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Viewing 15 posts - 6,196 through 6,210 (of 6,565 total)
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  • in reply to: The jump to CDJ's #40932
    DJ Vintage
    Moderator

    nick greek, post: 41086, member: 2957 wrote: the xdj r1 is the way to go

    In my opinion there is no THE way to go. DJ-ing is a highly personalized sport. And what is important to one person might not be important to another or even be a dealbreaker.

    I would not want my iPhone/iPad to hang off the back of my controller like it does on the XDJ R1. Way to fragile. I’d get knocked off or worse broken off in no time.

    Greetinx,
    C.

    in reply to: Whatever happened to … #40927
    DJ Vintage
    Moderator

    Yeah, I wouldn’t want to warp thousands of tracks in AL. Even if you can do it in 5 mins a track.

    Greetinx,
    C.

    in reply to: What cables do i need? (silly question i know!) #40912
    DJ Vintage
    Moderator

    DJBenjaminB, post: 41064, member: 11227 wrote: I’ve been doing a lot of reading about TRS balanced cables and all sort and I’m all a bit confused now. This is a silly question to anyone who knows better but I’m so muddled. I set traktor to mono output because i thought some of the gigs i do will be better with both the left & right channel sound coming out of both sides of my PA but now I’m left thinking what cables do i need for my controllers balanced master output to my power amp. I’ve read for a balanced cable you need a stereo TRS because it has an extra conductor? I don’t know!? Any advice is much appreciated i just want all the sound with no electronic noise coming through.

    Hey,

    If your controller has TRS (balanced) outputs, then you’ll want to use a balanced (TRS) cable to go to your amp or PA mixer. Provided they have that input. On many amps the input might be XLR (which is also balanced), so you’d need to buy a TRS (or 6.3mm Jack) to XLR (male) cable.

    Since it is often easier to buy a XLR cable (they are way more common) of the appropriate length, you are better of getting those. What that length is only you can decide, but since they can be easily daisychained, it is easier to get a 5m and a 10m, so you can make three lengths (5, 10 and 15m). Some purist might say you lose a bit of signal strength at every coupling, but with line level signals that shouldn’t be too much of an issue for your purpose.

    An example of the cables:

    http://www.procab.be/ProductInfoDetail.aspx?pCD=CAB901

    as you can see they come in all kinds of sizes. Be sure not to go cheapskate on cables though. Get pro-grade cables, preferably with Neutrik connectors. Stay away from cables where the connectors are “melted” onto the cable.

    You’d still be facing the issue of how to connect to your controller, as you now have an XLR connector on either end. And if you have to run into a PA mixer at a venue it is highly likely it will have TRS inputs for stereo line channels too.

    How to solve this? It is easy, get a male XLR/TRS and a female XLR/TRS adapter and you can make any cable type you want:
    Jack – Jack (both adapters attached)
    Jack – female XLR (only female XLR/TRS adapter attached)
    Jack – male XLR (only male XLR/TRS adapter attached)
    XLR – XLR (no adapters attached)

    here are examples of the adapters:

    http://www.procab.be/ProductInfoDetail.aspx?pCD=VC125
    http://www.procab.be/ProductInfoDetail.aspx?pCD=VC120

    Clearly you’d need two sets of each for stereo :).

    Finally, for your question on mono or not. I think it isn’t the biggest issue. Since stereo is really only interesting if you have content (tracks) with lots of panning effects (not too much of that going around, especially these days) and you want the same sound all over the dance floor, there isn’t very much against mono. Matter of fact is that many club environments have mono PA’s. So I wouldn’t sweat it either way. When in doubt, trust your ears. Hook up your speakers, set the switch to stereo and have a listen on the dancefloor. Then switch to mono and listen again. Which sound do you prefer?

    Hope this helps.

    Greetinx,
    C.

    in reply to: DVS. What to do? #40907
    DJ Vintage
    Moderator

    Nothing, it has to do with being young, energetic (to the point of ridiculous) and with less of your life behind you instead of ahead.

    :-p

    Greetinx,
    C.

    in reply to: Whatever happened to … #40905
    DJ Vintage
    Moderator

    LOL, it’s an ongoing discussion here and on the blog. It’s a highly personal choice at the end of the day if you ask me. Sure, certain features might steer you in one direction or the other. But in order to truly get to know software and it’s workflow, you have to put quite a bit of prep work in it and use it for a certain amount of time. By then, the big question is: “do I really wanna start all over from scratch with different software, just because of a few different features”.

    I just asked myself this question (contemplating Serato because it does elastic beatgridding, which won’t work with any of my three setups, so would require a fourth hardware setup) and decided that I am not gonna bother. Instead I’ll prep my tracks that need elastic beatgridding outside of my DJ software (probably Ableton Live or ProTools) and not worry about it anymore.

    Greetinx,
    C.

    in reply to: Serato … should I try … #40900
    DJ Vintage
    Moderator

    Thanks for the input guys. I am still not sure. I really want something to work with my SC2900s/X1600 combo. I have decided to stick more time in running my old tunes through Ableton Live and fix the intro, outro and perhaps another useful mix point. Will make all of them 32 beat, quantized and save them as wav. That way it doesn’t matter in what setup I use them, I will always have easily mixable intro/outro and know for sure I have a 32 beat window to finish the mix.

