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  • #2330311
    ThinAir
    Participant

    This sounds like quite a simple one if I am reading what you have said correctly…

    Can you not just buy a simple 2 or 4 channel DJ mixer and then run your laptops line out into one of the inputs and have a channel each?

    The only problem I could foresee would be monitoring the cue channels, but I am guessing only one of you would need to be listening to the cue anyway to make sure that you have corrects levels and that the beat matching is correct?

    This way, you could mix independently of each other on your own kit and then either use the volume faders or the x-fader to switch between the two different inputs?

    #2330321
    ThinAir
    Participant

    Sorry, just realised the error with the above… Instead of laptops Line out, what I meant to say/should have said is “run your controllers output into one of the inputs of the mixer”.

    Sorry… Schoolboy error!

    #2330331
    Dom Mattocks
    Participant

    That’s what I was thinking, using a 2 channel mixer,

    but will we be able to hook our own controllers to each of the 2 channels.

    And would we have to hook the speakers to the controller or the mixer?

    Would it all work?

    #2330341
    Dom Mattocks
    Participant


    I know in a club you can hook your controller to the club’s mixer and just use your controller that way.

    Could we do that by putting my controller on 1 channel on the external mixer and his controller to the other channel.

    #2330371
    Luke Butzen
    Participant

    Yeah. Basically, you’d just plug in your master out and he’d do the same to the mixer, with the master out from the mixer being your total master out. It sounds like you guys would just be doing a B2B set, switching every so often.

    I’d say get a three or 4 channel mixer instead of 2 if you guys are serious about doing the mobile route. That way you can have something plugged in (Like an ipod or phone) in case something fails or a channel stops working and if someone wants to make an announcement, (Or you do) or give a quick speech, you can have a microphone plugged in or have that possibility at least.

    #2330641
    DJ Vintage
    Moderator

    Yep, any small PA mixer will do that has (at least) two stereo channels. Or a small (2-4 channel) DJ mixer of the no-frills analogue variation. Speakers hook up to the mixer. Both controllers to their own stereo channel on the mixer. Set all levels appropriately (0dB Rulez, Red is Bad).

    #2331401
    bob6397
    Participant

    Also – get a mixer from a well-known manufacturer.. It is much more likely not to colour the sound like some cheaper mixers do.. And avoid Behringer mixers.. I have had bad experiences with them (small things.. electrocution, changing the volume on its own…) and so have others.

    I would recommend Yamaha (their new MG06 or MG10 models look perfect for you), or Allen and Heath/Mackie/Soundcraft etc..

    bob6397

    #2331411
    deathy
    Participant

    Though it is worth pointing out that the newest generation of A&H is making a number of people pretty unhappy with high returns, horrible crosstalk, etc. If you’re going to go A&H, make sure you either go for a slightly older one or you spend some time with the unit before you buy it to make sure you’re not getting a lemon.

    #2331571
    bob6397
    Participant

    Is that the DJ mixers or the Small Format/Large Format PA mixers deathy?

    I’ve never heard anything negative about A&H before now..

    bob6397

    #2331721
    deathy
    Participant

    In particular, I’ve been hearing it about one of the Xones… there’s a big thread about it over at DJTT, with a lot of “Yeah, I have that problem too”s.

    The 43C… Here’s the thread over there:

    http://forum.djtechtools.com/showthread.php?t=87963

    Important to strongly note – I don’t own one, so do your own research. I am not an authority on this.

    #2331831
    DJ Vintage
    Moderator

    DJ mixers

    Pro’s:
    * Multiple line inputs, all with gain/trim and EQ (although you shouldn’t need those)
    * Possibly a booth output
    * Possibly balanced outputs
    * Possibly per channel level meters plus master level meter
    Con’s:
    * None or just one mic input (usually)
    * Often just unbalanced outputs
    * Aux often shares channel with line input or mic

    PA mixers

    Pro’s:
    * Good mic input channels, often 2 with gain and EQ
    * Possibly an aux output, usable as booth output
    * Usually balanced outputs

    Con’s:
    * Stereo channels with RCA inputs often without EQ and gain (just volume fader/knob)
    * Aux input on smaller PA mixers usually not possible or online a the expense of offering up both mic channels

    This list is by no means complete and one persons pro can be another person’s con and it can even vary by situation.

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