Home 2023 Forums Digital DJ Gear Subwoofer Choice – Advice Needed

Viewing 15 posts - 1 through 15 (of 18 total)
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  • #39591
    NewportDJ Drew
    Participant

    First things first. A high pass filter conjours incorrect assumptions and in fact does the opposite of what the name suggests. It allows high frequencies to pass through untouched while filtering or blocking the lower frequencies. So what you want is a LPF (Low pass filter) a variable one I think. The next question is how low? Personally i think 100Hz and under. Most subs will reproduce at best, down to about 40Hz, maybe 30, but it is hard work to get a speaker to reproduce down to 20Hz as the wave forms are so freaking big. Most run optimally at the 50-140Hz range.

    #39592
    NewportDJ Drew
    Participant

    Next thing is if all the speakers are active (powered or self amplified) you will want to ‘daisy chain’ the sub into the existing speaker system. Just run a lead from the line out connector on the back of one of your ‘top’ speakers on one channel to your line in on your sub. Most powered speakers either sub or mid/top have an balanced line output available (Sometimes called ‘Thru’)
    (You could also run to your sub then to tops- doesn’t matter which way it goes).

    Subs don’t really need a stereo ‘friend’ as bass is generally omni directional and most likely from your description of what you are adding one for, will add enough bottom end from a single stereo channel.
    Aesthetically, a sub under each of the tops looks way more awesome tho!

    Just as an FYI….If one was running a passive system, you would run an active crossover to separate amps for subs and tops. Note you don’t need a special amp to run the speakers or subwoofers (an amp will just faithfully amplify the frequency/frequencies that is/are driven into it) but they need to be separate.

    For $1000 pretty much any brand you get will do a fine job.

    #39593
    NewportDJ Drew
    Participant

    So I just had a look at the specs of the Cerwin you mention. Nice. I would personally bypass what they call the hpf (I think it is superfluous). I would just use the variable sweep, as my experience has shown that I have achieved best results in the 80-120 Hz range, depending on venue. (my default starting position is 100Hz and more often than not it is my ‘sweet’ spot)

    #39594
    Oyiwaa Noela
    Participant

    Newportdj, thanks very much for your helpful replies. You are right about the confusion re HPFs. Given that my speakers (a Yamaha DXR15) already has a switch to set an HPF (either 100 or 120), I don’t need a subwoofer that has this feature. I can select 100hz to allow the tops to pass only those mid+higher frequencies, and let the subwoofer handle anything lower than 100hz. Does it then mean that I have to set the variable LowPass setting on the Cerwin Verga to 100Hz? Does it have to be that exact – since the switch on the CerwinVega sub is a dial?

    Thanks, Oy.

    #39599
    Terry_42
    Keymaster

    As Newport stated you will want to daisy chain the sub into the other speaker systems.
    Usually the sub works as a “hub” for the speaker outputs, so you usually will go from the mixer to the sub and then pass the signal on to the other speakers, completing the chain.
    Hence if you use power speakers and chain them correctly the filter on the speakers is a good addition, but your sub will still need to cutoff correctly and the quality will be hugely better.
    So a power sub that is daisy chainable and has a good cutoff filter will hugely benefit your sound quality.

    For your speakers I hence would recommend the matching subwoofer from Yamaha which is the DXS series.

    #39605
    NewportDJ Drew
    Participant

    From what I understand any HPF or LPF in most powered speakers should not effect what frequencies are in the signal flow path from one speaker to another and nor should they. If you have crossover frequency controls then yes, you need to set them to be as close to exact points as you can. eg if you HP on the tops at 100Hz then LP on the sub at 100Hz. I know its almost impossible to do it to an 100% exactness, but the closer you get the better!

    A trick to avoid needing exactness is to create a 10-20 Hz ‘frequency shelf’ that both sets of speakers share, eg make the speakers 110 and sub 120.

    #39606
    NewportDJ Drew
    Participant

    This a graph of a shared frequency shelf crossover that I mentioned in my last comment. The numbers are not relevant just the graph plot.

    #39607
    DJ Vintage
    Moderator

    I had been playing with my two 12″ speakers (Mackie HD1221) and wanted a boost in the low end. I did want to stay with Mackie, since (I’ll spare the technological details) there is a lot of thought that goes into radiation patters, driver emission points and stuff. Any sub will work, but a matched set is better tuned and should normally do better, with proper placement that is.

    Because of the looks (I did want Awesome 🙂 and my budget I went out for two 15″ subs (powered). I was able to hear both the 15″ and the 18″ in action at the store. And I dropped my wishlist and went with one 18″ (couldn’t afford a 2nd one then) with the intention of getting a 2nd one later. I have been playing with this configuration for a while now and I definitely don’t need a 2nd one! The thing is so powerful I ususally run it on a -3dB setting to keep things in check.

    I run a pair of XLR balanced cables to my sub input (which has one of the top ends sitting on a pipe on top of it). Then I have two sets of outputs, one is full pass through, so what goes into the sub goes out the same (handy if you need to link several subs). The other set of outputs is high pass (or low filter = same thing) and gives me a 100Hz crossover frequency. Anything under stays in the sub, anything higher comes in with a 24dB/octave slope. Those outputs go to my top ends.

