D-Jam
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D-Jam
ParticipantForgot to mention…I use Stutter as well.
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ParticipantI know…I’ve seen this happen at many venues.
I even remember when I used to work for that entertainment company, I would get phone calls the day after I posted new photos sent by photographers. The mangers would be pointing out any and all the “browns” and ask me to remove them…claiming it puts a “bad image” on the venue. I’m so glad I don’t work for that crap anymore.
It’s amazing how much racism and segregation is around what many think is a very liberal city. Northside VS Southside VS Westside. Blacks, Latinos, and Whites all clinging to their areas and cliques.
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ParticipantIn all honesty, I use effects as an ENHANCEMENT, and I don’t use them much at all.
Part of the reason is most of the tracks have been FXed all out there by the artists, so at times when I’m tempted to “do something”, the tune itself will do stuff. I notice many times now when I make mixes that I don’t do a whole lot to the tracks simply because they play well on their own accord.
Too many DJs now think they’re not doing well if they let a track play. They think they’re supposed to be “constantly doing stuff”, so I’ll see them overdo it all and literally destroy the original sound of the tune. I think Ean Golden is a very talented person, but I also notice he and his followers tend to do the same thing over and over again on many tunes. Yes, they can go nuts telling of how they chained together effects and such, but from the listener’s viewpoint, it sounds like the same thing over and over. Less talented guys will literally do the same thing over and over…thus overdoing it with “glitch”/stutter effects.
I mainly use DELAY, FLANGE, and REPEAT. Usually I’ll toss Delay or Repeat on more “blank” spots that could use an added kick. Flange I like as an enhancement over some points…especially things people have heard to death.
The best thing to learn is to make a set where there isn’t much “downtime”. Where you don’t mix things short between intros/outros and thus you don’t have this “dead time” of waiting for one tune to die down or another to start up. Try to really match beats, rhythms, and phrases so you aren’t just blending over breakdowns like I see many do.
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ParticipantI didn’t see any comments on the review, so I’m not sure what happened. Did everyone start bashing the idea of using an iPad? or that the controller isn’t some massively expensive thing?
Frankly, this goes back to that other “Situation” topic. I grow tired of DJs thinking that if you didn’t spend $1000+ on your controller then you’re not “serious” or “to be taken seriously”. Analog purists scoffed at the idea of the laptop, but now I see laptops galore. Now the laptop guys will scoff at an iPad, but we might very well see tablets slide in and replace laptops.
I don’t care if you play on a $100 controller or a $2000 controller…wow me with your set. Anyone can spend thousands, but it’s no guarantee they’ll be great at DJing.
And the only time I use “Fanboy” is when I talk about Apple cultists who seemingly will have an excuse for anything Apple does wrong. When they see Apple as a company that does no wrong and is 100% perfect no matter what. The string of articles on TechCrunch about the “revised” manufacturing plant in China was an atrocity IMHO….and I guarantee if Apple never made anything there, those people would be rallying to close the plant down no matter what.
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ParticipantThe thing I’ve found is to be careful of how much TREBLE is out there. I’ve been told and shown how a high shrill noise can damage ears way more than loud bass.
I also say every DJ should own a pair of ear plugs and wear them when they’re going to be in a loud club/event for many hours, but not playing. So you show up at 10, but are playing at 1 or 2 AM…wear the plugs.
I personally also like to give my ears a good rest in silence after a night of loudness. So I play a gig, I’d not touch the stuff the next 1-2 days.
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ParticipantI’d throw in the ability to go long hours without sleep (when you play into the night), and the ability to handle long drives in the car (when you have to drive 4 hours to play that 1-hour set at some rave in the middle of nowhere).
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ParticipantI agree with a lot of the replies here. One big help when I wanted to learn is to check out videos people make on Youtube showing off tricks they do.
I’d also tell you to start by just making remixes of tunes you like. This will help you get deeper with the software and thus make it easier to go further into your own ideas.
My experience is honesty that I tried, but didn’t have the interest. It would take me weeks to finish one tune, and even then I didn’t like how it sounded. Felt more like hard work and a chore. It’s why I stopped, simply because I honestly just enjoy DJing. I agree you won’t go anywhere “big” as a DJ unless you’re producing, but I also say if you try it and after a while you find you just don’t like it…then stop and look for another avenue to enjoy it all.
Don’t fall into the trap of producing garbage solely for the reason of trying to land bigger DJ gigs with it.
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ParticipantIznremiX has it right on the money. See if the club has gear you can use.
