YEP ANOTHER ONE!!
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Sumir.
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February 10, 2012 at 12:03 am #14613
backtothefront
ParticipantErik Toth, post: 14673, member: 786 wrote: My thoughts about that so debated SYNC button.
Without that button I wouldnt be here, that is the simple fact.
I always looked my self as artisticly handicaped person. I cant paint, sing or play instruments.
So when I got the idea to think about music and I started to read about dj and listened my (now) ex-gf about her time when she was dj I started to be a bit scared about beatmatching and such stuff.
When I got my Mixtrack pro I saw all the hate posts on the internet about the sync button.
Simple fact without that button I wouldnt be here but I would have stoped after 1-2 hours of disaster.
That button helped me to start….made me to be interested about what I was doing and made me to practice beatmatching by ears and so on.
So I’m thankful for that button that’s for sure!
It’s a tool given to us by the ppl who make the softwares….not using it if you want is like refuse to use the elevator when you help your friend to move to the 10th floor, just because that makes you less person so you rather use the stairs.Fair enough, I use the sync button in TP2 myself sometimes however I would contest that beat matching is a key dj skill and something to be learnt and not to be scared of(?). Additionally one shouldn’t be just getting fed up after a couple of hours of trying either. With beat matching I found you also learn song structure and phrasing, v important for smooth transistiin mixes IMO.
February 10, 2012 at 1:44 pm #14658VinnyBlanc
ParticipantDJ Hessler, post: 14615, member: 537 wrote: Then tell me one Top 100 DJ that uses 100% software and controller and not CDJs/Vinyl?
The big guys has not joined “the dark side” not yet anyway so there is still hope 😉
I thought Porter Robinson just rocked the S4, but I could be wrong…
Your point is still clear and valid…I was actually just trying to think.February 10, 2012 at 4:28 pm #14668Warziders
MemberI really don’t see what the issue is, as long as the skill is there and the audience is happy, that’s all that matters. On top of that a lot of the newer breed comes from a smaller budget and can’t afford the new prices for vinyl. That’s why we come to sites like this, to learn the new tricks of the trade as well as blending in some of the old.
February 10, 2012 at 6:20 pm #14675Chris Collins
MemberSync is easily justified if you are using your ‘beatmatch time’ for another activity. Even then, I know I personally don’t care how the DJ does it, I came to enjoy the music, not to stare at someone doing their job.
So yes, I use sync at times, but more often than not, I’ll just adjust the BPM read-out to match. I just don’t have the manual speed while beatmatching by ear to confidently load and drop the track on the exact phrase I had planned. Plus, I make decent use of 4 decks, so having one less thing worry about is always a plus. Last thing I want to do is rush to load a track and bump off the one I was playing by mistake because I worried about leaving enough of a window to beatmatch.
Keep in mind, I spend a great deal of time gridding, mapping and hot queuing all my tracks to the point where I know exactly how sync will perform. I’ll never run into the situation where sync does something unexpected (or if it does, I would have found out at the home studio rather than while out playing). This leaves me a lot more time to focus on something just as important as beat-matching. Crowd reading, song selection, phrasing and finding the best drop points.
February 10, 2012 at 10:48 pm #14679Julian Gutierrez
ParticipantDj iceman, post: 14491, member: 187 wrote: CAUTION STRONG LANGUAGE!
[media=youtube]mHDuZTJV_1A[/media]
Iceman, even if I didn’t agree with you (and I certainly do), these videos are hilarious! I also love your passion.
Nice work mate, keep it up!
February 10, 2012 at 11:35 pm #14682Dave Korfman
MemberOne thing that confuses me about this debate. Some of you may remember the debate about vinyl and CD’s when CDJ’s started first being used, how using CD’s wasn’t real DJing and then when some CDJ’s started having beat counters, MY GOD! I remember mates of mine who had always used vinyl saying they would never use CD’s, it was selling out, that beat counters cheapened the art etc. None of them use vinyl any more unless it’s for some special night.
Traktor (although not always 100% accurate unless you do you homewrok, prepping grids etc) reads the current BPM and puts it on the screen. I mean the exact BPM to two decimal places. So what’s OK, having the BPM within one beat? Going in to preferences and changing the setting so BPM doesn’t show up at all? Or is it OK if I read the screen, adjust the tempo and then get the beats in time by ear?
Isn’t this all going to be a dead debate like the one about vinyl and CD’s once software is stable enough that it’s as reliable as using CDJ’s?
These aren’t even real questions really. Time spent on forums, unless trying to find something out, is probably best spent on finding new music, telling your wife you love her, making tea, growing peas….including mine…debate can be addictive though so feel free to respond. I’m off to go and piss on my girlfriend.
February 10, 2012 at 11:42 pm #1002950Paul Hill
Participantto sync or not to sync is irrelevant.wot matters is the output.i dj with both analogue and digital(im more comfortable with my decks still-serato).i have a denon mc6000 which has sync but im old school.mix with faders/and my low/mid/treble knobs work for me.pitch is a forgotten word now.i say “embrace both and dont knock the sync button”ill use it when im more familiar with my pc setup with my denon
February 10, 2012 at 11:50 pm #14685Dave Korfman
MemberAnother quick point, or more a situation. What if a person simply can’t beatmatch. They’ve tried and tried but out of sync music just sounds like a mess in their ears and makes no sense. However, when it’s in sync, the person knows what sounds good together and what doesn’t. They also tick all the other gripe boxes like knowing their history, they’re humble etc…and now because of the sync button they’re making a living from giving people a good time. For the beatmatch purists, should they quit?
