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Viewing 15 posts - 376 through 390 (of 876 total)
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  • in reply to: DJ Snobbery #1004177
    D-Jam
    Participant

    Phil Morse, post: 19993, member: 2 wrote: Personally, I can beatmatch manually, but I use the tempo match (not sync) button religiously. Otherwise it’s like saying “I can long divide on paper, so I will never use a calculator”. But as someone who’s always manually beatmatched, from there I then phase match by ear. The physical act of getting two tunes to the same speed is not worth beating yourself up over, in my opinion.

    Love the analogy. It’s like when I’ll ask “would you still drive with a manual steering system? Or use power steering?”

    The only rule we all agree on is a DJ should be able to go manual when sync fails. I use sync, I like it, and I’m glad it’s made things easier for me and many others.

    in reply to: torq 2 vs vdj? #19129
    D-Jam
    Participant

    Phil Morse, post: 18903, member: 2 wrote: Go with any software other than Torq, as it is heavily rumoured to have been discontinued.

    I second that. While I still use it for my own pleasure, I recently purchased Traktor and moved on.

    Native Instruments is still selling Traktor for $89 USD. That’s a hell of a deal since it’s normally $250 USD.

    http://www.native-instruments.com/#/products/dj/traktor/

    in reply to: DJ-ing while travelling #18931
    D-Jam
    Participant

    I thought the VCI-300 was all about ITCH. Phil uses one.

    in reply to: DJ-ing while travelling #18850
    D-Jam
    Participant

    I did once, but all I was told to bring was music. The promoter (and DJ) who threw this on had me use his laptop which had VDJ on it, and his headphones.

    If I had to bring gear, then I’d just bring laptop (with music on the HD) a controller that I can easily carry, and some kind of external sound card if needed (Audio DJ 2)

    in reply to: Young DJs? #18818
    D-Jam
    Participant

    I’m not young anymore either. I’m going to be 39 in August.

    BUT…I started when I was 19. I wished I could have started sooner, but I didn’t have the income to buy gear and music until after high school.

    I did play saxophone from 4th grade all the way into my first year of college, but stopped since EDM was calling me more than jazz or concert music.

    I will say you younger DJs are at an advantage. Your life is merely school, your peers, and such. You can build a following here that will follow you into adulthood. Seen many locals grow big simply because they had the kickstart of playing house parties and school dances for their peers. It’s harder when you’re not in school and thus can’t easily promote to your peers…or your peers have gotten older and now aren’t going out clubbing anymore.

    Use this time to perfect your technique, keep producing, and grow. Build a fanbase in your high school and carry them into college. Play people’s house parties and school dances if you can.

    When you get a little older (17, 18, 19, 20)…network in the rave scene or look into teen clubs for possible gigs.

    in reply to: DJ-ing while travelling #18815
    D-Jam
    Participant

    Faderfox is a good choice, but I’d also tell you to let go of any traditional techniques and think differently.

    When I used to make mixes at work using an X-Session Pro, I ended up turning the pitch shifters into controls for the FX. I’d use the sync or tap on the pitch bends with my laptop touchpad over assigning them. I even mapped the pitch bend buttons and cue button on the controller to trigger effects.

    When I tried recently with Touch OSC, I ended up just mapping for EQs and sliders…and did the rest off my laptop.

    In my opinion, this is the best way to go compact. Only get controls for what you absolutely need them for. In my case it’s EQs and volume sliders at the very least.

    in reply to: Any strip club DJs out there? What's it like being one? #18749
    D-Jam
    Participant

    I sometimes think with the popularity of gogo dancers, that some club might try combining a normal club night with strippers. Maybe no nudity and toss in male dancers for the ladies. So it becomes a more erotic evening.

    in reply to: Backup Solutions? #1003580
    D-Jam
    Participant

    I still burn data DVDs. I know many say optical media is dead, buI I hold on.

    I’m going to take on an endeavor to record all my records into WAV files, and save them on two large hard drives (in duplicate in case one ever fails). I’ll probably also go through my MP3s and store them there as well.

    in reply to: External HD vs Internal Laptop Drive for music storage? #18626
    D-Jam
    Participant

    I’m a fan of going internal when you don’t need a lot of music. External if you need a very large amount.

