The 'Sync' button – ADE Conference 2011 Discussion.
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Kranic.
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November 1, 2011 at 6:31 pm #1002033
D-Jam
ParticipantGRE, everyone is entitled to their own opinions…although the hard reality for that guy is if the girl DJ is landing gigs, people love her, and promoters like her, then it doesn’t matter how “talented” that other guy is. He can moan that she gets gigs because she’s a girl or she plays pop tunes or whatever, but the “win” in this game is getting the gig. Those old thinkers need to remember and realize that. If a prettyboy who can win hearts/minds of young girls can pack a club, then sync or not, midi or vinyl, he’ll get booked and thus “win the game” compared to the guy who doesn’t touch laptops and has been honing his craft for decades in his bedroom.
I will say in defense of manual beatmatching,that gathering I went too (the one where I was complaining about 15 min sets), it was three setups tied together. Two vinyl setups (one Torq, one Serato) and then the Xponent on another channel.
There was no way you could sync in this…period. You can’t have them all tied together and sequenced, so if you couldn’t manually beatmatch, you’re screwed.
This is one reason why I think every DJ should know how to do it manually…even if you are using sync all the time. I use sync nowadays when I make mixes to upload…simply because it makes it easier on me…but I’m thankful I learned the old ways just for occasions like the other day.
November 1, 2011 at 7:29 pm #9266Bigicedog
ParticipantDJ GRE, post: 9254 wrote: I agree, but with hip hop DJs it seems it is just so embedded in their culture that they are having the hardest time adjusting to the change in the DJ culture as a whole. I was listening to a DJ the other night and she was (yes, SHE) was going hard! – great song choices, VERY smooth transitions – NO scratching even though she was using Pioneer CDJs w/ Serato timecode. Anyway, another DJ was standing next to me and I mentioned that she is doing great and his response was – “yeah but she’s just playing music, I like to actually DJ.” – emphasis on the DJ portion like what she was doing wasn’t actually DJing. I know the guy and he is a very scratch heavy DJ and labels everything (house, dubstep, trance etc.) “techno” – so I feel that once they put themselves in the hip hop category there is a heavy tendency to write everything else off.
Now i tend to lump different genres together as well,but im not in denail about my ignorance. i just never took the time to try to figure out the diffrence between dnb,trance,techno,industrial,deep house and dubstep,so i label it all as edm. but i am a 30 year hip hop dj so for 30 years ive been going through the same thing,meaning that most people just consider rap as being”hip hop” but a lot of people dont realize that the roots are much deeper and run to this day with regggae,soul,rock,pop,and jazz, but to be on subject hiphop djs are too set in their ways to fully embrace change till they have to.digital djing will catch on but it will be slow going like the acceptance of the cdj.
November 2, 2011 at 2:47 am #9280November 2, 2011 at 4:58 pm #1002041D-Jam
Participanteros, post: 9276 wrote: @D-Jam How did the 15 min sets go the other night ? What did you end up doing ?
It was ok. My buddy tied together three setups. One was two 1200s, two American DJ CD players, and a Vestax Mixstick. Our guest DJs set up Scratch Live on it. His second setup was two 1200s, two American DJ CD players, and a 10″ Numark mixer…which he set up Torq on. The third was another laptop running Torq with an Xponent.
You can see why you can’t sync in this. His whole idea was a lot of quick mixing and tag team DJing, so you were mixing off one another, thus sync is useless. I’m actually going to get a photo he took of the setup and use it when I write a blog on the sync issue, and point this out as to why a DJ should be able to manually beatmatch as well as effectively use sync.
You can hear the sets on http://www.themovement.fm I’ll be honest while I love seeing the “gang” and sharing some laughs, I just think most modern EDM isn’t built to be quick-mixed like people did in the 90s. I don’t care how ADHD the crowd is because more and more I see producers literally arranging their music so you can’t get out of it quickly, yet then I see DJs re-edit everything so you can.
I never was a quick-mixer except for a short period in the 90s when I used a 4-track recorder to make edit mixes. Now I like letting things play out and flow. I didn’t even bring any modern music since the tech house, deep house, and trance I like to play isn’t built to be quick-mixed. I honestly thought the whole day sounds discombobulated, but that’s my opinion. I got through that day, but it’s not how I like DJing, and I’ll decline when guys like my buddy invite me to play 15-30 min sets at some party that’s overbooked with DJs.
November 3, 2011 at 6:57 am #9313Pär Hessler
ParticipantPersonly I think beatmatching is a skill that you shall be able to do by hand otherwise you are not a DJ in my eyes.
