Home 2023 Forums The DJ Booth DJ Pools for a New Melbourne Bounce, Big Room Guy

Viewing 9 posts - 1 through 9 (of 9 total)
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  • #2203621
    DJ Vintage
    Moderator

    Hey 8Bit,

    Time to use the search function here and over on the blog. Been some recent articles on DJ Pools that should answer a lot of your questions.

    I always cringe a little if people state stuff like tracks are expensive. 2 bucks a track max for high quality (WAV or FLAC) tracks? Are you kidding me? Back in the day an album ran 20-30 bucks and had 8-12 tracks on it of which you would use maybe one or two (Michael Jackson’s Thriller being the favorable exception, every song on that album was a hit LOL). 7″ was at least 7-10 bucks and 12″, especially imported remixes (and they were always imported) could cost as much as an album with only one track with one or two versions and the acapella on it.

    At the time, you had to pick and choose really wisely and you would only commit your money to the tracks that you absolutely were convinced you needed to have. When in doubt, leave it in the bin. Come back another time and listen to it again, nothing changed, don’t buy it.

    Guess what, that really hasn’t changed even with the price going down to 1-2 bucks a track and a zillion tracks at your fingertips without ever leaving your home (and missing out on the tips from the guys that work and visit the record store, but that’s another story). Imho, if you buy about 10 new tracks a month, you are doing nicely. If, once you have your collection to the size that feels comfortable to you (Phil Morse has about 600, I do lots of mobile work but keep my core collection to max 1200), you throw out a track for every new track you put it, you are on the road to building an awesome core collection that just keeps getting better (you always throw out the least played/liked from your favorite tracks in favor of a new one you think will fit better). And you have a collection you know inside out. The last bit helps enormously in navigating a gig. That big track matching system in your brain works really well when it knows all the material it has to work with.

    Like many, I fell into the digital DJ trap of collecting MANY tracks (from our old CD collection, a hard disk collection I bought from someone) and putting it ALL in my DJ software. I was so lost. Now that I am back to building my new core collection I feel so much more at ease. And even if something happens to my request collection, I can still run any gig perfectly with just my core collection that also fits on my iPhone, RekordBox USB stick and iPad.

    Sorry for the wall of text, by all means use pools if they work for you, just be careful not to end up like me, with so many tracks that you can’t see the forest for the trees.

    #2203851
    SATA
    Participant

    I do admit they’re cheap as chips but being a uni student while casually getting work, I’m trying to save money. I’ve had a look at the articles on here as well at DJTT about different pools but I was looking for some feedback from people who are part of those pools to see if they’re worth signing up for.

    As my collection grows, I’m trying to keep it all organised in genre, key, bpm by using playlists and keeping all my tags correct (I’ve got about 200 so far so it’s easy to manage at the moment).

    No need to apologise, it was easy to read and nicely informative.

    Thanks for the insight
    ~8Bit

    #2203871
    SATA
    Participant

    Sneaky double post: It’d be about $400 to buy my library to be able to play legit tracks vs ~$65 for a month of unlimited downloads then move to a lower tier in that pool and use it for music discovery.

    #2203911
    DJ Vintage
    Moderator

    I hear the “watch my money” argument! And yes, it’s a bit more expensive when you are still building your collection. And pools can be interesting for several reasons. Having read most posts on pools, it doesn’t seem to be a really big things with most DJs on here. Things like needing (too) many pools to cover all your genre wishes, collection sizes, quality being shady, questions on legality and other issues seem to keep them from becoming a number one digital DJ tool.

    #2204021
    Lamid45G
    Participant

    I would vouch for the DMS, as Im the subscriber myself, the way they arrange their collection is a life saver for me, like I had a gig last time they requested a tunes from the 90’s, all I gotta do is go the DMS sites and pulled the Decades features, it has like the 1990’s, 80’s, 2000’s all the way back to the 50’s, I picked the 90’s one and all the tunes from the 90s right there at my finger tips, (all genres ranges from rnb, Nu Disco, Pop) all DJ’s friendly tunes (with intro and outro),

    #2204081
    SATA
    Participant

    I’ve been seriously considering DMS as the one I want to go with because of the selection of tracks although Promo Only looks good as well.

    #2207781
    SATA
    Participant

    So I ended up going with DJCity. Good selection of tracks at a good price in my eyes

    #2207851
    DJ Vintage
    Moderator

    Ok, what was the final tipping point towards DJCity after having DMS and Promo Only higher on the shortlist?

    #2208161
    SATA
    Participant

    Well I had only had a quick look at DMS and Promo Only so I took a bit more in depth look at those and DJCity as well as taking the price into account.

Viewing 9 posts - 1 through 9 (of 9 total)
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