Home 2023 Forums The DJ Booth The dj pushing buttons vs. producer/performer debate

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  • #42155
    DJ Vintage
    Moderator

    When is somebody an electronic DJ as opposed to “just” a DJ? Not trying to be smart, but just so I get the parameters of this discussion right in my head.

    Greetinx,
    C.

    #42157

    Hey, C! Tx for the reply. Could just as easily have said both djs and producers, just that edjs seem to have been the target of most of the criticism. Discussion is wide open – as an example, The Adventures of Grandmaster Flash on the Wheels of Steel. Three turntables, a mixer, and that’s about it – and yet, a high level of artistry that few could match. Never meant to imply a separation between dj and edj – rather, to imply a connection between djs and any other live performance, in terms of artistry.

    #42160
    DJ Vintage
    Moderator

    Clear. Then in that case I would say that the only real difference is the availability of tools. As tools progress so do the opportunities for creative expression.

    DJs and Producers are both creative animals. Being creative means having an idea/picture/sound in your head and manifesting it in the real world. Obviously with better tools there is more to manifest.

    At some point it becomes a choice of tools. There are still many painters using oil on canvas (better oil, better canvas, better brushes, yet still essentially “old skool” tools), but many a graphic artist uses the power of digital technology to manifest the desired image.

    Is one better or more sophisticated than the other? Not in my opinion.

    Back to DJ versus Producer. I think that if you prepare as you should, practice your skills as you should, know your tools as you should and are proficient in applying those skills, tools and preparations that the end result in both cases is true artistry.

    My point-of-view: There is no artistic difference between a DJ and a Producer. They just use different tools to create a different work of art.

    Greetinx,
    C.

    #42242
    Terry_42
    Keymaster

    I think it boils down to the envy thing that some people have. And we all now that you can get angry if you envy something and that anger leads to hate and that leads to the dark side 😉

    Why do I say envy?
    Because there is a person, who is obviously very successful (like Deadmau5) and all he does on stage is push some buttons during a performance. So the envy is more obvious then say a guitarist or keyboard player. As the time put into playing guitar is much more obvious when you see someone doing it and there is a slight chance that you cannot do that yourself (which is wrong, you can you are just to lazy to practice).

    The second thing is that there are many DJs out there who do not (IMHO) deserve to be called that. Not because they cannot do some things, but simply because they lack any creativity and passion for music.
    While there are some skills a DJ can learn, and should in my opinion, like beatmatching, at least basic music theory (harmonics) and the like, anyone can buy a controller and mix 2 songs together half decently.

    So the creativity and passion for music needed to DJ good are less obvious to the audience and the less you do “act” when DJing, the more envious they can get.
    When I had my residency in Berlin in loved to get into the crowd after my set and ask people what they liked, as I thought this would help me get better in my sets, but most of the time, even when they praised my as the best DJ of the evening, they could not express why… and honestly my skills were not better than the other DJs…

    I even see this when I just go out to enjoy music. One of my best parties was with a DJ guy (that sadly I cannot recall his name) that brought 2 iPods and a mixer that could not have cost more than 50 to 100 bucks and the evening was totally awesome. On the other hand I was at a local club where a controllerist showed up who obviously had great skill, but the club was empty within 30mins of his performance.

    So my bottom line is:
    A good DJ is not defined by the skills he has, nor the gear he uses.
    It is defined simply by the audience and if you can fill a stadium (like Tiesto) and all you do is beatmatch your own songs together, obviously you are doing something right if creativity and passion for music are involved.

    #42275
    DJ Vintage
    Moderator

    Woohoo … someone push a button there, Terry? The longest reply I have ever seen you write I think :-).

    I am envious now … wish I could write like that!

    Greetinx,
    C.

    #42284
    Terry_42
    Keymaster

    I am just passionate about being passionate about my passion. Which is music 😉
    It is all for love 🙂 If you do it with love, people will know.

    #42330
    DJ Vintage
    Moderator

    Guess that is why nobody knows me … sniffff 🙁

    #42942
    softcore
    Member

    I used to be a producer long before getting into the digital DJ thing – or to put it better, I used to make my own tracks long before I made my own DJ mixes.

    So I guess, a guy like me (coming from a producer’s background) stating that DJs and producers are EQUALLY artists, has some extra “weight” on the argument.

    As Terry said, in a nutshell, its all about your passion, the love you got for the music and the love you got for what you do. You can be an artist even if you simply DJ with two decks or if you are making sort of a live performance.

    You can be a lazy ass boring guy, even if you DJ or you make one of those generic, “downloaded-this-sample-CD-and-made-a-track-out-of-10-loops” producer.

    TLDR – the “DJ” or “producer” definition ALONE, CANNOT define if a person is a real artist or not.

    P.S – I do disagree though, that filling up a stadium means that you must be doing something right (artistically). In most of the cases, it can only mean you must be paying a lot to marketeers, or your marketeers must be doing something right. And frankly Im tired of people thinking that the “big” guys are envied (edit to add: not aiming this particularly to you Terry) – sometimes its just simply that I dont agree aesthetically with 13 in a douzin generic, overplayed and over-heard musical concepts. Britney Spears used to fill stadiums too – didnt make her more of an artist to my ears and Im definitely not jealous of her musical skills. 😉

    #42946
    Terry_42
    Keymaster

    No worries no offense taken, it is a good discussion in here.
    However they are doing something right, not musically, but they are doing it right marketing wise.
    I mean I had to work my a** off for 5 years to even get considered for a job in Barcelona and Ibiza and “I want to be a DJ” Paris Hilton gets it shoved to her… Do I envy her DJing skills…. very doubtful… but her marketing is excellent it seems.

