Confused about manual beatmatching. Nudging and all that stuff.
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D-Jam.
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May 29, 2012 at 1:21 pm #1005212
adit
ParticipantHad a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?
May 29, 2012 at 1:31 pm #1005214Arthur Kokanov
ParticipantExperiment, experiment, and some more experimenting! Take two songs and play around with their beats for like 20 mins and you will start to see what works and what doesnt, then you can move onto other songs. Listen to the recordings afterwards and see what works.
May 29, 2012 at 1:38 pm #1005215Terry_42
Keymasteradit, post: 21072, member: 2099 wrote: Had a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?
That is pretty awesome. Very nice. I know people that take at least a month to get the basic beatmatch down.
Mixing to beats that are not “off the bat” compatible, is actually not very easy and every DJ has other tricks he uses.
The one I described above, with EQing out is one things.
You can also experiment with putting the second track in a loop, either at a breakdown spot – so you have no or less beat to worry about – or at a buildup that you can blend in.
You can also make a punch in mix, like many hip hop DJs like to do.
Then you can also experiment with effects like Echo/Delay and Reverb to mix up the beat and even double or half time the beat buildup for a blend.
These are just a few options, there are many more and all of the above can be combined also (I use EQing and Reverb/Delay a lot).
Take a straight Techno Song and maybe a Hip Hop that are roughly the same BPM from the start and try to experiment to blend over from the one style to the other in your practice sessions. This will soon lead to success.May 29, 2012 at 2:10 pm #1005216adit
ParticipantI assume you’re explaining about mixing two songs when they’re live on the speakers, right? But my problem is in the beatmatching phase.
May 29, 2012 at 4:11 pm #1005224D-Jam
Participantadit, post: 20991, member: 2099 wrote: 1. I just move the slider with feeling to beatmatch. So it’s a trial and error process. Sometimes I don’t know which track is going faster so I just slide it up and down and hope for the best. So, is there any good tips of how to do this? I’ve browsed some articles and Youtube vids but they all seem vague. I want something concrete.
It feels a lot like trial and error, but the more you do it, the easier it gets. Eventually you just get instinctual on it all.
That’s the best way I can say it. I started by trying to just get 32 beats held, then 64, 128, etc…now I go for 1-2 minutes and can get things ready to match in 10 seconds or less.
The nudging and such is mostly about adjustment. So you have them both at 130 BPM, and you know it’s right, but things sound off…you nudge to get the kick drums on the right spots.
adit, post: 20991, member: 2099 wrote: 2. OK, let’s say I’m finally able to make 2 tracks rather in sync. When I’m at this stage, I usually cheat and look at the monitor to do some beatgridding with the jog wheel (the BPM of the two tracks are still different but only a bit, is this okay?). My question is, how do you do this without looking at the beatgrid? How should I know whether to nudge the wheel clockwise or counter-clockwise, or if I have to nudge it at all?
Why is it cheating? You have the tools, use them.
I only say not to fully trust the visuals, as they will lie sometimes. However, I don’t see an issue with using the visuals. Don’t let “purists” and old farts tell you how to “keep it real”. Their thinking is obsolete…and mind you I came from that time.
adit, post: 20991, member: 2099 wrote: 3. When monitoring a track with headphones, do I have to start it at a beginning of a phrase the master track, or can I just start randomly?
I would phrase match when you’re figuring it out. You might decide this tune doesn’t work for you and thus look for another.
May 29, 2012 at 11:04 pm #1005254Steelo
Participantadit, post: 21016, member: 2099 wrote: I just had a practice session and I think I’m starting to get the hang of it. My problem now is, how can I make sure the new track will stay in sync forever and won’t run off at some point? This is important if I wanna do a long transition.
Again, this is something that will just come with lots of practice and time.You’ll get better at it.
May 29, 2012 at 11:07 pm #1005255Steelo
Participantadit, post: 21042, member: 2099 wrote: OK, so this occured to me. I was mixing a song in, and then I cheat and look at the monitor. The bpm matched, the beat is gridded, but alas the mix gallops. What’s the cause of this and how to fix it?
The BPM was probably incorrectly detected. Traktor isn’t perfect all the time at this.
May 29, 2012 at 11:10 pm #1005256adit
ParticipantD-Jam, post: 21084, member: 3 wrote:
Why is it cheating? You have the tools, use them.sorry I mean looking at phase meter, not beatgridding. now I’ve removed the phase meter and now practice feels more satisfying.
May 29, 2012 at 11:12 pm #1005257adit
ParticipantSteelo, post: 21117, member: 1368 wrote: The BPM was probably incorrectly detected. Traktor isn’t perfect all the time at this.
but I think it’s because I set the cue at the wrong place or dropped the tune at the wrong time.
Steelo, post: 21116, member: 1368 wrote: Again, this is something that will just come with lots of practice and time.You’ll get better at it.
but do I have to monitor the tune about 20 seconds or so to make sure it stays in-sync?
May 29, 2012 at 11:37 pm #1005261Steelo
ParticipantDepends on how well you can beatmatch but I would say the longer the better, at this stage. Then you may get the pitches a lot tighter. I just leave the tracks both playing in my headphones whilst i do other things like search for my next track. Just have a listen and see if they are still in phase a minute later.
May 29, 2012 at 11:39 pm #1005262Steelo
ParticipantRemember that you could be mixng those 2 tunes together for over a minute (several minutes for some genres) so they have to stay in phase that whole time. You can nudge the jogwheels to assist but as a rule the less you have to touch them the better.
May 30, 2012 at 12:53 am #21003adit
Participantyes, I’m a sucker for long mixes where the tracks ride each other for a while. so that’s important.
May 30, 2012 at 1:47 pm #1005276spektakx
Memberadit, post: 21072, member: 2099 wrote: Had a longer practice session today and it all make more sense now! Finally able to beatmatch tracks with discernable beats (thump thump thump) in a minute. After only 2 days, that’s not too bad, huh? Problem comes with tracks with subtle or complex beats. They still frustrate me. There’s no “guiding thump” if you know what I mean. Any particular tips or tricks to conquer this?
this is where we get the chance to show how clever we can be 🙂 by finding “a way” to transition. One thing I like is manually pushing or rewinding the “going out” track for a measure, and adjusting the spin speed to match the new tracks tempo. You wouldn’t want to do it all day, but for 4 or 8 it’s doable.
May 30, 2012 at 8:41 pm #1005328D-Jam
Participantadit, post: 21118, member: 2099 wrote: sorry I mean looking at phase meter, not beatgridding. now I’ve removed the phase meter and now practice feels more satisfying.
Even that’s a tool. You paid money for the function in your software. Don’t be ashamed to use them if you want.
If you’re happier turning them off, then go with that. Just be happy and don’t worry about anyone passing judgement.
June 3, 2012 at 3:06 am #1005490adit
Participantsay I get the BPM matched, but the mix still sounds wrong. what’s the cause of it? to fix it I just have to nudge some, right? what if I turn off the BPM counter, how would I know that I don’t need to change the pitch and just nudge it? can a DJ trapped in an endless search of the perfect BPM when in fact what they need is just nudging the wheel? I know this sounds confusing but I hope you get the gist of it. thanks.
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