Alex Wray
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Alex Wray
ParticipantThat’s about what I have right now, and they play like 24 /7 at my house (except when I’m finding new music)
Alex Wray
ParticipantYeah, I don’t want to wind up like that guy with 50,000 songs, but i was trying to get a grasp of a decent size library for a house / EDM DJ
February 27, 2013 at 6:44 am in reply to: Ever experienced your mixtapes 'backfiring' at you? #37262Alex Wray
ParticipantAsk if you could give her a small live performance of what she is trying to hear, maybe just you and the people hosting the event. If you say you’re willing to play what they ask at the party, but its not your personal preference, show her that you have the ability to perform how they want, live and in person. This way, it directly showcases your ability, without watering down your online mixtape collection with something you don’t consider your personal “style”. She might also impressed at seeing you do it live, which could clear some of the doubts she has, as well show her your willingness to work and maybe lead to more events from this person or persons
Alex Wray
ParticipantLook into finding some modern songs that sample from 70’s songs, as well as nu-disco, to complement the actual 70’s music. That might help keep you sane through the party, as well. Study Youtube for videos of DJs talking at parties to help get an idea of what she would be looking for
Alex Wray
ParticipantPlease excuse any errors, but i’ll try to answer your questions
1. I’m sure you’ve read the reviews online, and though it’s not a system i’ve used, the Mixtrack Pro 2 is pretty much universally accclaimed as a good beginner controller. Keeping everything from the original, and adding on to it, it is a very good piece of equipment to start with.
2. I would reccommend the full course. its methodical, teaches you a lot without a lot a lot of technical gibberish, and is probably the least expensive tutorial out there. Serato seems to be more hip-hop friendly (according to DJ Tech Tools), and if scratching is going to be a large part of your routine, I offer two caveats
a) Purchase the “How to scratch for Controller DJs” course that DDJT is about to release. It looks to be as high quality as any they’ve published, and just the introduction alone helped clarify in my mind how to scratch with a MIDI controller
b) The three major software programs (Virtual DJ, Serato, and Traktor) are 80% the same, so it should be a small matter to transfer the knowledge shown in the video from Traktor to Serato. If you’re still looking at Serato, and you plan on scratching frequently, you might want to consider a Vestax VCI controller. The VCI-300 paired with Serato has probably the most lauded jogwheel response of any controller / software combination, but is notorious for only controlling 2 decks and minimal FX control, so a small supplemental controller would probably necessary. More balanced options also include the VCI-400, 200, or even the 100 (if you can find one)3. There are several reviews of good monitoring speakers on this website, so feel free to browse through the hardware reviews. Personally, I’m looking at either M-Audio AV40s, or KRK Rokit 6s. Phil had high marks for them in the reviews, so you might want to take a look into those
Alex Wray
ParticipantNietzSKY, post: 37273, member: 4553 wrote: I’d suggest
1) Toy around with different DAWs, and start versing yourself in these. It seems these days DJ and producer go hand-in-hand, and once you familiarize yourself with djing, production is how you take it to the next level. Production also gives you a great understanding of effects such as delay and reverb, and makes you appreciate them that much more. Also, mixing is an essential skill in production, and you will grasp more ways to mash/transition songs when you are building from the ground-up.
2) Learning piano and studying music theory: Piano is the king of compositional instruments in my opinion, and piano is the best instrument to get you used to how bass and treble work together. In addition, skills in piano will also cross over into the realm of MPCs and maschines, and really allow you to add a live performance aspect to your djing (it will allow you to stand out from other djs).
3) watch other djs in action and learn from their sets. See how Ean Golden daisy-chains different effects and emulate at first in order to expand later. I’ve found (and came up with some of my own) ways to really emphasize bass-drops through fx and to utilize them in a way that doesn’t become super tedious (using fx chains as fills, creating different sounds while scratching through fx, transitioning in more interesting ways than just a filter-out or a low frequency kill). With technology these days, there are so many things you can do to truly make sets your own.Totally agree. I played for 8 years, and as much as i didn’t like it, it has come in handy. Some of the things it taught me
1. Multitasking. Playing harmony with left hand, melody with your right transfers to mixing things into two decks simutaneously
2. Manual beatmatching. A piano hides no sounds. If one hand is off timing, its immediatly (and painfully) obvious
3. Reading music. Sheet music, with practice, will become basically a waveform in your mind. You can see the buildup and breakdown in songs more easily.
