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  • #2365971
    DJ Vintage
    Moderator

    1) Other: Knowing what must come next (track selection, the step that follows successfully reading the crowd).

    2) Same as 1)

    It’s important to understand that while being able to read the crowd is a very important skill to have mastered, if after a successful read you are unable to do the right thing with that information …
    Hence our opinion that what matters most to DJ-ing is “KNOWING what must come next”. This skill can only be learned playing out, reading the crowd correctly and deriving a suitable strategy from that read.

    #2366011
    Terry_42
    Keymaster

    I 100% agree with Vintage. Which is rare, very rare…

    #2366471
    Taylor Stratford
    Participant

    Thank you both, would love more input from anyone who sees this post, regardless of experience level

    #2366481
    Clifford Anderson
    Participant

    I have to agree with Chuck and Terry as well… reading the crowd is the KEY skill to learn, everything else is just icing on the cake. Some of my best memories are standing in the booth with another DJ friend and discussing the crowd as we read it – “there is your key audience member right there,” etc. Honestly, I wish I had more opportunity to DJ as a duo to be able to DISCUSS such things with someone else to help solidify it in my mind.

    #2366501
    Lordamercy
    Participant

    I find turntablism hard as a skill. Lot of respect for scratch DJs. Shows how much dedication it takes.

    For me reading the crowd and building a relationship with them is most important.

    #2366521
    Luke Butzen
    Participant

    I’ll 3rd Vintage. Why do you think there’s that smoothie app for Traktor? Or the suggested track module (Best word I can think to call it) in Rekordbox?

    All the other stuff you can learn if you are willing to put forth the time & effort. But knowing what to do next is something that makes a half decent DJ good and a good DJ great. It can also make a great DJ into a turd when they either A) Don’t care or B) get so inebriated that they can’t do it.

    I’ll be honest, I’m shocked not all the major softwares don’t already have the option for this kind of thing integrated into the software. I know it will never be spot on and what have you, some old saw about knowing tunes, but I just like having a suggestion. It’d be great for practice sessions and the like, and I’m sure there’d be the lazy djs who use it all the time akin to Sync, But I definitely think it’s a feature that’s lacking.

    #2366581
    Miss Ellie
    Participant

    #2365931 REPLY | REPORT

    I am more KJ than DJ but since I am currently learning the DJ side I thought I would give you what I am going through:
    Which technique has been the most difficult to learn in your experience
    Turntablism; I have a very large learning curve and have it is totally foreign to me.
    But, it won’t matter at all if I learn if or not if I can’t read a crowd to know what to turn.

    2. Which technique (if any) is the most important in your experience to keep the crowd happy
    If you can’t Read the crowd it is going to be very hard to have a successful show. As a KJ it goes one step forward to reading the crowd and a singer and suggesting songs they can sing that will also please the crowd.

    -Ellen

    #2368171
    Lamid45G
    Participant

    1.Which technique has been the most difficult to learn in your experience

    Turntablism,
    But then again this is not essential in DJing, unless you put on a solo show featuring yourself showcasing your turntablism skills and such, or if you participating in DJ Battle

    2. Which technique (if any) is the most important in your experience to keep the crowd happy

    Reading the crowd,
    Like most said above me is one of the key elements in DJ ing

    Timing,
    combined this with “Reading the Crowd”, you have the know the timing of when to drop that special music, or timing in this case is to keep the flow not losing the momentum

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