My first online mix
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- This topic has 4 replies, 3 voices, and was last updated 11 years, 10 months ago by
Michiel Rubbrecht.
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AuthorPosts
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May 18, 2014 at 11:17 am #2032191
Michiel Rubbrecht
ParticipantMay 19, 2014 at 6:01 pm #2032470Groovepunk
ParticipantHi and welcome to the forum!
I checked out your mix on Mixcloud. Overall I liked it. I made a few notes while I was listening. These are just my thoughts and are shared purely in the spirit of offering constructive feedback ๐
– The transistions between tracks are very close together in a lot of cases. While this can create drama and excitement in a mix, it can also be quite tiring to listen to and frustrating if you’re just starting to get into a tune and then it vanishes! It’s a great skill to be able to move quickly between multiple tracks, but perhaps use it sparingly.
– In a similar way, FX should also be used sparingly. I’ll confess to being a recovering FX-aholic myself ๐ It can be very tempting to use them but they can distract from the music if used too much.
– I don’t know if this was deliberate, but there a lot of volume shifts throughout the mix (sudden quiet to loud and visa versa). I found this quite hard to listen to. A fairly consistent volume helps the listener to get lost in the mix and more immersed in the music.
– A side-effect of the quick mixing I’m sure, I heard quite a lot of drop into drop mixing (the next track’s drop mixed into the drop of the playing track). While this can sometimes work if the tracks are in complementary keys or one is more minimal than the other, mixing two busy drops into each other is usually quite jarring. You can improve the flow between tracks by waiting until there’s less going on (most electronic music tracks have an ‘intro’ and ‘outro’ where it’s easier to blend the two tracks.
I hope that helps! Please keep posting mixes to this forum as I and the other guys here are always more than happy to help and offer advice.
You should also check out the Skills & Techniques section of the Digital DJ Tips site or one of the DJ Online Training Courses.
Good luck!
GP
May 19, 2014 at 6:16 pm #2032475Warsuit
ParticipantI just finished listening to your mix as well, and I’m glad GroovePunk was able to give you some tips. Any time that big room sound is in my ears I have a hard time getting past it to think critically about the skills being used. I have a strong bias against that sound; lot’s of people love it and I’m not a hater. Just really biased. LOL.
More on this though:
“- The transistions between tracks are very close together in a lot of cases. While this can create drama and excitement in a mix, it can also be quite tiring to listen to and frustrating if youโre just starting to get into a tune and then it vanishes! Itโs a great skill to be able to move quickly between multiple tracks, but perhaps use it sparingly.”I do this a LOT when I’m mixing but I play in a style that supports it. Since I play things that are either a bit minimal/more basic in their structure or the opposite, really heavy and distorted and layered, I can usually pull it off and the drama and tension GroovePunk mentioned comes across. If you have your heart set on the big room style and want to move quickly between songs then you should spend some time looking at the waveforms and imagining them superimposed over each other. Visualize your music. These types of tracks, viewed instead of heard, are a totally different color on the palette than what I play for example. The tunes I play get to the point fast, drop hard, and drop long; so the building of said tension and drama falls to the DJ and how he uses that particular bit of ammo. They spend the majority of their length in the groove whereas this big room stuff is the opposite; it spends most of it’s time creating tension and drama through build up and breakdown and build up again. The actual meat of the track (as I see it) is usually in two very small sections. Let those sections breath. Mix in key and learn to mix looong instead of short, like Sasha and Digweed did back in the dayo. Master your EQ and weave those parts together because you’ve chosen a sound that demands that.
“Utility bangers” can be mashed up, double dropped, beat juggled, and otherwise manhandled because they’re essentially produced to be just that…ammo, colors to be mixed into something else. The big room anthem stuff isn’t…it’s more musical and elaborate and needs to be manipulated differently.
May 19, 2014 at 7:10 pm #2032488Michiel Rubbrecht
ParticipantThank you both very much for listening en especially for the tips you gave me. I’ll try to make my mixes better and I’m sure about it that it will be extremely helpfull for me.
Thank you very much and I’m gonna go for your tips and the next time you’ll maybe be able to hear it ๐
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