Home 2023 Forums Digital DJ Gear Affordable rotary mixer?

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  • #2292611
    Aaron Nicdao
    Participant

    Thanks for the heads up, I was disappointed when they scrapped the v1 release of this mixer.

    #2292881
    DJ Vintage
    Moderator

    Rotary mixers … I don’t know. Just because we had no (dependable and quality) faders and had to do with rotary knobs on the very early gear, doesn’t mean knobs were better.

    The first bicycles had wooden wheels, because we didn’t have rubber, inflatable tires yet. I don’t think anyone in their right mind would produce a new bike with wooden wheels today!

    Perhaps it’s just me and rotary mixers have this great secret advantage that I fail to see, but to me it’s all some hang to nostalgia.

    Frankly, the only thing I really didn’t like about me iDJ Pro controller was the rotary channel gain. I can work with it, but will take faders over it any day.

    Just me of course.

    #2425201
    Paul Muller
    Participant

    @DJ Vintage – the two standout features that I see on the more desirable rotary mixers are;
    1). adjustable crossover (see RANE for example)
    2). they are often analog and/or highly quality components (and hella expensive as a result)

    But before anyone points it out for me, none of either of those is guaranteed just because it’s a rotary mixer. The A&H 92R is a lovely piece of kit, but doesn’t offer an adjustable crossover (that I know of!).

    Having said that, I like the look of this little gadget primarily because of point #1 above, can’t wait for the review on DDT!

    #2425391
    DJ Vintage
    Moderator

    Good to see people are reading posts of close to a year old, not sure that reviving them is a good idea though 😀

    1) Adjustable cross-over. A cross-over is a frequency filter needed to use a multiple amp system. With today’s PA systems they are either active and/or they come with perfect external cross-over filters. So gonna assume you are talking about the master out equalizer control (not a cross-over as the unit only offers master/booth stereo out, not multi-band output). While interesting to have a three-band EQ on your master output to adjust for room acoustics, three-band EQ is probably the worst tool for adjusting a room and it’s easier to make things worse than better. The trade-off in the Omnitronic case seems to be that you only get two- instead of three-band EQ on the channels, taking away the mid-range EQ as a creative tool. All in all I am really not impressed with the features of this mixer.

    2) My personal experience with Omnitronic gear is not particularly good. I would not qualify them as an A-brand. And most definitely nowhere near Rane or comparable brands. Not sure why you think analogue is a good thing, but most fader-mixers from respectable brands are analogue. Probably why they call them (as a type of gear) analogue mixers :D.

    Now whether you prefer a setup with analogue mixer and either controllers (XDJs for example) or media-players (CDJs) or an all-in-one controller solution is of course a very personal matter, but I’ll stick with my previous commentary that I fail to see what rotary offers over fader based analogue mixers.

    One very small thing I was just now thinking of is that I know quite a few DJs that don’t use the x-fader (including myself) but fader-riding during transitions. Most of us are more than capable of moving two faders independently with one hand. I can say from experience that this is something that is extremely hard to do on a rotary mixer, if not impossible depending on the layout. Just to mention one practical drawback (that would influence your workflow in a big way).

    #2426221
    Paul Muller
    Participant

    You are of course right – i was thinking of isolators not crossover, the Rane 2015’s additional controls confused me!

    My own experience with the isolators on a few (limited) mixer’s I’ve played with, i get the sense they can add a harmonic that can fatten out bottom ends and otherwise colour the sound in interesting ways. YMMV

    As for the analog vs. digital mixer piece, I was specifically referring to the difference between DSP based mixers where (if I understand correctly) the bus summing is done in software versus analog where it’s done “on the wire” as it was.

    When it comes to playing on either, i have to concur, mixing on a rotary takes some getting used to and I am not completely sure what all the fuss is about, other than giving hipsters a boner.

    Having said that, I do get a lot of people at my shop asking me to supply them with rotaries and it would be great to have options that aren’t all in the $3,000 range!

    Thanks again for replying, the nice thing about the discussion group is that it hangs around long enough to benefit many.

    #2426281
    DJ Vintage
    Moderator

    Hey, we are pretty much of the “if it works for you, go for it” variety here.

    Most DJ mixers I know are still not DSP based (I could be wrong though :-)), for lots of mixers with a “digital” signature the digital part will usually consist of either a built-in sound card – only used for the sound coming out of the PC – and/or a digital FX engine. A true digital mixer (imho) is one that goes AD right at the first input stage and DA just before the master out and indeed you would then have all summing done in the on-board software. If the software is external, I would not consider them mixer rather than controllers with analogue inputs.