    So when I go play guest spots or something, I’ll just move files into my internal HD. If I was playing a larger event, or being resident somewhere, I’d bring the external.

    WATCH YOUR STUFF!!!!!! People will steal those hard drives right out of the booth.

    in reply to: Any strip club DJs out there? What's it like being one? #1003570
    D-Jam
    Participant

    Never worked a strip club. and only been to one twice in my life.

    Since I don’t get off on lapdances, I did take time to observe the DJs and what they do. It’s really just playing tunes for a set period of time, and making announcements. I don’t really hear any blending even, since things are so start-and-stop for the timing of the paid dances.

    in reply to: Beatport opened DJ pages Alpha! #18509
    D-Jam
    Participant

    OK…I looked into the SoundCloud issue.

    They ONLY right now service SoundCloud…so you can either just link up to your profile feed or post individual tracks you put on SC.

    So let me get this straight…they are mainly saying you can only use SC to post sounds, BUT…SC is right now showing they don’t want DJs posting mixes there…and this is a site/setup for DJs.

    Who thought of that brilliant idea? That’s like opening a club, setting up a DJ booth, but not installing speakers anywhere…then telling the DJ to fill the room with music somehow..

    in reply to: The Ultimate "Flexible Setup"? #18446
    D-Jam
    Participant

    Only time I’m hooking up my 12’s nowadays is to convert vinyl to digital.

    I love even how I have my desk back at home instead of it being taken up with gear all the time.

    in reply to: Have you ever face the genre problem? #18440
    D-Jam
    Participant

    Remember that not every blend has to be a beatmatched transition. Sometimes slamming in a tune at the right moment is just as good.

    You can either try remixing the tunes to be more “dj friendly” or just creatively slam them in at the right points.

    in reply to: The Ultimate "Flexible Setup"? #18436
    D-Jam
    Participant

    The question really comes down to if you need to use timecode. I personally see it now as a luxury. I mean, you have to shell out $500-$1000 for two turntables, more for the needles, and you have to buy the timecode. A $500-$1000 midi control can give you more bang for your buck.

    The Denon midi controller IMHO is all you need. I know many love the “mystique” of the DJ on turntables, but more and more I am seeing that sentiment fall into just DJs…as crowds really more see laptops and controllers are the norm. Plus I’m personally a big fan of simple and easy. You show up with your laptop and control, play, and leave. No having to deal with resident DJs who frown on you unhooking their setups to put yours in. Plus you’re also then not a slave to the venue’s gear. One huge reason I got off vinyl was simply because every venue I walked into, the turntables were broken or having problems due to poor maintenance and abuse.

    I personally think you should just go midi, learn the ropes, then if you’re making money and decide you want to go timecode, go for it. Even then though I’d tell you to spend the money on a very high end controller like the S4.

    You should buy according to your usage needs. Forget about appearances and image.

    in reply to: Which software + hardware should I choose?? #18415
    D-Jam
    Participant

    Here’s an easy way I’d look at it…and I’m sure some might disagree, but I’ll say it anyway:

    SERATO: Ideal if you are looking to go into timecode and want things simple. I notice most vinyl purists who aren’t into the effects/sample banks/technology prefer Serato’s simplicity. The upside is it’s very stable and works well for PC and Mac users. The downside is you’re often married to only their hardware in terms of timecode and/or midi controls.

    TRAKTOR: This is probably the more popular title nowadays, and it’s even where I went now. Traktor is versatile where you could go “simple” like you do on Serato or get complex like you see others do with sampling and effects. The upside is you get a wider array of possible options on how you want to do your setup in terms of gear. The downside is that sometimes Traktor can get a bit complex for many, and there is no video support. So if you want to play videos, this one isn’t for you.

    VIRTUAL DJ: Virtual DJ does boast the largest user base. I was torn between VDJ and Traktor to be honest. VDJ has an easier setup and workings, it handles video, and the new 8th Edition will offer some very cool new features not really found on the others. The downside is you won’t quickly and easily find “dedicated gear”, if that’s important to you. However, this is changing.

    So what’s your dream? Midi? Turntable? CDJ? What kinds of music do you like to play? Do you like scratching and tricking with the decks? Or push buttons and other technology?

Viewing 15 posts - 376 through 390 (of 876 total)