Home 2023 Forums DJing Software Mixed In Key with Rekordbox

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  • #2480191
    Luke Butzen
    Participant

    So a good workflow you might be interested in is I copy all my lossless tunes (I buy lossless then convert to .mp3) to my external, then I have PN go through a folder where the downloads sit, cut the new files (I have Pn set to add _PN to the title of each song) to the same folder I store all my Rekordbox mp3s, run MiK on whatever is new, then simply add to my collection in Rekordbox.

    Or Tl;dr: PN>MIK>Add

    To Note: PN & MIK will eat a lot of resources, mainly your CPU, so I’d advise doing all this before a show, not while you’re trying to Dj. Also, MIK requires an active internet connection to analyze. MiK also has a tag editor that’s actually very good. It gets very confusing to try to explain, but suffice to say: Make meta-data changes in RB so that they stick, not in MiK where you would have to add the file every time you made a change. While the tag editor is great, it probably won’t get them all if you play a lot of underground stuff.

    As for if you can tell if PN worked or not, it’s hard to tell but if you do a side by side (Either in a daw or by listening to a tune you know really well), you’ll hear it then. But there’s no real visual way unless you have PN do the same thing I did.

    Let me know if you need clarification for this.

    #2480201
    DJ Vintage
    Moderator

    My workflow looks a bit like Titan’s:

    1) Purchase/acquire tracks in highest available quality (WAV or Flac)
    2) Keep the originals in a separate folder (in my case on a NAS network drive and online storage)
    3) I run a copy of the tracks through PN (I don’t convert to MP3 first, but let PN do it, this is better quality-wise)
    4) I let PN amend the filename with _pn at the end
    5) Now that I have high quality MP3 files I run a tag editor (in my case Tag&Rename) and make sure all tags are in order and I bulk change the filenames to a “Artist” – “Title” format. I don’t care to have tracknumber and such in the filenames and like it compact.
    6) After tagging (including album art) I run Mixed in Key. Since I didn’t use one of the supported DJ software I switched off the cue point option, but you can use it if you want.
    7) The tracks are ready to import into iTunes (I personally at this point but my tracks in their final destination from which I DJ with them, so don’t allow iTunes to move or change them) and/or DJ software.
    8) Finally run analysis (custom settings so the DJ software doesn’t do the key again) on the tracks and check the beatgrid (adapt where necessary) and set cue points.

    Done.

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