Forum Replies Created

Viewing 15 posts - 6,406 through 6,420 (of 6,565 total)
  • Author
    Posts
  • in reply to: Sound output issues with VDJ #38587
    DJ Vintage
    Moderator

    Shaun Pearcey, post: 38723, member: 6431 wrote: I have an audio splitter cable but it doesnt make a difference to the issue when I use the mono seperated option, Maybe I need a different type of cable as i have to click the headphones listen button to hear the track ive faded into with both speakers its all a bit weird 🙁

    Been on this issue with someone else recently. The thing with the splitter cable is that you will want a stereo to double mono splitter, not a regular run of the mill stereo to two stereo splitter (which you use if you want to hook up two sets of headphones to one ipod for example). The “non-DJ” stereo to mono splitter cables have an additional problem when trying to get things to work the way you want. The mono-outputs will be true mono female jacks. If you stick a headphone in, you will hear sound out of only one ear. And while this may be acceptable for headphone use (I never use the other half of my cans anyway :-)) it isn’t very handy when you plug in your mini-jack to the venue PA or mixer and you get only sound out of half the system. In order to alleviate this problem you would need two more mono (male mini-jack) to stereo (female mini-jack) adapters. If you stick those into the outputs of your splitter cable, they will split the mono signal to, effectively, double mono (meaning you get the exact same signal but out of both sides of your headphone or out of the PA).

    From what I gather the purpose-built DJ splitter cables don’t need the mono to stereo adapters as they have that solved in the cable already.

    This is pretty much what the cables should do. The bottom one is the regular stereo/stereo splitter, with the top one being the way a DJ splitter should behave.

    Hope this makes sense.

    Good luck with it.

    Greetinx,
    C.

    in reply to: Question about DJ Lighting. #38505
    DJ Vintage
    Moderator

    I know the dillemma.

    For many years I worked with a mobile operation. We did the “Big” gigs. Small truck full of gear, mostly light :-), 2 guys to transport load/unload, set up and test and operate.

    Then I started doing smaller gigs and told people I had no lights because I didn’t want to make the investment, but mostly I didn’t want to haul all this gear around.

    Then LED lighting happened :-). So I bought a T-bar, two stands, 4 LED Pars and 3 LED effects (Moonflower and two more). And I found out … it is STILL too much work and I prefer to bring just sound gear.

    I have now found an alternative that works for me. I got three battery-operated LED bars, set them at slow color change during the early hours/background music and when the night picks up I’ll switch them to react to music. I place them as uplighters along three walls (one being the one behind my setup) and am done with it. I got a 60 by 60cm LED panel which I stick to the front of my DJ stand and that is about it. Less than 10 minute setup and just a step up from doing no lights.

    I would (and did) charge my customers extra if they wanted/expected lights. Both for the gear and the extra time that goes into it.

    I am not very fond of having stuff sit on top of my speakers, unless you can screw it down. I had someone bump into a speaker stand once and a light effect almost fell on top of his head (not my gig LOL). So, careful with that!

    Greetinx,
    C.

    in reply to: Virtual Dj and windows 8 #38503
    DJ Vintage
    Moderator

    Hey,

    Here is what I said on the forum for the Scratch Course:

    +++++ QUOTE +++++

    General comment on using new Operating Systems in any “production” environment, DON”T !!!
    A good rule of thumb is to not use any new operating system for important work (like live DJ-ing!) before they come up with Service Pack 1. You don’t want to be using it professionally while they are still ironing out all the odd quircks they should have fixed before the first release. Also driver support can be faltering in the early days, especially from manufacturers with relatively limited numbers of clients (couple of 10.000 DJs using your sound card might sound like a lot, but not compared to having millions of people using your printer for example).
    Specific comment on using windows 8: DON’T !!! [FONT=inherit][/FONT]
    Windows 8, and it’s obligatory graphical user interface Metro (what happened, Steve Jobs dies and now Microsoft think they are Apple?) are a total bust as far as I am concerned for professional environments. A PC or laptop used for serious business is not an oversized tablet or smartphone. You want your Operating System to be a solid, stable and fast platform to support your key applications (like Traktor, Serato, VDJ and such in our case), without imposing all kinds of stuff on you that you haven’t asked for.
    You COULD use tools (they are out there) to get your regular Windows 7 “look” back for your windows 8 install, including the start button.
    Quite frankly though, my advice to you would be to get your hands on a version of Windows 7 and install that. I am no advocate of using “illegal” software, but you paid for a license of Windows 8 with your new machine, so in my opinion that entitles you (at least morally) to use an older version of the software as well.
    When Windows 7 came out a few years back, you could actually go to Microsoft and get a Windows XP serial number if you wanted to downgrade. They won’t do that with Windows 8 (Home version, they do with the Pro) because they want to force their entire user base to switch.

