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Viewing 15 posts - 781 through 795 (of 876 total)
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  • D-Jam
    Participant

    Don’t you have to use those NI things with some system setup they sell?

    in reply to: Do You Play Video Games? #2115
    D-Jam
    Participant

    My brother and I were fans of “Facing Worlds” in UT.

    I liked Quake Arena for a time. Loved putting in custom skins. At one point we changed all the rifles to look like Colonial Marine Pulse Rifles (Aliens) and my brother used a Dalek while I used Flat Eric.

    For those who are totally confused…

    Pulse Rifle:

    Dalek:

    Flat Eric:

    in reply to: Let's play "old vs new"… #2113
    D-Jam
    Participant

    OLD:

    NEW:

    in reply to: Let's play "old vs new"… #2104
    D-Jam
    Participant

    OLD: traveling with a record box, needles, and headphones

    NEW: traveling with a small hard drive and headphones

    D-Jam
    Participant

    I’m bad…I tried many VSTs, but the only one I really use on Torq is Glitch.

    In all actuality, I like the onboard effects. I don’t get why others trash on them.

    in reply to: software for music editing #2101
    D-Jam
    Participant

    Well yeah, it’s a Sony thing.

    I was just curious if Audacity or Wavepad have something like that.

    in reply to: Do You Play Video Games? #2100
    D-Jam
    Participant

    Emma Partnow, post: 2056 wrote: We have the ‘Original Pong’ (still working) upstairs in its Box from the 60’s :);
    It seems Pointless selling it as someone will only try to Rip Us Off; and we are not that ‘Desperate’ :);
    FPS are my Favourite of All Games 😎

    I’ll never forget when my brother and I went to this big video history exhibit at the Science and Industry Museum in Chicago. When you walk in, there was this massive pong game set up. Little kids were bewildered on how to play it…we ended up getting on and playing for 40 minutes…thus showing our age! 😀

    My choices in FPS have been Battlefield 1942, Vietnam, 2142, and recently Aliens VS Predator. My big favorite has always been Unreal Tournament.

    in reply to: So I'm going with the Mixtrack + Audio 2 DJ #2092
    D-Jam
    Participant

    Um…I don’t get what you mean Mike.

    When I looked at the ADJ2, there’s two outputs. One is for speakers…the other is for headphones. Both are stereo outputs.

    In all actuality, when you go play gigs you should just hook up your sound card into an empty channel on the mixer in whatever DJ setup that’s there. I usually do that with my Xponent.

    D-Jam
    Participant

    Love it.

    in reply to: software for music editing #2089
    D-Jam
    Participant

    I use Sound Forge to normalize and “wave hammer” my mixes.

    I use dbPowerAMP Music Converter to make them into MP3s. I just have used it for a long time and I like it.

    I do wonder if any of the other wav editing titles have something like the “wave hammer” function Sound Forge has?

    in reply to: Does anybody else listen to music at work?! #2088
    D-Jam
    Participant

    I’ll usually check out my favorite blogs every day for a short bit…then purchase the few tracks I liked.

    I actually will play movies while I work…because I’m so used to working with the TV on. I don’t even really pay attention. Just working on the Mac and then a laptop next to me with a movie on.

    I thank God I can get away with this.

    in reply to: Do you have a Band-Aid track? #2086
    D-Jam
    Participant

    I’ve been lucky…rarely did the music completely stop.

    Whenever I did have a crash, it seemed the program froze, but the music kept playing, and I’d just mix a CD on before resetting my laptop.

    D-Jam
    Participant

    Matt Challands, post: 1968 wrote: Another request (similar to what is said above) that I couldn’t believe once was: “What do you suggest to us?”

    My answer would be “Um…everything I’ve just been playing”

    I still think many make requests for the sake of making requests.

    in reply to: Recreational Drugs and EDM #2082
    D-Jam
    Participant

    I’ve been accused in the past of being a “party pooper” or some other derogatory because I don’t take narcotics and have voiced my opinions on them. My main concern really wasn’t for those on drugs, but for now “amateurs” on drugs ruin things for everyone.

    It’s the usual story, a rave scene grows from those “in the know” to getting weekend warriors who normally hit up college bars and high school dances. These new people have no clue how to take drugs and especially how to take care of themselves while high. They do too much, OD, end up in the hospital, and then on the news when one dies.

    Suddenly the parents, acting all shocked, want the raves ended and the DJs and promoters punished. Now as a DJ I have to worry not only about the event getting busted, but getting fined something like $10,000 just because I DJed there. It’s why I’ll not have gear/music on me when I am not playing…so I can pretend to be just a patron.

    I’ve heard “drugs are a part of the scene” many times, and I agree with it. I look at the music that came out of the late 80s and early 90s, and know it was fueled very much by the drugs, despite that the Pioneers of house music were not on drugs. Such is life, but I still say the scene needs to police itself so we’re not dealing with the authorities punishing us for throwing a party.

    I think a lot of the music didn’t need drugs to start, but the drugs are what evolved them. They were taking LSD in the 60s, speed in the early 70s (Northern Soul), coke in the late 70s and into the 80s, E and acid in the late 80s and early 90s, and so on. Even now coke is still massive in the club scene with the bottle service. It’s just a fact of life that patrons want to come out, get trashed, possibly get laid, and have a wild night of debauchery. That’s for almost any scene…mainstream or underground.

    in reply to: Tricks of a Trance DJ #2077
    D-Jam
    Participant

    When I spin trance, the only effect I use the most is the flange, as I’ll use it sometimes to boost up a breakdown/buildup.

    Only tip I give is to try to arrange things so you have no “dead points”. That means you start mixing your next tune in at a point where when the currently playing tune “comes down” you have the other tune now building up. It’s tricky, but a good start is to always start mixing in the last 2 minutes of a song and go the full two minutes to blend. The point is so you don’t have points where the listener is being bored with listening to long intros/outros, waiting for the next tune to really pick up.

Viewing 15 posts - 781 through 795 (of 876 total)