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Viewing 15 posts - 361 through 375 (of 644 total)
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  • in reply to: Starting Production #2066761
    deathy
    Participant

    I definitely recommend the keyboard, even without a strong keyboard playing skill, it will make note creation much easier for you. The LPD8 will make a lot of your work easier, and it’s a very decent price, so it won’t hurt, just is not absolutely necessary.

    Yeah, Massive is just a VST instrument, a very good one – it will take some time to learn how to make your own good patches with it, but it will be time well spent, and the built in sounds will also keep you happy to start with.

    Ableton is one DAW that would support Massive, yeah… the list of DAWs is very very long. I personally use Ableton, but I’ve got my eye on Bitwig as a possible change in the future.

    Fruity Loops is also really popular, as is Logic Pro if you’re on a Mac. If you’re an old school computer music geek that’s made MODs or other tracker like formats, there’s also Renoise, although I would only recommend it if you really want a tracker interface, as it is rather fiddly for doing things if you are not already familiar with that workflow – it’s not worth the trouble if you don’t already know it, as you can get the same results from a lot of other DAWs.

    in reply to: Starting Production #2066741
    deathy
    Participant

    You really don’t need much these days… even the LDP8 is probably more than you’ll need for production – though it will be nice, don’t get me wrong.

    If you’re planning to make electronic music, and you intend to use a VST capable DAW, then the Massive plug-in from NI is likely to be your go-to tone generator… and if you don’t intend to use a VST capable DAW, then rethink your plan. 😉

    You might want to sign up for the free Coursera “Introduction to Music Production.” It looks potentially pretty good. I’m a bit beyond Intro level, but I’ve signed up for it anyway just because there’s always more to learn.

    in reply to: DJ name drops: Cool or Not?? #2066651
    deathy
    Participant

    LOL

    That does make it risky to play. 😉

    in reply to: Scratching for Controllers Course #2066231
    deathy
    Participant

    Yeah, I really would like to take the course, but it’s not in my financial capacity at the moment.

    in reply to: Energy Levels #2066021
    deathy
    Participant

    Exactly. Ultimately, what sounds good to me is the final judgement, but the tools help me to consider more variables.

    in reply to: The Rickshaw Puller #2065921
    deathy
    Participant

    You posted it a couple of times in this forum. 🙂

    in reply to: Energy Levels #2065851
    deathy
    Participant

    A good point, and I do find that a lot of my tracks that MiK identifies as high energy are not what I would consider high energy, so I am not going to use that as the end-all-be-all, but I also like to utilize every tool available to me to take measure and improve my results as best as I can.

    in reply to: I'm a DJ and I live in China #2065771
    deathy
    Participant

    Dude, sounds like you should be writing a blog. I’d totally read that.

    in reply to: How to get gigs #2065761
    deathy
    Participant

    Brilliant, thanks!

    in reply to: The Rickshaw Puller #2065751
    deathy
    Participant

    Perhaps not, but you have helped to prove that, regardless of there being or not being divinity in the universe, there is at least good.

    in reply to: An upcoming DJ from Nigeria in Western Africa. #2065341
    deathy
    Participant

    Howdy, Morgan, welcome!

    in reply to: Going from Beatmixing to real speed #2065111
    deathy
    Participant

    Well, that’s simplifying it a lot… I know how to write the algorithm, it’s not just cutting bits out, that would make for a god awful noise as you would have random jumping around in the sample, and when you expand it you DO have content to fill with – it’s tricky, but it’s actually not about the algorithm, it’s just about the way it sounds – slowing down too much just has a draggy feel to it.

    in reply to: DJ name drops: Cool or Not?? #2065101
    deathy
    Participant

    The two that come to mind for me are both top producers in the genre I work in, but they don’t seem very subtle to me.

    in reply to: The Rickshaw Puller #2064951
    deathy
    Participant

    Agreed.

    in reply to: Going from Beatmixing to real speed #2064821
    deathy
    Participant

    I also find that speeding up can still sound better to much higher speeds than slowing down (with keylock on, of course). Some tracks, 18-20% increase in speed sound just fine, but a drop of more than 8% sounds terrible to me… too draggy.

Viewing 15 posts - 361 through 375 (of 644 total)