    I think Microsoft has made a big mistake here, especially since I don’t see businesses switching to the Metro GUI in large numbers any time soon. They should just have given their customers the chance to choose between windows 8 or windows 7 (or a rebranded version of it, like windows 8 Classic) on their new computer. Microsoft are so big that we will probably end up having to use windows 8 in the future, simply because there is nothing else around anymore, but hey, such is life. Until that time, I will just use my trusted Windows 7 and have my stuff work the way it should.
    ++++++ END OF QUOTE +++++
    One way to go about it if you want to keep your Windows 8 for your regular work (and a great way to use a laptop for two purposes!) is to make it dual-boot. This means that when you boot up you have the chance to choose from two environments and in our case I would make one environment Windows 7 with our DJ stuff on it. The other could be Windows 8 with all the other stuff.
    Greetinx,
    C.

    in reply to: Ear buds and hearing damage #38407
    DJ Vintage
    Moderator

    The Black Rag, post: 38551, member: 7330 wrote: To be honest as far as hearing damage headphones are the nicests thing for your ears.nicer then even nature,i’ve had headphones on every day for the past 18 years,and im 22 this year.I went to have my hearing checked,i’ve got the hearing of a 16 year old.

    Good for you! The only thing they can’t see now is to what extend you’ll develop tinnitus. That usually doesn’t start showing it’s ugly head til your late 30s, early 40s.

    The fact that you are aware of the risks means you will take better care than most of your age which is a good thing!

    Greetinx,
    C.

    in reply to: Setting up Macbook Pro? #38406
    DJ Vintage
    Moderator

    Yep, the Samsungs seem to be a good choice (apparently they are one of Apples OEM suppliers for SSDs that come factory standard with MBP). OCZ is also good. Pays to read a few recent blog posts on this subject (recent, because SSD is a very fast developing platform, so 6 month old news is often already that, old!) before buying.

    The miniDrive gizmo seems like a nice gagdet to have. They portray it as a great backup solution, but I am not to sure about that as it is designed to stay inside your MBP. And good backup practice dictates that you keep your backups in a physically seperate place (if someone steals your MBP, they get your backup with it). Keep in mind that although relatively fast, SD-cards are slower than your SSD would be. I don’t think I would use it for primary use (i.e. stuff I need to access regularly like my music).

    Greetinx,
    C.

    in reply to: The usb on the back of my controller has popped off, HELP! #38387
    DJ Vintage
    Moderator

    Hate to be the bearer of bad news, but if the black bit (sometimes white or blue) breaks out of a USB port, you are up shit creek, pardon my french. The black bit is there to keep the 4 copper leads in the right position and to make sure that when you stick in a USB connector it is kept snugly in place and the copper leads between port and connector make a proper connection. If the bit breaks, plugging in a connector can actually cause shorting which in turn may lead to damage to the electronics inside your equipment!

    Usually USB ports are soldered to the mainboard and can not easily be replaced. Check with the manufacturers support desk, but most likely the entire mainboard will need replacing. If you are lucky the port is attached to the housing and connected to the mainboard with a small cable with connector. In that case it could be an easy fix (swap out the faulty port for a replacement part).

    It’s a common adn EXPENSIVE problem with laptops and external hard drives as people tend to leave USB sticks, USB network dongles and USB cables in their ports as they stow away their gear).

    Point in case and big Heads UP! for all you folks out there:

    ALWAYS detach (USB, but also power) cables from your controller, laptop, external hard drives and any other equipment before packing them away and transporting them.

    Greetinx,
    C.

    in reply to: Sound/Stage Tech and the DJ #38386
    DJ Vintage
    Moderator

    Been a mobile DJ since day one (35 years ago) and it has certainly been a GREAT benefit knowing the techie side of things, even when I started as a resident DJ. It helps troubleshoot problems, help you tweak that awful sound in the room and generally makes you more self supporting.

    Greetinx,
    C.

    in reply to: Setting up Macbook Pro? #38385
    DJ Vintage
    Moderator

    Have fun with it. I have a 2011 model. Got it just for my music and DJ stuff.

    My big tip would be to get an SSD for it. Great performance boost. Depending on the amount of music you intend to carry around and your budget, you can either get a bigger SSD (256GB is pretty decent budget-wise these days) and put everything on it, or you can get a smaller one 64GB-128GB and stick it in a special bracket that fits into the bay that houses your optical (CD/DVD) drive.

    I’d say it is the single most impressive performance gain you can get (even more than doubling your ram to 8GB!)

    Greetinx,
    C.

    in reply to: Comfortable DJ headphones #38384
    DJ Vintage
    Moderator

    Even in the highly personal world of headphones, there are a few “standards”, the Sennheiser HD25 IIs is standard kit for most (live sound and studio) sound engineer and many a DJ and producer. There is a reason for that.

    They sound great (of course), are relatively small and light, can be configured in several ways (small headband, wide headband, swivel left earpiece) and they can take abuse like nothing else! My set has travelled in my microphone case for the last three or four years, literally squashed between the top of the microphones and the foam on the inside of the lid. Never a problem.
    You can buy every component as a replacement part, choose a coil or straight cable and I actually believe they have them with colors now too (but don’t pin me down on that one).

    Read up on them, then try them on in a store.

    Greetinx,
    C.

    in reply to: Ear buds and hearing damage #38381
    DJ Vintage
    Moderator

    Think the official level here (in Holland) for concerts is 103dB at 10 meters from the FoH (Front of House) stack of speakers.

