Home 2023 Forums The DJ Booth Confused about manual beatmatching. Nudging and all that stuff.

Viewing 15 posts - 16 through 30 (of 33 total)
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  • #1005212
    adit
    Participant

    Had a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?

    #1005214
    Arthur Kokanov
    Participant

    Experiment, experiment, and some more experimenting! Take two songs and play around with their beats for like 20 mins and you will start to see what works and what doesnt, then you can move onto other songs. Listen to the recordings afterwards and see what works.

    #1005215
    Terry_42
    Keymaster

    adit, post: 21072, member: 2099 wrote: Had a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?

    That is pretty awesome. Very nice. I know people that take at least a month to get the basic beatmatch down.

    Mixing to beats that are not “off the bat” compatible, is actually not very easy and every DJ has other tricks he uses.
    The one I described above, with EQing out is one things.
    You can also experiment with putting the second track in a loop, either at a breakdown spot – so you have no or less beat to worry about – or at a buildup that you can blend in.
    You can also make a punch in mix, like many hip hop DJs like to do.
    Then you can also experiment with effects like Echo/Delay and Reverb to mix up the beat and even double or half time the beat buildup for a blend.
    These are just a few options, there are many more and all of the above can be combined also (I use EQing and Reverb/Delay a lot).
    Take a straight Techno Song and maybe a Hip Hop that are roughly the same BPM from the start and try to experiment to blend over from the one style to the other in your practice sessions. This will soon lead to success.

    #1005216
    adit
    Participant

    I assume you’re explaining about mixing two songs when they’re live on the speakers, right? But my problem is in the beatmatching phase.

    #1005224
    D-Jam
    Participant

    adit, post: 20991, member: 2099 wrote: 1. I just move the slider with feeling to beatmatch. So it’s a trial and error process. Sometimes I don’t know which track is going faster so I just slide it up and down and hope for the best. So, is there any good tips of how to do this? I’ve browsed some articles and Youtube vids but they all seem vague. I want something concrete.

    It feels a lot like trial and error, but the more you do it, the easier it gets. Eventually you just get instinctual on it all.

    That’s the best way I can say it. I started by trying to just get 32 beats held, then 64, 128, etc…now I go for 1-2 minutes and can get things ready to match in 10 seconds or less.

    The nudging and such is mostly about adjustment. So you have them both at 130 BPM, and you know it’s right, but things sound off…you nudge to get the kick drums on the right spots.

    adit, post: 20991, member: 2099 wrote: 2. OK, let’s say I’m finally able to make 2 tracks rather in sync. When I’m at this stage, I usually cheat and look at the monitor to do some beatgridding with the jog wheel (the BPM of the two tracks are still different but only a bit, is this okay?). My question is, how do you do this without looking at the beatgrid? How should I know whether to nudge the wheel clockwise or counter-clockwise, or if I have to nudge it at all?

    Why is it cheating? You have the tools, use them.

    I only say not to fully trust the visuals, as they will lie sometimes. However, I don’t see an issue with using the visuals. Don’t let “purists” and old farts tell you how to “keep it real”. Their thinking is obsolete…and mind you I came from that time.

    adit, post: 20991, member: 2099 wrote: 3. When monitoring a track with headphones, do I have to start it at a beginning of a phrase the master track, or can I just start randomly?

    I would phrase match when you’re figuring it out. You might decide this tune doesn’t work for you and thus look for another.

    #1005254
    Steelo
    Participant

    adit, post: 21016, member: 2099 wrote: I just had a practice session and I think I’m starting to get the hang of it. My problem now is, how can I make sure the new track will stay in sync forever and won’t run off at some point? This is important if I wanna do a long transition.

    Again, this is something that will just come with lots of practice and time.You’ll get better at it.

    #1005255
    Steelo
    Participant

    adit, post: 21042, member: 2099 wrote: OK, so this occured to me. I was mixing a song in, and then I cheat and look at the monitor. The bpm matched, the beat is gridded, but alas the mix gallops. What’s the cause of this and how to fix it?

    The BPM was probably incorrectly detected. Traktor isn’t perfect all the time at this.

    #1005256
    adit
    Participant

    D-Jam, post: 21084, member: 3 wrote:
    Why is it cheating? You have the tools, use them.

    sorry I mean looking at phase meter, not beatgridding. now I’ve removed the phase meter and now practice feels more satisfying.

    #1005257
    adit
    Participant

    Steelo, post: 21117, member: 1368 wrote: The BPM was probably incorrectly detected. Traktor isn’t perfect all the time at this.

    but I think it’s because I set the cue at the wrong place or dropped the tune at the wrong time.

    Steelo, post: 21116, member: 1368 wrote: Again, this is something that will just come with lots of practice and time.You’ll get better at it.

    but do I have to monitor the tune about 20 seconds or so to make sure it stays in-sync?

    #1005261
    Steelo
    Participant

    Depends on how well you can beatmatch but I would say the longer the better, at this stage. Then you may get the pitches a lot tighter. I just leave the tracks both playing in my headphones whilst i do other things like search for my next track. Just have a listen and see if they are still in phase a minute later.

    #1005262
    Steelo
    Participant

    Remember that you could be mixng those 2 tunes together for over a minute (several minutes for some genres) so they have to stay in phase that whole time. You can nudge the jogwheels to assist but as a rule the less you have to touch them the better.

    #21003
    adit
    Participant

    yes, I’m a sucker for long mixes where the tracks ride each other for a while. so that’s important.

    #1005276
    spektakx
    Member

    adit, post: 21072, member: 2099 wrote: Had a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?

    this is where we get the chance to show how clever we can be 🙂 by finding “a way” to transition. One thing I like is manually pushing or rewinding the “going out” track for a measure, and adjusting the spin speed to match the new tracks tempo. You wouldn’t want to do it all day, but for 4 or 8 it’s doable.

    #1005328
    D-Jam
    Participant

    adit, post: 21118, member: 2099 wrote: sorry I mean looking at phase meter, not beatgridding. now I’ve removed the phase meter and now practice feels more satisfying.

    Even that’s a tool. You paid money for the function in your software. Don’t be ashamed to use them if you want.

    If you’re happier turning them off, then go with that. Just be happy and don’t worry about anyone passing judgement.

    #1005490
    adit
    Participant

    say I get the BPM matched, but the mix still sounds wrong. what’s the cause of it? to fix it I just have to nudge some, right? what if I turn off the BPM counter, how would I know that I don’t need to change the pitch and just nudge it? can a DJ trapped in an endless search of the perfect BPM when in fact what they need is just nudging the wheel? I know this sounds confusing but I hope you get the gist of it. thanks.

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