CDJ's and Controllers
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Terry_42.
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March 16, 2013 at 6:22 am #38017
Pyei Sound Guild
Memberi learned on a budget its whatever you can afford…….
March 16, 2013 at 9:01 am #38022DJ Vintage
ModeratorHey Mitch,
Just my two cents worth on the subject (and as you probably know by now I empty out my piggy bank on a regular basis, so never strapped for pennies!), I don’t think it is something as simple as old vs new skool.
I have worked with a controller (MC6000) pretty much since it came out and I loved it too death. The only things that bugged me were it was a bit crowded for my big fingers and, although excellent in quality, the jogwheels are (like on many a controller) too small. A third thing was that if I only took my controller (and my customers pay a nice amount for me to bring gear) it just wouldn’t “look” right, if you know what I mean.
I alwasy carried around two old and tired American DJ CDI-500s (just CDs nothing else) as backup in case my laptop died on me, so two of those next to my MC6000 made it look a bit more impressive to the layman’s eyes again.
My CDI-500s were about ready for replacement and I figured, I’d get some CDJ style players that could also handle USB and have midi, so I could control two decks with the CDJs and still have the two decks on the MC6000.I ended up getting two full size Denon SC2900s (same size as CDJ2000s). And when I was fooling around with those nice 7″ jogwheels with big LED rims around them I found that I really don’t want to use the MC6000 anymore. So I ended up getting a Denon X1600 (midi)mixer instead.
It gives me great flexibility, I can use it standalone (analogue style) with just CD’s, toss in USB sticks and such, use an iPad to control my Engine (Denon’s alternative to Rekordbox) database or hook up my MacBook with Traktor and have every feature I could ask for.
The good thing about big players (even if you use them as midi controller for DJ software) is that they are .. well .. big. Big buttons that are easy to hit, full length pitch faders, big hot cue and loop buttons and above all big platters.
If you go to watch one of the big names in DJ-ing, you (the crowd) kind of expects them so sit behind a big mixer with at least 4 CJD2000s, a number of Yamaha pads, a laptop and what have you. They might be able to replicate all that on a S4 controller, but let’s face it, that doesn’t really impress on that big screen :-).
Another thing obviously is that venues they go to either have or will rent Pioneer CDJs. So, they stick their flashdrives in their pocket and off they go. Walk in, plug in, play, plug out and leave. Pretty sweet deal after toting around 30 kilo recordcases for years.
Greetinx,
C.March 16, 2013 at 7:12 pm #38034Mitch Hambling
ParticipantA third thing was that if I only took my controller (and my customers pay a nice amount for me to bring gear) it just wouldn’t “look” right, if you know what I mean.
lol, yes i know what you mean. It looks a bit weird, or unprofessional i guess you could say if a producer or DJ went into a huge set only using a controller. makes it look as if they are not doing anything. But Im pretty young, and wondering where in the hell im goona find the money to learn on CDJ’s that arent from the dino years. + a mixer. i run on a s2 right now because i just started three months ago, but i feel as if I should make the transition to a CDJ player in the next year or so.
But besides it looking more professional and having bigger buttons and what not. what is the true difference? I notice anything DJ/Producing related is very very expensive. Im just curious as to why the price is such a difference in some things. like the s2 and s4 for example. 500$ vs. 1000$. but in my eyes, all you get is two extra decks, and a couple sample buttons, and a little more to look at (im sure there is a lot more to it). But is it really a 500$ difference?
That goes for CDJ players too. Why in the hell are they so expensive?
March 16, 2013 at 8:17 pm #38040Edgard Rivera
Participant[quote=” what is the true difference?
There’s no difference beside of sizes and price. Some controller do play cd’s.
BUT you can do more with a controller even that now cdj’s and mixers are catching up and becoming “controllers”.March 16, 2013 at 10:52 pm #38045DJ Vintage
ModeratorI guess it also depends on what exactly it is you want to do more. Personally, if I can gain a track, add some FX from time to time, speed it up, slow it down, cue it, cup it, hot cue and loop it, I am pretty much happy. Give me a mixer that let’s me EQ, perhaps filter, crossfade and add a microphone signal (preferably two) and I will be a happy camper.
It’s a little bit like iPads, sure you can type a message on them, but I’d rather have my full sized keyboard and 24″ monitor when I am doing serious work. And I have found that I like having big ole CDJ-style buttons, jogwheels and stuff. The way I use it is like using a controller only on a different hardware platform.
I don’t subscribe to the notion that you can do more with a controller. I am 100% certain I can do everything ANY controller can do with my two SC2900s and X1600 mixer (the mixer alone gives me 16 rotary and 16 press buttons for midi control of ANYTHING I like to map it too and that is on top of being able to switch all channel controls between midi and analogue.
What makes it possible to do more (than with stand-alone) is the features of the software you use. What you use to control that software, not so much in my eyes.