    @ DJ Flyer: I have tried VDJ (first time over 7 years ago already I think), and I (still) have the MC6000, but somehow VDJ doesn’t really do it for me. And as I understand it doesn’t do elastic beatgridding as good as Serato (which would be the main reason to switch).

    Greetinx,
    C.

    in reply to: Was so stuck…….then I just finished it! #40898
    DJ Vintage
    Moderator

    Yep, unfinished business stays in the back of your mind. Too much of it cripples you.

    Better to finish it, accepting it was a wrong choice to begin with it in the first place and accepting a less than optimal end-result, than it is to have it on your “unfinished” list.

    Greetinx,
    C.

    in reply to: Using Traktor AND Rekordbox? #40889
    DJ Vintage
    Moderator

    You have just hit the proverbial nail on the head. I have stated a few times that I consider this to become the biggest problem with digital DJ-in the upcoming decade, unless something is done to correct it (and you never know what is happening behind the scenes already, right?).

    I believe that all your information (at least the common stuff that has no bearing on program specific features) should travel with the track, not stay behind in a (proprietary) database. So if you set cue points, loops, beat markers and such for a track on whatever platform you use (Traktor, Serato, VDJ, RekordBox, Engine, any of the iPad apps) it should be stored with the track and be available when you load the track in any of the other programs.

    Doesn’t work that way (yet?!).

    How it does work though:

    • You do your thing in Traktor
    • I actually think you can then load your tracks into RekordBox as well (since they both don’t move tracks someplace different (like iTunes always wants to do) and run RekordBox. So no need to copy actual music files to another place for use in RekordBox.
    • You can set playlists in RekordBox and just export whatever tracks/playlists and even CDJ setting to USB sticks.

    You will however NOT be able to use the cues, loops and such you set in Traktor in RekordBox or the other way around.
    So, keeping things in sync could be a bit tricky and at least a lot of manual labor.
    Major point for you again: I think you can let both Traktor and RekordBox use the same folder for their music files. They will just both make databases of the added info elsewhere. If I am wrong about that I hope another reader can correct me here.
    It may be wise to set the analysis features of RekordBox so that stuff that you already did in Traktor (BPM and Key info for example) are not re-analyzed in RekordBox. You’d want RB to use just the info that is already in the tags right.
    Greetinx,
    C.

    in reply to: Friend are too "old"…. #40884
    DJ Vintage
    Moderator

    Tss tss tss … being 37 and portraying yourself as an old hand … tss tss tss.

    I am celebrating 37 years behind the tt’s next year at age 51 :-).

    Doing mostly mobile and wedding gigs (and the ocassional club if I get asked) and those come to me unsolicited, I am not worrying too much about the things Ernie is referring to. But I can relate to them.

    Nice to see that the forum has brought him and ppt together.

    And I think you are right Staz, we shouldn’t give in to our tendency to overthink things. Just go and do, observe if the results bring you closer to your desired goal and if not change something, go out and do … etx.

    Greetinx,
    C.

    in reply to: DVS. What to do? #40883
    DJ Vintage
    Moderator

    Ess Jay, post: 41037, member: 2540 wrote: … more and more excited. God I love being 21.

    Yes, I remember it well … vaguely LOL.

    Greetinx,
    C.

    in reply to: Was so stuck…….then I just finished it! #40880
    DJ Vintage
    Moderator

    Good friends are Da Bomb!

    in reply to: How to catch their attention via e-mail or Facebook? #40864
    DJ Vintage
    Moderator

    The Mixed in Key maker has co-authored an ebook called beyond beatmatching. Lots of interesting stuff about how to market yourself in there, like how to create a good press kit.

    Greetinx,
    C.

    in reply to: How to catch their attention via e-mail or Facebook? #40857
    DJ Vintage
    Moderator

    Remember there are three persons anybody is primarily interested in: me, me and me.

    So make sure that there is an answer to “what’s in it for me” for your readers.

    Greetinx,
    C.

    in reply to: MUZIK Magaine #40848
    DJ Vintage
    Moderator

    hummm … guess I will have to do a few other things next time I go to Chicago 🙂

    in reply to: Party DJ #40847
    DJ Vintage
    Moderator

    Hi,

    You can always google 538 Dance Smash Hits. It’s a pretty clear list of all the big hits of the 2nd half 90s til now.
    Especially if you take the “Best Of” year double albums, 30 CDs will get you almost 20 years of danceable hits.

    There is a similar series called Hitzone, which is more Top 40 stuff. So that will have more varying styles of (mostly undanceable :-)) music.

    Since it is a Dutch series, there will be a higher ratio of Dutch performers (although most are in English), which includes the great Armin van Buuren, Tiesto and Afrojack, just to name a few.

    Clearly it portrays the Dutch dance seen, but with the world gone global the last 20 years, I believe the difference have gotten smaller and smaller between countries/scenes/markets.

    Greetinx,
    C.

Viewing 15 posts - 6,196 through 6,210 (of 6,565 total)