February 11, 2012 at 12:10 am #14687Dave Korfman
MemberSensible, honest post mate. Nicely put.
Chris Collins, post: 14742, member: 476 wrote: Sync is easily justified if you are using your ‘beatmatch time’ for another activity. Even then, I know I personally don’t care how the DJ does it, I came to enjoy the music, not to stare at someone doing their job.
So yes, I use sync at times, but more often than not, I’ll just adjust the BPM read-out to match. I just don’t have the manual speed while beatmatching by ear to confidently load and drop the track on the exact phrase I had planned. Plus, I make decent use of 4 decks, so having one less thing worry about is always a plus. Last thing I want to do is rush to load a track and bump off the one I was playing by mistake because I worried about leaving enough of a window to beatmatch.
Keep in mind, I spend a great deal of time gridding, mapping and hot queuing all my tracks to the point where I know exactly how sync will perform. I’ll never run into the situation where sync does something unexpected (or if it does, I would have found out at the home studio rather than while out playing). This leaves me a lot more time to focus on something just as important as beat-matching. Crowd reading, song selection, phrasing and finding the best drop points.
February 11, 2012 at 12:58 am #14689Sumir
Memberatom12v, post: 14753, member: 1423 wrote: “Obviously, you’ve remained the way you are for all those years. I could care less if you were 100 , you still are the exact image of what I was speaking of with the newer generation. At least they are young, and can still be taught..and change. Where you stand today, after all these years ..is a sad example of where one can end up with the improper attitude”
“I got the point..today’s generation of wanna bes lack what we had..I’ve ranted before , not going at it all over again now. Can sum it (them) up with three words “lazy, misguided, egotistical””
“It’s an insult and a joke when someone has the audacity to over simplify , and take the passion out of what my generation, and those before me worked our asses off to build. There is no meaning left in ti what so ever, no message. The only concern I see from today’s wanna be DJ’s , is for themselves.”
Any of this sound familiar. Yes all your replies
Read my original post, I don’t call anybody wanna be dj’s, I don’t try change anybody, I don’t judge any dj for what they use. That’s the beauty of this, everybody is entitle to there choice. You choose turntable, I choose controllers
Are you angry at me because I’ve been doing this longer than you have been alive, or because;
I have use everything from turntable, reel to reel (you can google it to see what it is), cdj’s and controllers and I make the later my choice, or because;
I can beatmatch 3 turtables manually, and I mean manually no fader, or because:
It took you over a year to beatmatch and my 6 year old granddaughter did it in a few months.
What ever your reason, keep it to yourself. I don’t need to know.
Not angry at ya , never said I was . Again never said I have in issue with what medium uses either. And as far as you go personally, it’s your attitude ..which again you’ve made obvious in your reply. Attempting to highlight your skill in an online thread in such a strong way. And at the same time bringing my knowledge of things (reel to reel) into question, to put yourself up higher just proves my point. Plenty have people are reading the back and fourth, and I’m sure it’s clear who is angry and has issues.
February 11, 2012 at 1:05 am #14692Sumir
MemberDave Korfman, post: 14752, member: 1422 wrote: Another quick point, or more a situation. What if a person simply can’t beatmatch. They’ve tried and tried but out of sync music just sounds like a mess in their ears and makes no sense. However, when it’s in sync, the person knows what sounds good together and what doesn’t. They also tick all the other gripe boxes like knowing their history, they’re humble etc…and now because of the sync button they’re making a living from giving people a good time. For the beatmatch purists, should they quit?
Not at all, but they should continue with working on developing their beat matching skills. Sync , as I said earlier is good as a tool for someone starting out. Even if it takes them a long long time, so long as they understand it’s needed. One day they’ll have to mix w/out. It’s better for them to learn beat matching before the sync fails them during a live gig.. It took a very long time for the ‘mess in the ears’ to make sense, I was frustrated as hell but it got better , and better and eventually became quite natural. I’m pretty much a dummy , so If I can do it ..I’m sure anyone can..w/the proper dedicated effort.
February 11, 2012 at 1:47 am #14697Dave Korfman
MemberFair one Sumir, nicely put.
@Atom12v. I can see the chip on your shoulder from here. Presumably your reference to the guys ‘with 2 pieces of static noise making vinyl’ was you some years ago, harking back on the past? Either way, it’s irrelevant, your granddaughter however should probably be on youtube. Unless of course her skills and success as a DJ make her become bitter and angry, that would be a poor turn up after all.
February 11, 2012 at 9:09 am #14706Bigicedog
ParticipantFebruary 11, 2012 at 6:21 pm #14715Sumir
MemberHELL YEAH ICEMAN!
February 11, 2012 at 6:22 pm #14716Sumir
MemberThat need’s to be a damn t-shirt
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