Greetinx,
C.March 17, 2013 at 5:22 am #38049Edgard Rivera
Participant[quote=” I am 100% certain I can do everything ANY controller can do with my two SC2900s and X1600 mixer (the mixer alone gives me 16 rotary and 16 press buttons for midi control of ANYTHING I like to map it too and that is on top of being able to switch all channel controls between midi and analogue.
now cdj’s and mixers are catching up and becoming “controllers”.March 17, 2013 at 6:27 am #38050Mitch Hambling
ParticipantIt’s a little bit like iPads, sure you can type a message on them, but I’d rather have my full sized keyboard and 24″ monitor when I am doing serious work
holy shit lol, you were spot on with that conneciton.
I would like to start mixing on CDJ’s to learn on them, but where the hell is a 15 year old sposed to find that kinda money?
March 17, 2013 at 9:06 am #38052DJ Vintage
ModeratorHere’s a thought (and I obviously have no clue about what things are like where you live).
Try finding a DJ that is resident to a place that has CDJs. Ask him to help you. Maybe you can go in to the place in the afternoon or maybe early evening (say an hour before opening) or something and meet up. Especially if you can show him that you actually can DJ on a controller and that you are trying to make the conversion to CDJs and you would really appreciate his expertise to show you a little about what he does, you might get a nice contact out of it and who knows, if you impress them they might actually hire you some day!
Greetinx,
C.March 18, 2013 at 7:35 am #38068backtothefront
ParticipantMitch Hambling, post: 38206, member: 7942 wrote: holy shit lol, you were spot on with that conneciton.
I would like to start mixing on CDJ’s to learn on them, but where the hell is a 15 year old sposed to find that kinda money?
Hi Mitch, in answer to this, mainly saving, buying 2nd hand and keeping your eyes peeled for a bargain – maybe borrow a pair if you can? No real difference to buying Technics TT’s back in the ‘dino’ years as you call them 😉 Took me a good couple of years to save up enough to buy 1x 1210 Mk2 (was using belt drive decks before this) and then blew a load of my student loan on a 2nd 😉
I fully appreciate what you’re saying but tbh DJing these days is the cheapest it’s ever been, what with entry level controllers and cheap music, which is great. I completely skipped buying CDJ’s (although do DJ on them as necessary) and went from vinyl to digital a few years ago, couldn’t believe how much money I saved… anyway I’m drifting off topic.. main thrust is, the cost has always separated DJ’s from those as hobbyists and those that stick with it – no problem with either but if you want the kit, you’ll always find a way.
Wish you all the best.
March 18, 2013 at 8:24 am #38076Terry_42
KeymasterCDJs are passé and they are already dying out in the big scene also.
Yes a lot of “older” DJs still use them and most of them as controllers for Traktor or Scratch.
Many of the top producers will make their whole setup very complicated to take the most out of it.
I think it was van Buuren who had this ton of K2s several mixers and 2 maschine on stage last I saw him.
Remember they do nothing else and money is no issue, so they can trick their setup out.Take my controller for example: Terminal Mix 4
It can do loads more than any CDJ ever will be able to do, without at least 2 more lauchpads and a top notch effects mixer.
So we are talking 7000 bucks or more to do the same as my TM4.
Also I know how to DJ fine with me TM4, so going into a club connecting my laptop or USB stick to CDJs if they have a complete Nexus setup is no problem and I can DJ with those as well. All you need is not being intimidated by them if you hit them and are to lazy to setup your controller.And never forget: Fake DJing is most easy on CDJs.
Why else would Getta use them on stage, when 99% of the work he does is in Ableton… still he does not use Ableton live? Ever wonder why?
But in a pre-mix CD, set the CDJ to ignore mode and dance around.March 18, 2013 at 9:12 am #38080backtothefront
ParticipantThing is; for quite a few clubs the standard setup is still very much CDJ’s and maybe Technics TTs as well, hopefully newer booths have been designed to accomodate controllers/other kit but this is not always the case – I believe forward thinking venues should implement additional space when renovating their booths. Also venues may be relunctant to allow DJ’s to turn up with various types of controller and simply plug in to a spare house mixer channel. I’m not saying this is right, but it is common in my experience, despite it being an easy task to do.
Also in terms of playing preprepared sets, I’d include digital DJing alongside CDJs – it’s just as easy, just play a pre recorded digital audio file.
March 18, 2013 at 10:48 am #38082Electricbloom
MemberBoth controllers and CDj’s have their advantages IMHO.
Bars and clubs often have CDJ’s set up already, and while controllers are portable, I much prefer not having to setup and plug in my controller, especially when there are other Dj’s playing before me. Furthermore the ‘feeling’ of a CDJ or TT is very different. While I started on controllers, after having used CDJ’s I love that I’m not looking at a laptop screen the whole time, I find it really distracts from the music when you have big, colorful waveforms. When I bought my secondhand CDJ’s I was paying more attention to the music, which I highly prefer. Also, CDJ’s are just bigger, they feel nicer to use to me, especially the jogwheels.