    Also I totally agree with the overplayed sessions, festivals etc.
    I have to admit if I think back the last 10 years the absolutely best DJ sets I heard and the most fun I had because of said DJs were in quite small independent clubs and even bars, that can hold prolly 50 to 200 people tops and had substandard lighting equipment with a DJ whose name I had never heard before.

    I also have to say that some mixes that are posted here in the mixes section (look out for my very few praise posts) are better than some commercially sold mixes by some headliners (at least for my listening experience).

    So my jealousy is not directed at any skill the headliners have musical or technique wise, it is aimed at how lucky they got. About the same jealousy you have towards someone winning the lottery.

    #42953
    D-Jam
    Participant

    I think Terry_42 hit it right on the head. I couldn’t have said it better.

    I never judge someone by the gear, software, or even what they play. I judge on how they sound, how they play, and especially how much do they challenge both themselves and the crowd.

    The debate in the future needs to come to that. To get people to push themselves as opposed to just “going through the motions”. All the videos NI puts out to show off gear is a constant example of not only variety in setup, but also workflow. The recent Felix Da Housecat video is different from the others (can’t remember any names). As opposed to one-shot samples, he’s showing how he likes to use loops, pieces, and hot cues to remix and produce on the fly.

    The people I come down on are those who seemingly do Jesus poses way more than play. The ones who always play “safe music” and never take a risk. The ones who seemingly are getting famous by selling all sorts of controversy and image, but not musical creativity or talent.

    #42955
    DJ Vintage
    Moderator

    D-Jam, post: 43110, member: 3 wrote: … The ones who always play “safe music” and never take a risk…

    For some of us, NOT taking a risk is what keeps us booked. Weddings are not the place to educate the masses with something out of left field. What makes it challenging is playing the same bloody record for the 1500th time in your life and still look like you love it like it is the last great track on earth. Or staying safe, yet trying not to repeat yourself. I don’t “do” fixed blocks of tracks which happen to match nicely (and I know DJ’s that do exactly that). At just about every gig (yeah, I have nights that the flow isn’t quite there too) I try to think of a nice track to move to next, a direction to take the audience in. But still using all that ‘safe’ material. So being creative within rather tight limits.

    Heck, I might even do a Jesus pose (then again, if you look at my profile pic from 1985, you could make a case that I actually INVENTED the pose :-D) now and again.

    If that means people will come down on me, so be it.

    My main goal is and remains living up and hopefully exceeding the customers expectation and sending people home feeling they had a good party.

    Greetinx,
    C.

    #42958
    D-Jam
    Participant

    Ok…I should have clarified then.

    At a wedding, corporate affair, etc…I fully understand and agree. That’s where you’re mainly about playing requests and pleasing your client.

    At a bar or club…no. Plus “taking risks” can also be popping on some wild mashup that you’re not sure the crowd will like, or doing a live remix of some popular tune to relieve the boredom of playing it for the 1500th time.

    I used to work in a club where the head DJ always ridiculed anyone who didn’t play what he called “safe music”. Was it any wonder the only crowd that club saw were folks who normally go to wedding receptions? Was it any wonder no one who was into the scene/music would ever come? Was it also any wonder that this club had a short life before it went out of business?

    When it comes down to the club/bar scene, no one ever became big or grew by playing it safe.

    #42976
    Terry_42
    Keymaster

    Sometimes you have to take a risk.
    For example: Totally drunk guy walks up to me during a wedding and starts ranting (while almost splashing my gear with his drink) that “real DJs use vinyl because they can scratch”.
    Now I know that my scratch routine that followed, especially over the running “Abba Megamix” was the most innovative and many of the older people hated it, but the general crowd found it amusing.
    Now that was situational fun, but to mix in a “new” or “different” song, even at corporate events or weddings is cool.

    For example last corporate event, where they ordered “chilling music” for a lounge type event, I of course played the usual “elevator music”, music for airports and some belearic, but I also mixed in some Daft Punk and Chemical Brothers and they loved it and actually came up to me and asked for “more of that stuff”.

    #42982

    I actually long time ago stoped trying to distinguish all the differences especially in electronic music world. I dont know why but it seems the times we live in allow us to be a producer, traditional musician, writer and a DJ.
    All in one, and I dont have any problems with this at all. I don’t mind creating music with laptop If it is something you enjoy then why not. Many artist these days for example go from analogue to laptops, later they comeback to find new ideas etc.

    #42987
    DJ Vintage
    Moderator

    Hey, I am the guy that introduced Germany to the “Woodpeckers From Space” (if you don’t know it, take it from me and don’t look it up)! So, I dare say I have taken some serious risk in my life, although I stopped short of playing Boney M’s – Rivers Of Babylon while in Baghdad. There is risk and there is suicide.

    I understand what is being said and even the intention with which it said. I guess I am just a tad tired of some of the labelling going on (not in this thread perse). Sure there is a lot of bad music, bad dj’s and bad entertainers around. Then again, there are a lot of shit parties going on too. Not in the least because they decide to spend a small fortune on the venue, a large fortune on the drinks deal and use what little of the budget is left for the entertainment.

    My point being that anybody managing to make money with his hobby turned paid hobby turned work, is doing ok with me. And we all do crazy stuff from time to time. Or try something out (for some reason “Talking Heads – Slippery People” isn’t always a succes, go figure). If I were a painter, I’d probably be painting houses not the second coming of Pablo Picasso. But hey, I could be a REALLY good house painter.

    Greetinx,
    C.

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