However, and not to sound like an “old fart”, but “back in my day” we used what we had. I played parties with cheap belt drive tables and a crappy Radio Shack mixer. You guys need to stop thinking you can’t play because you don’t have an S4 or something like that.
You have the means…use it. Wow them with your set. If a club or promoter is going to ignore the great set you play and totally judge you on the gear you own, then it speaks volumes why he won’t last long as a promoter.
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ParticipantDJPossess, post: 11383 wrote: This was great reading. In Chicago the clubs Ive been to dont play Hip Hop. Its all the same Rihanna/Pitbull crap. Its especially annoying when a 2 floor club is playing the same thing in both dance floors. At one club I was hanging at the DJ booth when the guys changed shifts. There was no difference in music from the opener to the second guy at all. Where I live alot of bars dont want Hip Hop because of the “element that it draws.” Thats the new code phrase for black/latino gang bangers….Element. So everyone is playing 4 on the floor dance music.
It’s an honest truth. When I worked for a big entertainment company in Chicago, they mainly didn’t want the baggy-jeans-hoodie-wearing street kids. They wanted the white suburbanite high-fashion “pretty people”. There’s even been reports/complaints of some clubs being racially biased at the door, doing things they can to keep “browns” out.
In the end, pretty girls dictate it all. If they walk into a club playing “true hip-hop”, they’ll go beg for pop music. Only a few owners/promoters will tell the girls “no”, but they are the few trying to push the culture. The rest really just want the “pretty” night.
I’ve only seen real hip-hop culture in a few “off the beaten path” spots. Mainly special nights (generally weeknights) that try it. With weekends the clubs want the most bang for their buck, so they’ll go pop just to please the masses.
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ParticipantI don’t mind that you all disagree with me.
In my honest opinion when it comes to PCs, there isn’t a one-size-fits-all thing. My Thinkpad will run differently than someone else’s Toshiba, or Dell, or HP, or even a Mac.
I actually use SMITTTEN’s script now and it does great stuff. Before that though, I simply tried to maintain a “clean house”, since I can’t afford to have a laptop solely for DJ purposes. For me, keeping the drive clean and defragmented does wonders. Also bear in mind I don’t pull music from an external drive anymore when I play…so defragging helps for me.
I’ll have to look into Possess’ suggestion on the background services. It’s good we have some actual Windows experts here to learn from…since it’s obvious I’m only knowledgeable enough to be dangerous. 😉
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ParticipantI just let my ears decide.
December 11, 2011 at 7:33 pm in reply to: DJ NAMES: How did you choose yours? Ever wish you'd chosen a different one? #11261D-Jam
ParticipantI liked how one guy Phil interviewed changed the acronym to “Digital Jockey”.
December 11, 2011 at 7:31 pm in reply to: What mixer/controller would you install an Innofader in? #11260D-Jam
ParticipantJust curious…if you’re not using any audio devices (turntables, CDJs, external MP3 playewrs) in the controller, is there a real benefit to an innofader?
December 11, 2011 at 4:51 pm in reply to: Which type of facebook profile: personal profile or fan page? #1002369D-Jam
ParticipantFAN PAGE…don’t use your profile.
Read this too: http://www.digitaldjtips.com/2011/07/djs-guide-promoting-facebook-getting-fans/
December 11, 2011 at 4:50 pm in reply to: Trying to plan my future – what do you guys do/did? Advice please! #11256D-Jam
ParticipantFrankly, I say you should study business or multimedia. Don’t go into a music-centric major.
Here’s why…most of what you really learn happens on the job. You could study business, marketing, management, and still keep up with the industry, learn how it works, and end up working for a label down the road just as easily as you would an ad agency. You could end up getting into nightclub management and promotion. It’s pretty versatile.
The multimedia end is another path. Learn design and interactive media. That way you can make flyers, album art, websites, etc. So if music fails you can at least do other work.
My feeling if you really want a music life is to push for it outside of school. Get into producing, learn how to do it right and make great stuff. Push it online and build a fan base. Believe me, it’ll be easier for a high schooler into college to grow because you’ll have more time than someone who has to pay the bills and possibly take care of a family.
You might graduate college with top tracks on Beatport and labels wanting you to make stuff for them, or you could be nowhere and at least have skills you can use to get a normal job. It’s a win-win.
To this day I’m thankful my father pushed me not to get into the music biz…because pretty much all the colleagues I had who did that are broke and struggling while working McJobs or going back to trade schools to get job skills. I might not always have the time to do the music thing, but I at least can set my own rules as to how I want to do it.
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