4. Production. If you notice, usually synths have the equivalent of a mini keyboard on it. Im actually about to start building a house song with a classical music twist. and rather than point and click, I can actually play the song. Now imagine the crowd reaction to seeing THAT live on stageTo summarize, piano is a good musical instrument to learn. You can usually pick up a used one in a thrift shop for like $20, so the cost isnt insane
Alex Wray
Participantsoftcore, post: 37116, member: 243 wrote: if you can get your hands on a Behringer BCR 2000, i totally recommend it. There simply is not any other midi controller with 32 available physical controls (usually most of them have 8 faders + 8 knobs = 16) per preset at this price around 150 euros). The top row Knobs also feature a 4 bank system per preset rising the total amount of controls to be mapped in 24+(4*8)=56 – and the device is capable of storing 32 presets i.e. 32 configurations of what each knob and each button will send as midi message. So for example you can have the same set of 56 controls duplicated and just change the midi channel and voila, you got double the controls just by pressing the preset buttons.
Also, you might want to expand the available buttons of the launchpad with this litle thingie I’ve made.
P.S. And here’s a small vid with the two in action
[media=youtube]qr7-K8YEGdA[/media]
Wow. I must say i’m impressed. While my ability level is not there yet, that looks like something i would like to progress to in the future. The Behringer looks like it would definitely work for me, as well as the Faderfox. Right now I’m just building “Modular MIDI Maps” (what I call them) for using a Launchpad in Traktor. This is a vid of the first one I’ve completed while i build other mappings
[media=youtube]6AJNJEC11f4[/media]
Alex Wray
ParticipantSomething you also might want to check into is something gently used. I was shocked at the the store prices of some and decided to go online shopping, and now I stay on eBay
Just to quote
Traktor Audio 2 + Traktor Pro 2 = $85 (brand new, factory sealed)
Novation Launchpad = $80 (used twice)
Stanton SCS.3 (Personally not the greatest controller, but it will definitely get you started) = $80 (used a few times)Sometimes you might only save 10%-15%, and sometimes you can get a really good deal on stuff, so don’t be afraid to buy used. The only person who would know is you, and it definitely can save money as opposed to buying straight out of the store. And like Terry said, the people who have the latest and greatest could have no idea about what you’re doing, as opposed to the guy who bought what he could afford, and learned it inside and out, backwards and sideways. Personally, having to pay my own way through college, working at a restaurant trying to become a chef, and learning how to DJ, and having to save and scrimp for any equipment makes me appreciate my small kit, and drives me to make it do the things that the best stuff can. Do I drool over the newest Pioneer CDJ, or Traktor Kontrol hardware? You bet. Then I take the equipment I have and tweak and program and MIDI map to make it do the things that more expensive stuff can
Alex Wray
ParticipantAlso, if the laptop you are using comes in different hardware configurations, you might want to see about the possibility of swapping processors. It would improve performance for cheaper than another laptop
Alex Wray
ParticipantOne of my favorite artists is Big Gigantic. He does some things in that vein, and you might want to have a listen and see if it gives you some inspiration
Just one of my favorites
[media=youtube]OaX3lNTVmk4[/media]Alex Wray
ParticipantAnother suggestion might be the Gemini CDJ-700. Phil did a review on these in the blog, and they seem to be a versatile solution for most situations. The CDJ-700 is one “platter” so you would need a two, plus a mixer. As for an all-in-one solution, there was also a review on the Gemini CDMP-7000, which is two CDJ-700s with a mixer in the middle built as one unit. Because of their ability to act as CDJ, as well as MIDI controllers, you may want to look at the reviews, because they seem to be a relatively cheap investment (around 1000) for a pretty professional setup
CDJ-700 Review
http://www.digitaldjtips.com/2012/05/review-video-gemini-cdj-700/CDMP-7000 Review
http://www.digitaldjtips.com/2012/12/gemini-cdmp-7000-review-video/Alex Wray
ParticipantThanks for the advice guys
Alex Wray
ParticipantYeah, as far as I can tell, your processor is not powerful enough. I tried running a 1.66 Ghz laptop and all I got was distortion. You can try softcore’s suggestions, but Traktor has a requirement of a 2 Ghz processor
Native Instruments Traktor Pro System Requirements
http://www.native-instruments.com/#/en/products/dj/traktor-pro-2/?page=2050Alex Wray
ParticipantWell you have enough physical hard drive space, definitely, but the RAM is a different thing. it should be under
Control Panel > System > View RAM and processor speed (or something like that)
If your processor is under 2 GHz, and / or your RAM is less than 2 GBs, (even being barely over that, like 2.2 GHz could cause problems after a couple of hours of really hard mixing with lots of effects (almost burned out an old laptop doing that, but that’s a different story =P)) than that might be causing the problem. If both are 2.5 GHz / GBs or better, then it probably something else
Alex Wray
ParticipantDon’t know if this would help, but a trick I use to improve my ability to improv is to let someone else pick out 25-30 minutes (or about 5-10 songs) worth of music (or just put iTunes on shuffle if no one is around) and make myself go for 60 minutes nonstop with only those songs, which makes me come up with more creative ways of making the same stuff sound new. It also helps me learn the songs in my library a little better than just the anthems and personal favorites. Just my two cents
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