Forum Replies Created

Viewing 15 posts - 16 through 30 (of 59 total)
  • Author
    Posts
  • Arthol Gibson
    Participant

    Very nice video. I think that’s something everyone should live by, be they musically inclined, artistic or not. Works wonders for your inner-self when you have an innate shield against other people’s agendas and bookmarks of what others and you should be like.

    in reply to: In defense of requests… #3539
    Arthol Gibson
    Participant

    I dont think anyone here will disagree with you. A request is sometimes the only form of conversation you’d have with your crowd – apart from cheers and jeers about the night/your set.
    They can, however, betray the mood and abuse the privilege by assuming you will jukebox the night away. That, and the aggressive tenacity of some patrons, is what most DJs dislike.

    I too enjoy a crowd request. Alot of times you’ll assume the stereotype of a crowd and one request can switch up your whole set and night for the better, on both sides. A few times I’ve been stumped as to what would get a crowd going and a request set the course for a sweaty night of fun.

    I have never seen a crowd completely satiated by an arrogant DJ. It’s one of the few cues that someone is more passionate about the limelight rather than the music and the people.

    in reply to: Name Drops #3510
    Arthol Gibson
    Participant

    Oh, wow.. that is awesome 🙂 I’m loving how you’ve managed to brush away alot of the obstacles that would seem like the end-all to other folks..
    You’re pretty inspirational 😎

    in reply to: Name Drops #1000982
    Arthol Gibson
    Participant

    Emma Partnow, post: 3340 wrote:
    I am Unable to ‘Speak’ due to a Brain Injury; so this could be a Fabulous Tool for me 🙂

    Really? 🙁 How do you do your radio shows, if you don’t mind the query.. Is it just an intro and your set?

    Phil Morse, post: 3285 wrote: Try this:

    http://www.digitaldjtips.com/2010/06/get-a-personalised-dj-jingle-for-your-sets/

    This is a pretty decent tool Phil and a goldmine for the unboxed thinker.. I was toying around with it and realised that you can not only get it to do drops but vocal samples that you can use in productions 🙂 (if it’s your thing) … recreated the vocal bit from The Tapedeck Bros.’ Dance Of The Dead that goes, “When the dead come to life… they will dance” 🙂

    in reply to: Burning CDs for CDJs #3494
    Arthol Gibson
    Participant

    Well.. I have done the mp3 CD thing with no hiccups. On the upnote, I knew beforehand that the CDJs id use were capable. Only thing I dont like about mp3 is that the amount you can fit on them will leave you lost if you ‘forget’ which disc you put a particular track on.
    Seeing as you seem to have a knack for organization though, it may not be an issue for you..

    All in all.. Id say do both types. Mp3 cds thatd take you through a particular set, especially if it’s freestyled, and Audio CDs for your “everything-has-to-be-perfect” set 🙂

    in reply to: What type of person is the most annoying during your set? #3492
    Arthol Gibson
    Participant

    Seeing as a few of us chimed in on it, I’m wondering.. has the “Yo, can I just hookup my ipod” thing ever panned out between patron and DJ with it working in the patron’s favor?

    This would baffle me more than the ‘request’ itself.. but seeing that alot of controllers and karaoke setups have provisions for iPods I can see why some folk would think it’s cool to ask

    in reply to: Software For Removing Booming Hum From Recording ? #3429
    Arthol Gibson
    Participant

    Audacity is pretty decent with noise removal, as well as the Sound Editor that comes with the Roxio Suite of software. I havent had much of a run with Ableton (or any other studio-grade software) to give you any tips, sorry.

    I do know that Audacity lets you isolate the ‘noise’ and you can preview how much of it you want removed from a particular section. The only drawback is that it can ‘trim’ some of (if any) the ambient sound that you might want, including some of the body of the highs of that section.

    in reply to: Using your vacation as an opportunity to play #3374
    Arthol Gibson
    Participant

    Oddly enough, I was in Fort Lauderdale gear shopping about two weeks ago and stumbled upon the mecca of coed hangouts (I think it’s called the Arts and Science district, or something) and there were a few nice local bars with signage up about regular DJs and what not and thought it wouldve been awesome to walk in and just ask 🙂 .. of course I left my work laptop at home in the event of a travel snafu but if it happened that trip wouldve been one to remember 😀

    I’ll consider trying it though, dont get to travel as much as I’d like but it’s a great perspective. Thanks D-Jam

    in reply to: How Do You Prepare Psychologically For Mixing ? #3373
    Arthol Gibson
    Participant

    jezalenko, post: 2742 wrote: Good question. For me, if I have some nerves/bad day and I’m at home, I’ll load up Gramatik’s Stairway To Heaven hip-hop remix and just go mental having a scratch 😀

    Before I say anything.. effin’ props man! I so love that track. Nas’, ‘It Ain’t Hard To Tell’ Acapella goes so well with it 😀 cheers!

    On topic.. I kinda zone out pre-set and kinda distance myself from all music, no radio.. no ipod. During this time I mentally sort out my set as I drive to the venue, taking cues from the environment between home and the place to be. I go through mixes that I’d want to debut, be they guerrilla remixes or simple scratch edits. I like to go through my rolodex to see what would be the primo track for me to start with.
    When I get to the venue, I try to be there at least an hour early to set up and mooch off of the vibe, hail known patrons and staff and, If nerves persist, get a quick beer to mellow me out – then I let it rip.

    I’m a very nervous performer though.. but this is my most prevalent ritual

    in reply to: Anyone else DJ outdoors – photos please! #3133
    Arthol Gibson
    Participant

    I can’t really show much detail of the pool I play by but here’s a booth view 😉

    in reply to: Tips on Mixing Hip-Hop songs? #3132
    Arthol Gibson
    Participant

    A good way is to listen for keywords, if you cant match the beat or time the fade-out/fade-in.
    If youre looking to do drastic jumps, bpm-wise, then a good idea is to track down the source song and do a doubled-up mix of old vs. new.. (Candy by Cameo and All Bout U by Tupac is a good example)..

    Hope this isnt too vague

    in reply to: Serato #3131
    Arthol Gibson
    Participant

    DeeJayIvan, post: 2816 wrote: Actually ScratchLive and Itch can play from the same library.

    jezalenko, post: 2900 wrote: Really? Shows I need to do my research properly! 🙁

    Lol, yeah.. they use the same library files.. This was a welcomed surprise when I booted scratch for the first time.. it ported everything down to the history 😐 🙂

    in reply to: Thread For Identifying Tracks #2746
    Arthol Gibson
    Participant

    🙂 Ok.. I need a bit of help. There’s a House track (I’m assuming) floating around with the lyrics going something like, “Hold On, (We’re) Never Gonna Let Go” … I havent heard it but was asked by a friend if I knew it. Hearing them ‘sing a sample’ it sounds like it could be a remix of an 80’s track.. or the production could be an homage.

    Anything?

    in reply to: DJ Stereotypes: Name them #2743
    Arthol Gibson
    Participant

    I get the DJ’s are jiggalos bit alot :/

    in reply to: Do you have a Band-Aid track? #2742
    Arthol Gibson
    Participant

    DJ Max D., post: 2368 wrote: The world is mine.. UNTZ UNTZ UNTZ 🙂

    I gotta check that out

Viewing 15 posts - 16 through 30 (of 59 total)