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Viewing 15 posts - 181 through 195 (of 487 total)
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  • in reply to: CDJ and mixer (Im sorry) #2557121

    I won’t slam, but I will always point out (like Todd has) that the feature set of ANY CDJ is lacking compared to a controller/DJ software combo.

    The amount of money to spend on that gear as a private person is, imho, a bit crazy, unless you will be using it as your primary tool to make money (i.e. being a professional DJ spending long days on his gear getting ready for big gigs).

    Another thing to consider is, if you think that if you are “used” to a CDJ900 and that means you will have trouble moving to CDJ2000, you are nowhere near going out and playing in public. DJ gear is like cars, they all have gas pedals, clutches and brakes. They all have switches for lights, heating, alarm. The will all have windows that open (some electrically, some manually) as well as doors that open with keys, or remote control fobs. They will all have ignitions, some a start button, others an key that needs turning. Some will have additional switches for fog lights, air conditioning or climate control, nav systems. At the end of the day though, if you can drive one car, you can drive them all. Most controls will be more or less the same and can be found in more or less the same place. If it is different from what you are accustomed to, it will take you two seconds to figure out the new configuration.

    It’s the same with DJ-ing. Once you are good with the basix, you can switch easily to ANY other DJ gear, Pioneer (any model), Denon or any other brand.

    I have, in 40 years of DJ-ing, worked with just about any piece of equipment out there. And made everything work. Our (DJ) core strength is knowing what must come next (musically). Gear is truly a remote second or even third. I have literally played with two turntables without pitch control, a pre-amp with channel on/off switches (no gain control/faders except for master volume) and a mic input. Granted, I wouldn’t want to use that gear on a regular basis, but we made it work and had a fabulous party.

    If you are set on buying something that by looks, size and form factor resembles what is often in the clubs, I invite you to also consider the new Denon Prime series. Check some of the articles here, on the main blog and anywhere else on the internet to see what it offers. It will save a bundle of money, while being more powerful and feature-rich than the most expensive Pioneer sets.

    Just my three cents as usual.

    Looking at about 7.000 euro, including flightcases, be sure to not fall in the trap of brand reputation, “standards” and such. Be 100% sure that what you buy fits YOUR workflow and fills your wish list. It’s not the kind of money you want to spent based on “peer pressure”.

    Hi Zen, welcome to the forums. Thanks for the introduction.

    Hope the Lab will be everything you expect it to.

    Enjoy your time here. Lots of stuff to read and comment on 🙂

    in reply to: DJM 400 and Gemini CDJ 700 #2556211

    Mixers don’t care what is there. As long as it gives a line level input signal, it will play it.

    So, line output from the Geminis.
    Then CD input on the DJM
    Channel on front panel set to CD
    Trim knob turned up at least to the 9 o’clock position
    Make sure the crossfader is set to the deck you want to play
    Make sure your channel faders is at least 50% up
    Finally make sure you have master level up

    It should all work that way.

    in reply to: suggestion about audio interface #2556191

    A new Mixtrack 3 Pro is less than 200 euro. A good sound (which needs to be 4-channel (main and cue)) will start around the 100 euro mark.

    I’d consider selling my current MT and buying the Pro, either new or used, and have the sound card inside. Much easier.

    in reply to: How to map Novation impulse 49 to Traktor Pro 2 ? #2556181

    Have a skate-by by the Traktor Bible website. Lots of mappings available and a very enthusiastic and knowledgeable crowd to help you on your way with Traktor mappings.

    in reply to: warming up #2556151

    Hi and welcome to the forums.

    Good introduction.

    As for owning gear, I am a big fan of renting in the early days when you don’t have a steady stream of gigs and/or a wide range of gigs. With rental you can always fit your offer to what the customer wants and what his budget is.

    Also, be sure you are the one to arrange everything. Don’t send your customer to the rental place. You charge the same as the rental company, but you ask them to give you a kick-back/discount for getting them the order. I usually get between 10-25%. So even renting gear I makes some money.

    in reply to: Hey guys, new to the party #2556141

    Well, welcome to the party and the forums!

    Thanks for the introduction. Plenty of articles here and on the main site about getting (back) into the scene.

    Should you have a specific question that you can’t find the answer to, the fire away in the proper forum.

    Enjoy your stay here.

    in reply to: Getting Work #2555771

    To be honest, I personally think that the only reason your musical style is relevant is to see if it fits with the venue. Also, I doubt any tape (however long or short) will be incentive for someone to contact you and book you.

    Be focused, pick the clubs/venues you think would fit with your style of DJ-ing and music. Go out to them for a while to test that hypothesis (i.e. was I right in assuming I’d fit in here?). While you are there, go early or stay late (or both if you have the stamina). While it’s still early or while it’s slowing down, make contact with people like the bar staff, the door man, the resident DJ, the manager, the owner. Not to shove yourself down their throat, but just so they get to know you. After knowing them for a bit, drop the fact that you are a DJ and the reason you are coming to the place is that you like it a lot and you would really like to play there sometime. Could they let you know if something opens up. Leave your card with them so they know how to contact you. You can invite the bar staff to come see you at the place you are already playing on their night off for example.

