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Viewing 11 posts - 1 through 11 (of 11 total)
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  • in reply to: Finding and auditioning new music #2196091
    Steven Bennett
    Participant

    Track selection is one of the key things that will set you apart from your peers. And it varies from DJ to DJ. Some will swear by charts/beatport 100 and others will avoid it like the plague.

    Personally I like to take myself down the rabbit hole using youtube and soundcloud, pick a certain artist that has caught my attention and use the mix list and listen to them all, usually when I’m at work. When something sounds good to me, I’ll add it to a play list. When I get home I’ll look it up again and if it’s free I’ll download it and practise mixing with it. If i like it, ill keep it in my mixcrate. If not, ill delete it or move it to another folder.

    That’s one of my methods, but like the above poster said, DJs gotta have their secrets.

    in reply to: A Tale of Two DJs #2195671
    Steven Bennett
    Participant

    Lol, gotta make a living one way pr another.

    in reply to: Hello from Knoxville, TN #2195661
    Steven Bennett
    Participant

    I haven’t seen him in a while. I worked with him and Oreo on a couple of their stage productions in the past.

    in reply to: Never too late to DJ #2195481
    Steven Bennett
    Participant

    Yes we do!

    in reply to: Hello from Knoxville, TN #2195471
    Steven Bennett
    Participant

    I know the place. You must be friends with Scotty Cornwell then?

    in reply to: Hello from Knoxville, TN #2195421
    Steven Bennett
    Participant

    Which venue do you with, if you don’t mind me asking?

    I too am in a similar position. I’m 35, rediscovered the dance music scene 4 or 5 years and have decided to put my love for the music into being more of a participant than a spectator. Of course, juggling family, work and mixing is no way task, so I feel you on that!

    Steven Bennett
    Participant

    I’ve actually found some great twerk to throw in there too. After the feedback on here, some discussions with friends and DJs I know and some consideration, I’ve decided to tone down the UK bass emphasis but go for a set that will fit in with the theme of the night and essentially be a crowd pleaser (hopefully) that will be opposite to the headliners (heavy dubstep) but will still complement them. So a lot of variety of trap, some twerk, moomba, a pinch of deep house and 4×4 because it blends so well and some great remixes I’ve discovered in my typical music hunting during work.

    I’m still wanting to avoid dubstep mainly, but I have an oldie or two I am dying to play, but hopefully on the night it will pull together great and everyone will enjoy it.

    in reply to: New and need help / Getting Started DJ-ing #2191641
    Steven Bennett
    Participant

    The mix track pro is a great controller to start out on, but not so much if you plan to use it for an actual gig. I had one and upgraded to the pioneer ddj-sb which is a little pricier but definitely worth the upgrade. It has a few more functions but more or less for learning they are as good as each other, considering they both use Serato.

    Also, the course here has been very helpful to get started. I also recommend getting ‘DJing for dummies’ if you want some reading material.

    in reply to: Greetings from Knoxville #2191631
    Steven Bennett
    Participant

    Yes, that and a lot of dubstep and moomba.

    in reply to: Working with Mixing #2191501
    Steven Bennett
    Participant

    In answer to #1 play,whatever genres you like. There are no easy genres to learn on, but the ones you want to play.

    Pick songs you like and try mix them, and see how they sound. If they perfect to you that’s the music you should play.

    Steven Bennett
    Participant

    That was pretty much along the lines I thought myself. I’ve even been involved in a discussion recently whereas an opening DJ in Atlanta decided to go the full on route and attempt to outdo the headliner, which in this case, Bro Safari. Whilst he did get himself noticed, it might not have been for the right reasons so I totally understand where you’re coming from.

    However, and this is my conundrum begins, being in the scene around here I’ve noticed a trend in the shows and the energy from the crowd. Generally, the openers are mostly ignored until they start throwing down and a lot of the regional producers/dj go full on from the get go and typically the crowd responds well to it whereas you have a warm up by the very definition that makes no difference to the anticipation of the crowd. It’s like they’re pretty much pumped by the time they get there and usually don’t turn up until maybe the dj before the headliner.

    When it comes to dubstep shows, like one I attended recently that 3 very prominent producers who played back to back equally energetic sets with no difference in tempo or genre, the crowd lap it up. I’d say from talking to a lot of people I see and talk to at these shows, they respond better to the festival format of all killer no filler music. Which is why I’m conflicted on just playing a traditional warmup set or playing what I would imagine is a crowd pleaser with a little experimentation mixed in. Especially since a lot of my friends are coming primarily to see me play a gig at a venue. Of course, I’ve got a crate of music in mind that would definitely constitute a warm up set with mostly trap that would fit in with the vibe the organizers have in mind but surely a couple of surprise tracks wouldn’t go amiss.

Viewing 11 posts - 1 through 11 (of 11 total)