Home 2023 Forums The DJ Booth Creating a Following in a Foreign Country

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  • #31367
    Terry_42
    Keymaster

    Well in a foreign country it is always harder.
    Even though Austria (where I come from) and Germany are close together, share the same language etc. It took me over 2 years to get recognized in Germany and even when I played the big clubs in Munich and Berlin I was still the “stranger from Austria, we need to hire cause he is popular”…

    So one has to be prepared that it is a pumpy road ahead.
    I have visited Japan from time to time and there are a few things that I felt is important there:
    1. Language: You do not have to be fluent, but at least be nice, know their greeting customs and at least know how to say hello and introduce yourself…
    2. In Japan you have to act big, use big words and try to be important, but you are running on the edge there. If you overdo the whole thing, they will consider you a “crazy gaijin” and you are done for… best prolly is to look at some other acts there and how they act their importance.
    3. Even though 2. is true, still you have to come over as humble

    Now I cannot answer the getting paid issue. Personally I think nobody should work without getting paid and while DJing is a work you enjoy (hopefully) you still should get paid. Also not asking for money would mean you undercut other DJs and potentially do not make friends in the scene…

    As for what you DJ, you should follow your heart. There is always a niche following for most styles of music, but it is exponentially harder to get gigs etc. in a scene that is very little and prolly saturated with DJs, opposed to mainstream.

    #31384
    D-Jam
    Participant

    I started that idea here, but it’s more meant for travelers…

    http://www.digitaldjtips.com/2012/01/how-to-dj-abroad/

    If you’re planning on living in Japan for a long time, then get into the CULTURE. Find the clubs, the people, the scene. Get to know them, know and respect their scene, and build from that.

    #31419

    For sure, thanks for the feedback guys. I found some nice Downtempo stuff that should flow well as an opening act for all the mainstream hip hop acts and some good house that will lead them into their mainstream pop house so I will keep you all posted on my progress.

    If you ever make it to Japan, drop by and say hello. (And my apologizes for missing the main post D-Jam)

    #31457
    Reason808
    Participant

    I’m wondering if you guys or anybody has run into another problem: People in another country have a completely different music history of Hit Songs. What was a classic track in your home country is completely unknown in your new one, and obscure tracks you’ve never heard of are loved. So you can’t count on playing that song “everybody remembers.”

    I’m an American in Hong Kong. I almost never hear a funky soulful beat playing on the street. Unless I’m playing for expats, “classic” soul would just be seen as weird old time music. A British friend of my lived in Turkey, and they worshipped this one-hit wonder band he had almost forgotten about.

    Anybody else run into this?

    #31482
    Maximlee
    Blocked

    If in your heart you want to be a dj… im not say move straight away but consider moving somewere were you can dj what you want. theres nothing worst than djing music you dont like

    #31491

    @reason808 – Yeah, I know exactly what you mean. At least where Hip Hop is concerned, all the anthems and songs that I knew growing up and with hip hop/rap lovers in America that I play here are just considered regular songs that some/ a few know. But when a Japanese DJ plays an obscure Biggie/Tupac track that people sorta know in America, everyone goes nuts.

    @Maiximlee – Unfortunately, I cannot move to a big city like Tokyo due to my job being here in the sticks of Japan. However, I have been meeting some DJs here with connections to bigger cities and they have been throwing my name out as consideration for bigger gigs in places (hopefully before summertime I can solidify a gig at Womb Lounge (Club Womb) from all this ‘consideration’). But you are right in many regards – there are not many feelings worse than doing something you don’t like; but I will say it’s better than not being behind the decks at all or playing only what the club tells you to play.

    No music is ‘trash’ per se, but at least I get to pick my own treasure from it.

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