    It’s an interesting field, especially if – like me – you are not only a DJ but also a certified sound engineer 😀

    For the majority of our readers the controller/laptop combo in some form or another is still the most practical and powerful and “don’t break the bank” kind of solution. Clearly there are all sorts of variations and everyone is free to pursue his/her dream configuration.

    Lord knows I have gone through heaps of gear in my time and still do (controller 4 in 5 or 6 years coming soon).

    #2429321
    Arkadiusz Mikina
    Participant

    I think that ‘analogue mixer’ is interpreted in 3 different ways by people (and it shouldn’t be so):
    1. Analogue meaning it has a physical form as opposed to digital which is physicalless and ’emulated by software’
    2. Analogue meaning it has sound card built in
    3. Analogue meaning it has 100% analogue signal path (no DACs!)

    From what I know and understand an analogue mixer is when the signal is not converted into digital form by DACs only (so the option number 3) – taking this standpoint, most of the mixers on the market are digital – all Pioneers are digital, most of Rane is digital (even rotary MP2014/5 is fully digital) and a few exceptions come from A&H (e.g. one 23 and 43 but db2/4 are digital).
    General consensus is that analogue mixer sounds better than digital architecture.

    Rotary vs fader?
    Rotary ‘mix level’ knob is supposed to feel easier to control. Why? This is to do with human’s hand anatomy – hand/ forearm is constructed in a way that makes it easier to make movements which are circular than linear. For example: it is easier for us to draw a circle then 100% straight line – we are not robots 🙂
    Also, the other factor with knobs on rotaries is the major one: you can rest your hand on them when using – you cannot rest your hand on a fader.
    Of course, everyone likes different things and if something works for someone then….go for it! 😉

    greetinx 🙂

    #2429411
    Paul Muller
    Participant

    Agree with 1 and 3 – but 2 would be the exact opposite to my mind (unless the signal path from the sound card to the rest of the mixer was analog) – as you point out most of the mixers with built in sound cards are digital/DSP based.

    The observation is that most if not all of the boutique rotaries I’ve been looking at give the impression that they are analog based – i say “the impression” only because as you point out, some of them such as the Rane MP series give off a distinct analog vibe with their wooden side panels, but hide a very digital product beneath them.

    Other’s such as the DJR400 – well I still can’t figure out what is going on there!

    What I do like about the mixers that feature an adjustable isolator/cross-over (the technical term eludes me!) is the way your can really shape the sound to suit the track – I found this really helped bring some of the older tracks with less bottom end back to life when compared to their modern cousins.

    #2429551
    Arkadiusz Mikina
    Participant

    hey mate

    I was just saying what I have noticed that people refer to as ‘analogue mixer’ – I have noticed these three instances and imho the 3rd situation is ‘really true’. If you have DACs in the mixer then the sound gets digitized, simple.

    Most rotary mixers on the other hand are analog – they don’t have DACs. The new RAne 2014/2015 is the odd one out – it’s rotary + designed to look like vintage (i.e. analog era) but fully is fully digital mixer – sounds very very flat and transparent – not my cup of tea at all, although amazing mixer in its own right.
    What you have to bear in mind is….if an analog/rotary mixer is IC based or is fully discrete. Discrete signal path distorts the signal less therefore is preferable. What I am trying to say is that analogue mixer which is discrete based is probably the best sounding architecture in the mixer you can get (bar the passive analog mixer but these are very hard to get/find and are ultra ‘no compromise’ stuff). For example: IC based analogs are DJR400, DN78 or Alpha9000, where fully discrete analogs are old bozak CMA, Condesa products (probably the best sounding mixers in the world right now) etc.

    I guess it all comes down to how much you wanna spend on a mixer and also what signal you will be feeding into it (hot or cold).
    As far as ‘cheapest rotary’ mixer – nothing can touch Omni. Nothing at all.

    #2429641
    Paul Muller
    Participant

    Awesome insights! I just ordered a Rane MP2014 for my record store, but I am thinking I probably should have gone with a DJR400

    I haven’t looked at the Omni, will check it out!

    #2430471
    DJ Vintage
    Moderator

    And then, from your 3.000 bucks mixer the output is fed into a (digital DSP) PA system that undoes most of the analogue goodness. Or, more likely, it is fed into a mono, loud but awful sounding ancient PA with drivers that are well past their prime. Or, also possible, you get to play your mobile gig on set of crappy no-name speakers that the band you are co-hosting the night with is using.

    In short, unless you control the entire chain from vinyl/digital (wait, digital source material from your CD player through your analogue mixer?) to final PA system, I don’t think one component is gonna make the difference to be honest.

    In my – as always totally personal and very humble – opinion, anything purist or audiophile has very little place in the modern DJ world, other than for your personal pleasure. No one will hire your sooner because you have an analogue mixer, no audience will show up at your gig rather than next door’s because you have a rotary mixer.