Here in sweden in general a lot of new so called DJs bought a cheap laptops and a cheap china made controller and plays for nothing or very little money and free beer. That keeps us “real” DJs out of jobbs as we do not work for free.
There are many that can not read the dancefloor and has absolutely no skills, they push autosync button and playes
their downloaded MP3s that sounds like crap on their downloaded copy of Traktor on their PC full of viruses that crashes at least two times per night! And then in best case the owner do not understand why people stops comming to the club.
So I do not play clubs in Guthenburg any more as the pay in general is less than it was in 1980!Now that is the main thing that I do not like about Digital DJing.
If this is the evolution that everyone speaks so well about I rest my case!
//DJ Hessler
November 3, 2011 at 10:37 am #1002049softcore
MemberDJ Hessler, post: 9309 wrote: Personly I think beatmatching is a skill that you shall be able to do by hand otherwise you are not a DJ in my eyes.
Here in sweden in general a lot of new so called DJs bought a cheap laptops and a cheap china made controller and plays for nothing or very little money and free beer. That keeps us “real” DJs out of jobbs as we do not work for free.
There are many that can not read the dancefloor and has absolutely no skills, they push autosync button and playes
their downloaded MP3s that sounds like crap on their downloaded copy of Traktor on their PC full of viruses that crashes at least two times per night! And then in best case the owner do not understand why people stops comming to the club.
So I do not play clubs in Guthenburg any more as the pay in general is less than it was in 1980!Now that is the main thing that I do not like about Digital DJing.
If this is the evolution that everyone speaks so well about I rest my case!
//DJ Hessler
You have indeed some valid points for everyone to consider. But lets take a guy with honest intentions, honestly trying to be a good DJ – no cheating, no easy workarounds. Now consider the money needed for that guy 10 – 15 years ago…He probably needed a decent mixer and two turntables and at least two records just to practise on. Make the math and figure out the cost……Now take the same guy and make the math today, needing a decent laptop, soundcard and software. See where Im going with this? With all due respect to old school DJs the truth is that this profession had become an “elitistic” one (as most of arts in the past) due to great amounts of money being required. Digital and software brought “democracy” to arts and that to my eyes is a great and welcome evolution, of course with the cost of the side-effects you mentioned.
But then again, I would prefer if you didn’t choose to generalise so much when referring to digital DJing – imagine if I had said:
“all vinyl DJs are spoilt rich kids who had a lot of money to spend on equipment and records, their rich dads had connections with clubs and thats why they became good….they had the money to….and they are snobs and musically-uneducated. Lets face it not only God is NOT a DJ, but the DJ isnt even a God and they just react to digital because they know that their fraud and fake image will be exposed”
…wouldnt that seem too biased? 😉In the end, the guys you mentioned screw up don’t they? If their laptop crashes twice a night, if they can’t read the audience, if they sound like crap, how do they really get YOUR job? 😉
November 3, 2011 at 11:31 am #9331U31
MemberI mentioned elsewhere on this forum, in the late 80’s you played on what you had, (Or at least we did) Garrad turntables out of your bedroom with wooden sides, heavy old things, no pitch control, belt driven

It was sometime in the 90’s before better paid mates could save up and get Technics 1200 and a decent mixer.
We made do and mended.
Absolutely zero has changed today.Your facebook laptop, an evaluation copy of some dj software, tunes nicked off napster or some such site are the modern equivalent .If you have a passion you will find a way. Get creative.
Some folk progress and get better laptops, better controllers and thier own music rips, or stuff from quality music source websites. Some fall by the wayside.
Nothings different.November 3, 2011 at 11:32 am #9332Arbite
MemberDJ Hessler, post: 9309 wrote: Personly I think beatmatching is a skill that you shall be able to do by hand otherwise you are not a DJ in my eyes.
Here in sweden in general a lot of new so called DJs bought a cheap laptops and a cheap china made controller and plays for nothing or very little money and free beer. That keeps us “real” DJs out of jobbs as we do not work for free.
There are many that can not read the dancefloor and has absolutely no skills, they push autosync button and playes
their downloaded MP3s that sounds like crap on their downloaded copy of Traktor on their PC full of viruses that crashes at least two times per night! And then in best case the owner do not understand why people stops comming to the club.
So I do not play clubs in Guthenburg any more as the pay in general is less than it was in 1980!Now that is the main thing that I do not like about Digital DJing.
If this is the evolution that everyone speaks so well about I rest my case!
//DJ Hessler
I don’t necessarily believe this. No club owner/promoter worth their salt would put a DJ on in a peak slot without listening to a mix or two, and then putting them in a warmup/cooldown slot to test their skills and what they play. If it really is the case, then those club owners deserve to loose their money.
