next song’s intro, but you want the incoming song to complete its mix at the drop, having cue points set up can really help with that.

    I used to set aside 20-30min a day (usually during my commute to school/work) to beat cue point and beat grid new songs. This way, while my entire library isn’t “processed” anything newer will be, and as I begin to remove older songs that I don’t play / don’t fit my brand’s sound my library will eventually be fully populated with cue pointed and beat gridded tracks

    in reply to: First Gig but need this tune? #2139361
    Dizzle
    Participant

    Yea, tell the owner he’ll need to book Paul Oakenfold for that one haha

    in reply to: Database (login) issue. #2139341
    Dizzle
    Participant

    Thanks for the headsup. I’ve been fighting with the system since yesterday trying to login. I think I even managed to subscribe twice with the same email. Is there going to be a single loving for the forums and courses?

    in reply to: PA system setup #2134501
    Dizzle
    Participant

    I agree with Dj Vintage. Go for the 2 tops and a sub.
    I actually have the Mackie Thump setup you described in the OP: 2 15″ tops and 1 sub. The sound from them is amazing! I’ve used them at events with up to 150 folks with more than enough power to fill a church hall.

    One caveat: be wary of the Mackie thump sub. Mine blew a fuse during soundcheck during its 3rd use. The folks at Guitar Center were good about replacing the part at no cost, but they mentioned that it’s a common problem. That being said, since the fuse blowing last year, I’ve hosted 3-4 events with the gear and experienced no issue.

Viewing 15 posts - 16 through 30 (of 128 total)