deathy
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deathy
ParticipantThat is truly tasteless and tacky. Wow.
deathy
ParticipantIt might be worth testing it out with a different package to see if it’s a bug in the software. You can download Virtual DJ Home and use your controller with it for 10 minutes at a time for free, or alternatively you can try Mixxx which is Free Open Source.
August 25, 2014 at 12:36 pm in reply to: Dealing with requests at a house party with drunken teens #2050222deathy
ParticipantNow you’re talkin’ 21st Century. heheheheheh
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ParticipantHowdy, Kruk, welcome!
August 23, 2014 at 5:55 pm in reply to: Dealing with requests at a house party with drunken teens #2050192deathy
ParticipantTheir response: “What’s a jukebox?” 😉
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ParticipantI was composing long before DJing, but I also think learning to DJ first would be a huge benefit. One really good reason is that you will gain a deeper understanding of the style you’re working in, and what makes those tracks work well with others. If the music you create mixes well with other tracks and sounds right for the style you’re shooting for, then DJs are going to want to play it more, which will help with exposure.
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ParticipantTerry’s advice is very very important, in any creative endeavor… for so many creative folks (myself included), it is so hard to put ourselves out there.
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ParticipantRegarding your second question, it is only partially true.
The way that the programs that remove vocals work is by a phase inversion trick between the stereo images of your audio, because typically vocals are mixed completely center – and when that is the case, it works well (but not perfectly, you will usually have some minor residual hints of the vocals in your track). However, it is not uncommon in more modern music to have effects on the vocals that remove them from the center of your audio image, so your mileage may vary. The good news is, one of the packages that does this is the Free & Open Source Audacity – you can read their page on how to use it to remove vocals.
There are other ways to remove vocals that can often remove vocals even if they are not center, but they involve a lot more work, and depending on the density of the frequency spectrum, may still not be able to do it. The one that comes to mind immediately is “Melodyne” from Celemony, which is a VERY awesome piece of producer kit, but is also a bit on the expensive side and is a complicated tool rather than an automated program… and it also does a whole lot more than just remove vocals.
Hope this helps!
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ParticipantDoes this mean on my CV, I can change my title to “Tech Lead/Resident DJ”? 😉
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ParticipantYeah, I have seen where the frequencies are adjusted, I need to spend some time to do that, but I haven’t had time to tweak it for my show today so I will have to re-visit it this weekend.
Even so, the EQ doesn’t feel very good to me, but I will have to play with it to see if I can tweak it to acceptable.
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Participant(As a minor aside, if you click the “Subscribe” link at the top, then it will send you notifications without you having to reply.)
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ParticipantDude, that sucks, condolences.
August 21, 2014 at 9:39 am in reply to: Why Beatport’s Incorrect Allocation of Genre is a Good Thing. #2049816deathy
ParticipantIt seems like genre definition has been a problem for as long as I have been making music. It is nice for finding tracks that are not your style but are cool, but at the same time it does increase my workload some.
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ParticipantGrats, very cool!
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ParticipantI’m starting to think my difficulty with mixing Electro swing may have actually been the poor EQ center on the bass in VDJ – dialing the Bass to 0 wasn’t dropping out the kick, which caused the beats to clash a little bit.
But, yeah, Disco is a style I could certainly enjoy, you get a fair amount of that style in Ghetto Funk too, although you get human drummers more in Disco.
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