November 3, 2011 at 11:36 am #9333Pär Hessler
ParticipantIs someone tries to be a good DJ he will need the same amount of money today that he needed 10-15 years ago if not more:
A Macbook Pro, Traktor Pro, A real Conrtroller (Denon MC6000, NI S4, Numark NS6 or some Pio controller)
The rest of the computers, and controllers is not pro IMO they are bedroom gear.
10 years ago you would need a used CD player, a used mixer and a used PC with a burner.
IMO I could easy spend less money 10-15 years ago. Then there was also cheap bedroom players and mixers to buy.
If you needed TTs there is a whole lot of used Technics that was cheap 10 – 15 years ago as well.
And if you should need a decent mixer for the TTS you will need a decent controller now or??
I do not buy that it is cheaper today than b4. It is only if you buy cheap crap controller and download pirated software.
And that you do not do if you are to be a serious DJ or??As for my genoralisation I wold like you to point out where I am doing that because I simply dissagre on that matter!
Yes they screw up but they still has the jobs and a lot of good DJs does not, wich I can only blame the evolution!
They get the jobs because they do not demand any money for their job!BTW all my gear is paid for by my giggs!
//DJ Hessler
November 3, 2011 at 11:49 am #9335Arbite
MemberDJ Hessler, post: 9329 wrote:
A Macbook Pro, Traktor Pro, A real Conrtroller (Denon MC6000, NI S4, Numark NS6 or some Pio controller)
The rest of the computers, and controllers is not pro IMO they are bedroom gear.Really? Really?
I played my first gig with the Novation Twitch recently and I can say that it’s a pretty nice piece of kit, especially on the move. I think Phil has played a few gigs with it as well, so he’s more experienced in its use than I am.
All those controllers you listed weigh a tonne or are really big and annoying to cart around. Fine if you’ve got a permanent set up, but for a mobile person like me its just an issue. Smaller, more powerful controllers are fantastic in this aspect. Easy to cary, easy to set up, and take up very little space. Stuff like the VCI series comes to mind as well, widely used by “pro” DJ’s.
Also, I use a windows PC. Damn sight better than my old MPB.
November 3, 2011 at 11:52 am #9336U31
MemberSo whats wrong with cheap gear and pirated software.
Any means necessary.A bit of a diversion in to musicians, but im sure a few DJ’s round here did this too..
The Happy Mondays STOLE all their gear!There was a superstore that sold absolutely everything, called SCAN in Walkden (the next town up towards Manchester from thier home town Little Hulton – they would walk to the Stocks pub and then the Red lion on their way to the City centre ) where a Tesco now stands. Its on the opposite side of the road to the Stocks pub.
It was notoriously easy to shoplift from, so they did. And made historyNovember 3, 2011 at 11:55 am #9337Kranic
MemberDJ Hessler, post: 9329 wrote: A Macbook Pro
Really!? Care to explain why?
November 3, 2011 at 1:29 pm #9342Pär Hessler
ParticipantKranic, post: 9333 wrote: Really!? Care to explain why?
Because it works in differ to Wintel
IMO and my own experience is that PCs just does not work as they are supposed to
I have had 8 of them and 7 macs 100% of PCs did not do the job had issues in hardware.
100% of the Macs had / has no problems.If I am at a club and it gets silent 100% it is a PC that needs to be rebooted!
//DJ Hessler
November 3, 2011 at 1:53 pm #9343Pär Hessler
Participant*Lol* I knew you would be upset by my statment.
That is why I waited this long to post it.But my true oppinion on this matter stays unchanged.
If you are a pro DJ you should play wirth pro gear IMO!
A carpenter does not use 3rd quality cheep stuff at least not here, so why should a DJ
be satisfied with that?I have tried those cheap controllers and it took me abut 10 sek to bash them all.
They have 2nd or 3rd quality buttons and hardware. It feels and looks like a toy!
Try setting a Denon or Pio product beside one of them and feel all the buttons and knobs
then you know what I mean.That is why I waited till the Denon MC6000 before I even thoght about digital DJ’ing
It is the first controller worth paying for IMO.I know that there is some of you that does think different but it will not change my oppinion.
I have been a DJ since 1980 and has always played on top quality gear on giggs.
//DJ HesslerNovember 3, 2011 at 2:21 pm #9345softcore
MemberI will refrain from commenting what I think of Macs. As you said, you have the right to keep your opinion, and of course I have the right to keep mine. One word of advice: writing pro on the tin, doesn’t make it so, and the price tag isnt always the proof.
Apparently my comment about “elitism” applies to more than just “analogue VS digital”. I will refrain from commenting more on this topic too.
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