    So the workflow in my case (1 sub, 2 top end) is pretty much like this:

    • Main Out mixer/controller (I have a MC6000 as well)
    • Input Subs (both Left and Right)
    • HiPass Outputs Subs (one XLR to Top end sitting on pole on sub, one longer xlr to the other top on stand)
    • Input Top Ends

    Presto!
    Greetinx,
    C.

    #39660
    Oyiwaa Noela
    Participant

    Thanks Folks. I understand the process of connecting the sub and the speakers, as you all suggested, I will daisy chain the speakers and the sub – going from the Controller Main-outs into the Sub’s inputs, and then the speakers will be connected to the sub’s outputs.

    What I am not clear about is with reference to DXS-15s. Since my tops are 15s already, will a single DXS be enough to supply the lower end to both? Wouldn’t it be better to go for a bigger sub like 18″ or 21″?

    cheers, Oyiwaa

    #39661
    NewportDJ Drew
    Participant

    Yes. IMO, Better to go for an 18+. My reasoning, bigger surface area= lower frequencies can be reproduced.

    #39662
    Oyiwaa Noela
    Participant

    Yes, I thought so too …. in that case, I would have to venture out of the Yamaha DXS line since the max size is 15. Terry … what do you think? Is there any other bigger Yamaha sub that that is mattable to the DXRs?

    #39669
    Terry_42
    Keymaster

    It is not only the size of the membranes.
    Mackies are very conventional built speakers, hence to move enough air they rely solely on the membrane of the speaker while the reflex porting inside the case is pretty standard. (Which is not a bad thing, the mackies sound awesome.)

    While the Yamaha DXS has only a 15” speaker the inside tubing is actually pretty sophisticated and coupled with the extreme way the kevlar membrane can travel (132dba..) it actually fires a lot of air through its case and off the through the porting. You can think of its makeup inside like a jet engine for moving air. I think this baby is excellent built and can outperform several 18” woofers, so I would consider it and give it a listen as it perfectly matches your setup.

    In the end your ears have to consider all of that, but Yamaha has gone a huge way with their woofers as shown in their VXS series that stops at 10”.
    Usually I am a friend of “size matters” as you will read also in the next part of my guide there are no miracles, but especially with subwoofers there is a lot you can do with sound “pathing”.

    #39670
    DJ Vintage
    Moderator

    I have to say I have never been a fan of subs bigger than 15″. The reason is that apart from moving a lot of air, 18″ and even more so 21″ ones tend to have a life of their own when they are really pushed. I like to call it a wobble. Not a tight bass but some undefined rumble added. Not sure how to put it into writing, but if you ever heard 18″ subs kill themselves you know exactly what I mean.

    That is why, when I started looking for a sub to enhance the low end of my otherwise fully sufficient Mackie PA, I wanted to get two 15’s (looks good, symmetry, yadaydayda). When I heard them side by side I found that the 18″ was so dry and crisp and so responsive and held up great near max. volume where the 15″ was clearly stopping to come up for air, it was an easy sell. The 18″ (800W RMS/1600W peak) perform so well, that I really don’t need nor want another one. If my 18″ and two 12″ top ends can’t handle it, I’ll go rent something really big :-).

    For a big charity event in the Olympic Stadium last year where I was the sound guy, I organised a Fohnn (German brand, truely built in Germany!) PA. Very slim line array in a box top ends (5 foot long, 1 foot square) of which I had 4 and two totally awesome 21″ subs. They are rated at 2000W RMS/8000W !!!! Peak and boy, do they haul ass.

    They have special electronics that monitor the movement of the speaker membrane and if it starts to do something it isn’t supposed to do musically, they compensate for that. It is the dryest sound I have ever heard from a 21″ sub. They claim the same level of sound pressure as 4x 18″s and you know what, I believe them.
    BUT … and there is always a but, in this case relevant to the topic. They weigh in at an incredible 100 kilos each! Fine for one gig a year at a major venue, but trust me, you do not want to haul those babies around if you don’t absolutely have to.

    What I am trying to say here is that if you are a mobile DJ, bring what you need, don’t lug around needless stuff. Get that one sub and go play out with it. If it is not enough LF for you, then get the second one.

    Greetinx,
    C.

    #39680
    Edgard Rivera
    Participant

    Chuck van Eekelen, post: 39826, member: 2756 wrote: I like to call it a wobble.

    It’s depend on the amp. Don’t know how it’s called now but looooong time ago was call LOUDNESS (my first amp which i still own have this) For some reason is opposite, when is on you get a nice tight bass, when is off is louder but with that rumble.

    I have 4 – 12” caps 500 rms each and 2 18” subs 1200 rms each and no rumble, usually I only need 2 caps and 1 sub.

    #39682
    NewportDJ Drew
    Participant

    The “loudness’ button an amp increases bass at low levels. It ‘shouldn’t’ work once the volume knob is turned up. Why does the bass need to be turned up when listening levels are low?
    An equal loudness contour graph will show you that you for bass to be perceived as loud as mid range, it has to be, well, louder for our ear to hear the bass at the same loudenss. (eg 100Hz would need to be `45dB SPL. twice as loud as 1k @ 20 dB SPL to be perceived as same as same volume). So a loudness button raises the level of the bass so we can hear it at low listening levels.

    http://www.extron.com/company/article.aspx?id=loudnesscontrol_ts is a good read about ‘that’ button.

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