How many gigs until I can start getting paid?
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softcore.
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November 8, 2011 at 4:06 pm #9538
VinnyBlanc
ParticipantI would do as many LIVE gigs as you can until you feel you are comfortable…
November 8, 2011 at 4:42 pm #9542Craig
ParticipantOh, I feel pretty good about playing live; even after my one gig.
November 8, 2011 at 6:27 pm #1002084U31
MemberRemember you are selling your talent and time.
So ask right now, even if its only in free beers for the night… never do nuthin’ for nowt unless its a really good reasonNovember 8, 2011 at 9:14 pm #9550Phil Morse
KeymasterAgree with U31. I think it’s OK to play once to “show what you can do”, but you should get free drinks even then, and charge from gig 2 onwards.
November 8, 2011 at 9:18 pm #9553U31
MemberAbsolutely Phil, how can you expect others to believe in you unless you believe in yourself…
This message was brought to you from U-31 Psychological Counselling Enterprises..
That’ll be £5 😉November 9, 2011 at 1:16 am #9567D-Jam
ParticipantYou should already ask. Just bear in mind two things:
1) Is the promoter making any money on this event? Many gigs I’ve done for free simply because I wanted to play what I see as the “cool” music. In the end, I’d see the promoter take losses, which is why it never bothered me. I’ve been more adamant on getting paid when I have to play music I’m not into or I know the promoter will make money.
2) Can the promoter, manager, or owner easily replace you with a kid who will play for free? It’s been the biggest complaint of many experienced DJs. The kid on a pirated software with pirated music who will play for nothing (or next to it). Even in many cases the undercutter DJ isn’t on illegal software or music. In the end, a professional DJ would just walk away from cheapos who take advantage of hungry DJs, but if you need the exposure that spot gives, then you might just have to suck it up and look for other “rewards” out of the freebie, like self-promotion and branding.
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November 9, 2011 at 2:57 am #9569Craig
ParticipantThanks folks! I now know, what I should do.
November 9, 2011 at 6:20 am #9572Pär Hessler
ParticipantIf you have a gig for someone else then your best friend you should be paid from day1 IMO.
I can not believe that someone would work for free…..
November 9, 2011 at 9:47 am #9580Craig
ParticipantFunny you should say that Dj Hessler; my first gig WAS for my best friend/Dj mentor. I guess I was under the impression that you need to establish yourself in the scene first be fore you can start demanding a payout.
So then I ask, what’s a good starting price? I think I’m worth a million, but I’m sure I’m the only one who feels that way.
November 9, 2011 at 9:53 am #9582U31
MemberNow that is the million dollar question!
November 9, 2011 at 11:21 am #9584Pär Hessler
ParticipantDj Supertoy, post: 9576 wrote: Funny you should say that Dj Hessler; my first gig WAS for my best friend/Dj mentor. I guess I was under the impression that you need to establish yourself in the scene first be fore you can start demanding a payout.
So then I ask, what’s a good starting price? I think I’m worth a million, but I’m sure I’m the only one who feels that way.
Well IMO if you do work for a venue, bar, or whatever, they get money from your performance.
There is ofcause different other ways to establish yourself.
You can do mixtapes and put on CDs or cheap USB sticks or send by mail……..
Also if you have a friend who is established you can ask to follow him/her to gigs and ask if you could play for an hour or so. If you do not have a friend you can go to the place/places you wish to have gigs on and speak to that DJ askim him those qs. (this way differs because at least the DJ that has the gigg does get paid)
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But if you play for free you take the jobs/sallarys away from established DJs and they get out of jobbs in a sutuation they can not compete and that is sallarydumping, something I and all the DJ’s I know does not like (to put it in a nice way)
bare in mind that some DJ’s does it as a main occupation. It is like any other job, if someone comes to your job or your mother/fathers and say hey I can do that job free for a month or so………….IMO that is a very bad thing to do and all my DJ friends do think the same. If you do a job you should get paid period!
A good starting price is the same price that they pay the DJ that plays there now or a price arround what everyone else takes. (Do not dump the price or you will be very impoppular amongst other DJs and I think it is a good thing to be friend to other DJs.)
And if you think that it is OK then you take that price if not you ask for more (Not zero)
You could ask for a million, but do not get dissapointed if you do not get the gigg;)November 9, 2011 at 12:15 pm #9586softcore
MemberIt is true that asking nothing for a job that someone would get paid to do, creates a lot of complaints, unhealthy antagonism, reduction of the salaries and so more. Unfortunately, due to digital-technological evolution and due to strict economic status of many societies things have changed a lot. Nowadays, I can name a LOT of professions that once were paid very good and now someone will be offering to do the same (or at least with sub-quality) for free.
Post production – music for advertising, etc etc – once you needed to hire a complete studio and a producer, now most small companies just download sample libraries and make their own jingles for free.
Think advertising itself – once on TV and very pricey now via the internet, it can become free (forum spamming anyone?)
Think car repairs – parts replacement – one you needed a technician, now you just Google your problem and a million solutions together with illustrated guides on how to replace the faulty part
Think electronics repairs – same as above
Graphics – photography – animation – logo creation….and the list goes on. DJing is not the only proffesion being affected by this phenomenon.
Surely it is unfair for the proffesional DJs to try to compete (salary wise) with a kid with pirated software who asks for nothing – but IMO its a situation that it is not going to change – just like piracy. Sitting there just complaining about the kids who steal your job reminds me of the “big 4” record companies complaining about piracy while they continued to overcharge vinyls and CDs. They deserved what they got in my humble opinion for being unable to predict situations and act accordingly (subscription-based music sales anyone?)
On the scope of these facts, both the parties need to re-consider.
On one side, the beginner who charges nothing needs to re-consider, needs to think that if he establishes himself as “the guy who asks no or little money” will never get paid. On the other side, the proffesional who overcharged based on the assumption that noone could substitute him, should reconsider the amount of money asked.Personally what I try to do is close a “win – win” deal with the promoter or bar-club Im playing – in simple words, i take into consideration how much money the place owner will make, how much money the promoter-party organiser will make and charge accordingly – as D-Jam already metnioned, if they are not going to pay me the amount I ask, then I consider doing it for less or even free only if the gig is going to promote me in any way to more audience and if its going to help my branding – bio. As people already said, knowing what the resident DJs get paid and what guest DJs get paid in your area helps your decision.
There have been nights, where the amount of money earned (by the organiser-owner) was so little that I ended up getting nothing but free drinks, declining to be paid with a ridicilously small amount (“nevermind, keep the money, it was a cool night, thanks, goodnight”.
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