Of course, controllers are much cheaper, which is a huge plus. And they are easier to transport to like a house party for example. And yes, they can do the same or more then CDJ’s, though personally, I haven’t moved into the crazy realm of controllerism, and I doubt I will in the future. I just like mixing 2 tracks (maybe 3-4 in the future), nothing fancy, just picking the right song at the right time, which is more important anyway then mashing up or remixing things live in my opinion.
So my ideal setup would be, 2 CDJ’s with USB (and recordbox or Engine for easy searching) and a mixer, and a controller for backup or those small house parties (which I love to do btw). I’m also really wanting to try good old vinyl, cause I love having a piece of music in my hand. So for me, it’s very much about the ‘feeling’ of DJing and being in touch with the music, not only about the functionality or the price.
March 19, 2013 at 3:29 am #38104Edgard Rivera
ParticipantElectricbloom, post: 38238, member: 1180 wrote: after having used CDJ’s I love that I’m not looking at a laptop screen the whole time
Why you do that, all you need is to select a track like you do whit CDJ’s
March 19, 2013 at 8:02 am #38109Terry_42
KeymasterAnd good CDJs have waveforms on them….
The DDJ SX does feel exactly like CDJs but can do so much more…
Recordbox is a totally unstable software….
The jogwheels on most cheap CDJs, especially OEM ones, are totally bad for anything past beatmatching, whereas you can get a 300 bucks controller with jogs you can pull off any scratch routine on.
Except music selection I rarely look at the laptop, except when looking for a scratch phrase (where the waveform is lovely), but yes you can get lured into staring.
But then the large display on CDJ 2ks has almost the same information on it and has colored waveforms…
CDJs are already going into controllerism… check out the Nexus line, they are basically very expensive controllers that can also play CDs.The only time I play on CDJs is when I am too lazy to pack my controller and know the club has a decent setup. Mostly when I just do a short guest set and come only with my USB stick to the gig…
Setting up your controller is as easy as it gets, most clubs have a good mixer, plugging your pair of cables into 2 unused ports should not make you sweat and blending over from a DJ using the CDJs is a non-issue.
Even in my tiny home-town we already have 2 clubs that do not even have any CDJs anymore and expect you to show up with your controller, as they see it as the future.
Given 5 years when most club gear is in the replacement cycle, I imagine many clubs doing the same.March 19, 2013 at 10:24 am #38111DJ Vintage
ModeratorTerry_42, post: 38265, member: 1843 wrote: … Given 5 years when most club gear is in the replacement cycle, I imagine many clubs doing the same…
Hey Terry,
You Austrians must be much richer than us Dutchies! I know for sure that very few “clubs” that have spent the major kind of money a full Pioneer setup takes (2x CDJ2000 with 900 mixer as a minimum) paired with a decent PA will replace their gear 5 years down the road. More often or not the criteria is “if it works, we’ll keep it for a while longer”
If clubs acknowledge that more and more of their DJs will show up with controllers and laptops and adapt their DJ Booths to accomodate that, that is a very good development. I do wonder if venues will accept higher fees for DJs as they are now expected to bring their own “pro-grade” equipment.
Another thing is, will venued have a list of “approved” gear (i.e. controller brands/types) that is allowed into the place. Interesting to see how that will develop. If I were a venue owner, I would like some kind of control over quality.
I also agree that the newer CDJs are more controllers with CD playing capability than the other way around.
I think this falls under the same discussion about vinyl, CDJs, controllers, Kinect in the future (just stand in front of a crowd and use hand/arm gestures to control your mixes?).
I think the essence of digital DJ-ing is the use of software to get things done (I don’t consider using RekordBox or Engine with an iPad and CJDs to be digital DJ-ing, that is just traditional CDJ DJ-ing with digital music) and in order to control the software you need a control surface. What control surface/controller type you use is a matter of personal taste and preference.
What makes digital DJ-ing unique in my opinion, is that you can pretty much mix any kind of controller (from keyboard to vinyl) with any kind of software. If you were a vinyl addict and did not believe in CDs, you can still be a vinyl DJ today and enjoy the perks digital DJ-ing gives you. If you grew up a CDJ adept and don’t want to switch over to a controller, no problem. Use a midi compatible CDJ and off you go. If you were raised in the controller age and are used to the lay-out, jog wheels, etc., you can just use that as your primary control surface.
My point I guess being that there is really no need for a “which is better”-discussion between controller, CDJ, keyboard or any other kind of controller fans (like we have seen first between vinyl and CJ DJs and then between CD and controller DJs). You pick the software that best suits your need, the best control surface for YOU and go be the best DJ you can be.
Greetinx,
C. -
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