    In short, network, get personally involved. Of course, make sure if you have a website or facebook page that they can find some vids and audio of you playing, some bio background. But that is AFTER they know (about) you, not because they are looking for someone.

    Hope that helps some. My three cents worth as usual.

    in reply to: Audio Interface BEHRINGER U-PHORIA UMC404HD #2555641

    Maybe some of that MIDAS (and other bought companies’) techno and audio skills starting to show?

    in reply to: Beat matching & Mixing Songs #2555301

    All good questions and most answered here on the forums (many times) before. Use the search functionality to find some recent stuff.

    All of these questions get answered in the video course “How To Digital DJ Fast” and Phil Morse’s book “Rock The Dancefloor”.

    While we are a site dedicated to helping DIGITAL DJs (and that does involve some kind of DJ software and controller/laptop use), all the techniques described can easily be carried over to CDJ/Mixer DJ-ing.

    The course has a nice price, is fully money-back guaranteed and is available for life. The book is nice too, but you’d miss out on all the nice video examples.

    in reply to: Battery Powered PA Systems #2554691

    And having a “power bar” which is usually a power conditioner with surge protection is handy to have as well. Keeps the voltage more or less stable and prevents power surges that could potentially hurt your gear (especially the network/link connections are pretty sensitive to spikes/surges).

    in reply to: Battery Powered PA Systems #2554221

    To begin with, the budget you describe won’t get you a decent set of PA speakers for indoor, let alone outdoor. QTX and many other such brands produce speakers that, based on price alone, can not be any good. Especially if you calculate they not only are a powered speaker, but they have bluetooth, built-in mixer and even two handheld microphones. Just to give you an idea, a SINGLE wireless handheld mic from a somewhat decent manufacturer will cost about 150 euros and that is really the bottom of the barrel. Anything from renowned brands like shure and sennheiser will start in the 350 euro range and quickly go upwards.

    If you plan on charging for a gig and the gear you bring, the customer -imho- has a right to get the best possible quality for his money. These speakers cost about the same as the rental of 2 professional quality speakers 2 times. That should tell you something.

    The golden rule in PA is “you get what you pay for” and there are no shortcuts to that. Recent years have seen an explosion in 2.1 systems (small sub with two also relatively small satellites) and 2.2 systems (two subs with matching tops, often in so-called array setup). These systems give a relatively high bang for the buck, while still being compact. They outperform their size effectively.

    Now, the QTX speakers are 100W RMS output. Leaving the sound quality out of it (which I would have serious doubts about) as well as build quality (another troubling thing) and just looking at the numbers, you’d have two for 200W. You need 5W rms per person on average for regular indoor use (so no headbanging loud stuff, just party level). That would give you enough “power” to play for about 40 people. Outdoor is at least DOUBLE that, so you’d have power to play for 20 people.

    The site claims up to 10 hours battery life. But I can tell you from experience that -even with new batteries- the battery life quickly drops as power consumption goes up. At full power you could be looking at less than 2 hours.

    There is one brand of mobile speakers I know, from Germany, called Fohhn that produces high end gear. Good battery life even at full volume, but no big bass speakers (these soak up power). Sound quality is great and especially for speech and BACKGROUND music they are hard to beat. Their speakers start at 1200+ euro a piece or so.

    Putting all that info together, I’d say you are not ready to own your own PA yet. Go play out, make some money, set it apart and figure out how often you need them, what features and power they should have and then start shopping.
    Even then, I’d still opt for generator and normal powered speakers, all you need is to keep the tank topped off to keep them going, no matter how long the party. No chance of forgetting to charge them properly and showing up with empty speakers.

    Til that moment, either rent (battery-powered or with a generator) the PA that matches the size and location of your party. You’ll show up with pro-quality gear and can make a buck or two from the kick-back you can negotiate with the rental company. Generally you can get between 10-25% discount/kick-back. And all that without investing a dime of yourself.

    Just my 3 cents as usual.

    in reply to: macbook pro 13 or 15 (retina, non retina) for DJing? #2553551

    I’ll side with Scott on the second-hand MBPs. Both of mine were and it saves a bundle. Be sure to get it from a reputable source if you can.

    in reply to: Hi, I'm new!!!!!!!:):3 #2552261

    Hi there and welcome to the forums. Enjoy your time here!

    in reply to: DDJ SX or SR..incept date, longevity, Those things? #2551781

    Don’t forget that the SX has no DVS capabilities! The SX2 does.

Viewing 15 posts - 181 through 195 (of 487 total)