    Since the sound level drops by 6dB for every doubling of the distance (or increases 6dB for every halving), you can easily calculate that at 5m it is 109, at 2 1/2m it is 115 and at about 1 m it is 121. A whopping 18dB over only 9 meter distance. Fyi: 10dB increase is perceived by the human ear as being TWICE as loud!

    As you can tell from the table above, if you are one meter from the speakers in this case you can stay there safely (i.e. without earplugs) for … well not at all really. At 120dB we are in the pain zone. At 10m you can stay for 7,5 minute..

    Regular, off the shelf, earplugs usually attenuate between 15 and 25 dB depending on the frequency.

    So, for safe calculation: stand at least 10m from the speakers, wear -15dB earplugs and you’ll be safe for 4 HOURS!

    Trust me, it is stupid to go to a concert, party, festival, anything without some serious ear protection. Like many in the industry I have Tinnitus, not very bad, but it is there every day all day. Also, according to my latest audiogram, I have the hearing of a person 15 years older than I actually am (and I am 49).

    And the nasty thing is, you might not notice til way later in your life what damage was done at a younger age.

    You get better comfort and better (flatter) frequency response if you get some custom earplugs. These are a lot more expensive, but then again, what is it worth to keep your ears intact?

    Greetinx,
    C.

    in reply to: DJ/producing headphones #38248
    DJ Vintage
    Moderator

    Terry_42, post: 38378, member: 1843 wrote: Sennheiser HD 25s.
    200 bucks but well worth it for production work, as they are truely amazing sound quality. However they also rock for DJing and are not by mistake the most sold DJ headphone on the planet (in the pro market). Plus you can replace any part of them yourself and the parts are available for like ever now and I guess will be in the next 10 years…

    Second that!

    Absolutely fabulous for sound engineering live and studio work, which makes them great for producing too I assume :-). And yes, super for DJ-ing as well!

    Long term the fact that you can exchange every single piece of it will definitely help keeping it up and running for a very long time!

    Greetinx,
    C.

    in reply to: Gemini 7000's #38216
    DJ Vintage
    Moderator

    Like many on here I’ll trust Phil’s expert opinion on the subject and there is a good review on this unit.

    Looks like the main difference between this and a real controller is that while the players are midi, the mixer isn’t. In which case it REALLY mimmicks a club set up. With the media player decks being pretty much (at least physically if not in features) direct copies of their Pioneer CDJ1000 counterparts, I would think it is a very cost effective way to a) get used to the CDJ layout of buttons and sliders, most of it’s functions and the feel of it’s jogwheels and b) have a relatively easy and quick to set up way of toting your gear around (which I imagine will happen a lot if you guys buy it between the three of you).

    Obviously at about a 1000 dollars, it won’t be the exact same quality and features as the real deal. But then again, the real deal comes in at a very different price tag. Always keep your goal in mind, which you said is to get a feeling for CDJ mixing and whether it is for you. I would think the unit is pretty well suited for that.

    Greetinx,
    C.

    in reply to: Gemini 7000's #38206
    DJ Vintage
    Moderator

    Hey Mitch,

    You probably know my Denon setup by now, which is way off budgetwise compared to the 7000, so I won’t bother you with that one.

    The 7000 seems a pretty good value for money deal, I reckon.

    Like any controller, if one bit breaks, you have to send in the entire unit. This can be a pain sometimes. Then again, if you already own another controller you can take as backup, you should be good.

    Greetinx,
    C.

    in reply to: CDJ's and Controllers #38204
    DJ Vintage
    Moderator

    Yes on the mixing preference as far as I am concerned. Another thing that comes into play is money.

    Leaving the Smithson Martin Kontrol Surface 1974 out of the equation, the most expensive controller out there is the Numark NS7 II at just over 1400 euro. Considering that almost everyone has a suitable laptop these days and not many people take buying a new one into account, that means that you can be totally set for anywhere from 200-1500 euro (you need a good flightcase) to start digital DJ-ing.

    On the other hand, if you want a CDJ2000/DJM900 Nexus set, you will have to bring a whopping 4.900 euro to the table. That is 3 1/2 times as much as the most expensive controller setup for only a 2-deck setup! Add the price of 2 more CDJ2000s if you want 4-deck and you can easily add another 3.450 euro to the stack and you are looking at almost 8.5k euro. That would buy you a small new car!

    So, unless you are making very serious money using that kind of equipment or are a complete gear freak with a very big pay check, why shell out that kind of money when you feel you can do the same (or perhaps even more) with a controller, right.

    Greetinx,
    C.

    in reply to: Upgrade from Numark Mixtrack Pro? #38150
    DJ Vintage
    Moderator

    The Denon MC-6000 is also ready for VDJ (in the US it is bundled with VDJ LE) and a very well built unit (like a brick I’d say), this might be important if you take your controller places. Reviews have been good. It’s also a full stand-alone mixer and very versatile when it comes to hooking up other stuff.

    Greetinx,
    C.

Viewing 15 posts - 6,406 through 6,420 (of 6,565 total)