    At the end of the day, that over-produced, over-compressed and mastered for digital playback dance track has been digital until the moment a DAC transfers into sound to go into your mixer. And no amount of quality will bring back such a track to life. And if I play ripped vinyl as a wav through my controller it still sounds like vinyl compared to it’s CD brother. My point being that there is so much you can’t control and most of the audience couldn’t care less anyway (I’ll save you a lecture on what happens to the sensitivity and frequency curve of your ears with increasing alcohol intake).

    Not saying you shouldn’t get quality gear, but there is a level at which more (quality) is not gonna add value to your proposition, certainly not to a level that your customer (venue, corporation, wedding couple, etc.) is willing to pay for that increase in quality.

    And as for rotary, to each his/her own. If you like rotary better, then indeed go for it.

    #2430511
    Arkadiusz Mikina
    Participant

    Vintage is absolutely right!

    you usually have little control over what ‘sound amplification’ has to be used at a venue so unless you have influence in that respect the sound quality argument of a fully analogue mixer may not shine through.

    I think rotaries are more suited for home where you have total control (and money) over everything. And as we all know the most important rule for us all: ‘your system will sound as good as the weakest element in the system’. So at home, if you have the determination and funds to use ultra high quality components for everything (how about XLR cables for 700 euro each, anyone?) you may reap rewards from the sound quality improvement (by keeping the signal analogue from the beginning to an end).

    The argument that Vin brings about the music creation – it’s an interesting one. Music that we mostly listen to and mix as DJs is indeed created in ‘a digital way’ and only then converted into analog medium when vinyl is pressed. So ideally, you would want to mix music on a 100% analogue purist system/mixer which is analog in the entire production process – this may be impossible or miss the point. Would you mix classical music on a DJ mixer?
    Also an interesting thing I have noticed: look at our ‘hearing apparatus’. Ear is analogue and everything but how does the sound ‘end up’? It does end up being converted into electrical current (so digital form) when it is passed from the ear to the brain right? So one can argue that actually digital music can indeed be more ‘compatible with us’. Interesting stuff for sure, lots to talk about 😉

    cheers

    #2430541
    DJ Vintage
    Moderator

    Funny you should mention expensive XLR cables. We did a test in the studio once with “regular” bulk XLR cables from a reputable brand and some custom made cables that cost about 3 times as much.

    We used the same length, they had the same connectors. We hooked up a really good mic (talking 2.000+ euro here) and did two recordings. One with each cable. We then did blind comparison. And you could EASILY hear the difference. Everyone in the room, including the proverbial cleaner, picked out the expensive cable. I really did not expect that much difference. I do believe that this big a difference can not be had when you upgrade your cable yet again though. Based mostly on the fact that at some point using thicker/more copper wire is not going to result in a comparable increase in signal quality and also because one of the things that made the custom ones better was the quality of the actual soldering of the cable to the connectors. But I might be wrong.

    I am not sure if your statement about the hearing nerve holds true. Digital assumes that an audio value (containing information on frequency and volume at any given time) is translated at one end into ones and zero’s, transported in on/off electrical pulses and translated back at the end into a replica of the original waveform. As far as my knowledge goes, the brain is digital in that the synapsis in the brain either fire or they don’t. So also an on/off system of sorts. However, I think the ear creates an actual analogue electrical signal that isn’t on/off but just fluctuates in “voltage”. In other words the ear has no DAC so to speak. Any translation to “digital” would take place in the brain itself.

    Interesting indeed 😀

    #2430651
    Arkadiusz Mikina
    Participant

    haha
    😀

    great to know your thought on reputable brand bulk vs custom made, thank you!!!
    Cables are important that is 🙂 (like everything else)

    I am using Kopul Premier Quad Pro 5000 series – they are quad XLRs, fairly thick at 21AWG with tinned copper TAC in braid 99% shield coverage and gold plated connectors Neutrik XX. I bought them in the US (no distribution in EU unfortunately) and they are fairly well priced there at around 20 euro for 6m cable. Specs wise they match (or even exceed) the widely revered Mogami Gold Studio (while costing 3 times less). I have also got to know in a DJ shop yesterday a company called Oyaide and their cables Neo d+. They are also well priced and made in Japan (quality of them is amazing when you play with it) – I need to read up on their specs.

    Can you point us in the direction of the website that offers custom made cables you are referring to please?

    cheers

    #2430711
    DJ Vintage
    Moderator

    Can’t. Dutch company that made them for the studio. Never got their information as I wasn’t looking for that grade of cables for myself.

Viewing 15 posts - 1 through 15 (of 23 total)
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