Chuck Van Eekelen
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Chuck Van Eekelen
ModeratorThat is software dependent. Some it’s a different color, some it’s a thicker line, some there is no difference.
Haven’t seriously looked at Traktor in ages, so couldn’t tell what it looks like now.
Chuck Van Eekelen
ModeratorIt can. But they are two different “mechanics” so to speak. That is why I said if she want to play around and listen to the end result or if there is any “live” doing this stuff in the future.
Chuck Van Eekelen
ModeratorI don’t know, if it’s LED, it might be a send-in fix.
Chuck Van Eekelen
ModeratorI seem to remember that there is a time limit on the video option on Nikon camera’s. Believe max. 10 mins or so?
Chuck Van Eekelen
ModeratorHaven’t tried that, but are you sure you are on stand-alone? This sounds like something that could happen in “thru” mode in Serato for example.
I might have some time to test with a CD-player. If it is some kind of AD/DA latency thing (converting the analogue sound to digital in order to be able to add all the FX/EQ and such), it should not be limited to TTs only.
BTW, be sure to sign up to the Denon DJ forums. They have revamped earlier this year and the boards are actively monitored by the tech guys.
Chuck Van Eekelen
ModeratorI am a bit surprised. Not sure what the outlet specs are in Australia, but these speakers have power units (unless they sell a different model in the US) that can be used 115-230V and both 50/60Hz. It should detect what voltage and automatically adjust.
July 11, 2017 at 9:49 pm in reply to: what kind of speakers should i use for this amplifier?? #2587481Chuck Van Eekelen
ModeratorFrankly? This kind of stuff is suitable for a pre-teen bedroom at best. X-mas present stuff.
a) I would never buy a separate amp with passive speakers anymore these days. Active speakers are so much easier.
b) Typically PA speakers will be 8 Ohm. This means you will get only 200W (and I hope per channel). Preferably you want the speaker to be LOWER than the amp. If you run the amp too hot (because you think your speakers can handle more), it will start distorting and clipping which can ruin your speakers even if they are higher power.
c) When you buy speakers, make sure that the rated power is in RMS, not Music Power, PMPO or other fancy marketing blah
d) Personally I think this gear is not worth any money. Even at 70 bucks it will turn out a disappointment.
e) Final word. The SN-ratio is 75dB. A decent amp will be in the high 90s or even 100s. Now you may say from 75 to 100 is only 25% “better”. Unfortunately dB is a logaritmic scale. So this would be more like a 9 times better!Hope that helps some.
Chuck Van Eekelen
ModeratorM-Audio Keystation Mini 32 or Akai LPK 25 midi are the first alternatives on the low end of the totem pole that come to mind. Both far less elaborate than the others at about 60% of the price.
It’s more of a personal preference thing I think.
Chuck Van Eekelen
ModeratorWell Pioneer makes gear in quite a broad price range … so the feel of CDJ-2000NXS2 will be different from playing on a DDJ-SB2. Same is true for some other brands.
Chuck Van Eekelen
ModeratorLet’s see … 54 now and just celebrated 40 years on the decks in June.
So, never mind age. Do what you like. Worst case you have a nice hobby, better case you will find those in your own age bracket that will ask you to play at their birthday parties and anniversaries, best case, you will be asked to play for total strangers and actually get paid for it.
Chuck Van Eekelen
ModeratorI know some young DnB guys who actually mix with 4 decks, but really they will use the extra decks for “extra’s” rather than full-fledged beat-synced 3 or 4 tracks. And for prepping the next track while two are playing.
I use 4 channels, but that is because as a mobile DJ I still carry around two CD/USB-media players. And I prefer having them on separate channels than having to switch on a 2-channel controller. I would typically forget to set the switch. Hit play on the CD-player, open the fader and … hear nothing LOL.
This clearly only works on controllers that are stand-alone mixing capable.I think you have a nice controller there, I don’t think the MC4000 really qualifies as an upgrade. The thing is you can easily work a 2-channel set on a 4-channel controller, than the other way around.
Chuck Van Eekelen
ModeratorThis is a tricky one to answer. Quite frankly, I am not an advocate of re-compressing to another format (transcoding). And even then it would depend on the quality level of the WMA’s.
Without going the entire route about bitrates and such, the end-result is the same. It’s not a desirable action to take imho.
So, building a core collection of 600-800 tracks wouldn’t be to bad. Also you can try sourcing digital versions of stuff you already own online. Re-ripping vinyl isn’t a task I would take on lightly either. CD’s are a lot easier. Ripping a track is a matter of less than a minute usually. So if you are talking 800 tracks, that would take you less than 15 hours or so. While waiting for the next rip to finish you can do the tagging and such on the previous rip(s).
And rip into FLAC (lossless) so you can always reproduce CD-quality tracks should you need to. It’s easy when you are done to convert the FLAC into MP3 should you so desire. I use Platinum Notes to work on my tracks before adding them in my collection, but just flat conversion software will work also. Always convert with the highest quality settings is the best advice here.
Hope that helps some.
Chuck Van Eekelen
ModeratorHi Cisco, welcome to the forums. Thanks for the introduction. Enjoy your time here!
If you haven’t, you might wanna check out “How To Digital DJ Fast”-course. It might help you get some more out of the digital DJ-ing realm. And it’s money-back guarantee, so no risk there.
Chuck Van Eekelen
ModeratorHi Patrick and welcome to the forums (and by implication welcome to your girlfriend as well).
There are a few things to mention here I think. Several options for tossing lyrics and beats from two different tracks together:
1) Acappella’s over track B. If you have/find lyrics only bits, you can clearly play those over any other track’s instrumental part. Keeping an eye on musical key and tempo of course. Regular DJ software can accommodate that quite easily.
2) Mashups, this is where you merge two or more tracks together. This COULD be by using the vocal part of a track with the beat or break part of another. Mashup software can help you do this, it’s more of a preparation thing. Also regular DJ software can help you here. Especially since the EQ (frequency control) per channel allows you to “bring out” the vocal part of a track by turning down the low frequencies and perhaps even a bit of the highs (experimentation is key here).
3) Producing. This is more about creating tracks from scratch, where you create your own beats as well. Clearly you can take vocals and add those to the track. This would work best with compatible vocals. Here you’d need production software, the most well-known is Ableton Live.The second part of the equation is ambition level. Does she just want to dabble in this at home at her leisure or does she ever want to do this stuff live in front of other people (if only the family at the next house or bbq party)?
The main site offers entry level courses to both disciplines. If it is more the DJ-ing side that appeals to her, then “How To Digital DJ Fast” is the best primer to get going on basic stuff.
For producers the “Producing For DJ’s” would be a good place to start.Both come with a full money back guarantee. So should she pick one or the other and during/after the course she thinks that is not the right thing for her, she can apply for a no-questions-asked refund.
Hope that helps some.
Chuck Van Eekelen
ModeratorLooking at your post I’d say you have that covered too.
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