Home 2023 Forums The DJ Booth The Truth About DJing (to an underground artist)

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  • #30919
    Ess Jay
    Member

    I feel exactly the same, except I don’t do production, so feeling pretty lost at the moment

    #30943
    Terry_42
    Keymaster

    For like 10 years I played music that nobody in the mainstream world would listen to… hardcore and minimal industrial.
    You have to find out where those people live, get a promoter that knows that genre and book the right venues.
    We even got our own movement going and I was suddenly booked all over the world in that scene…
    However it takes time and a huge amount more effort to create your name that way, than it does just playing weddings and whatever they want to hear (what I do now, so nothing wrong with it). Partially why I retired from that scene (also my music taste got more diversified) and got into a more “easy mode”. But I even had to pick a new DJ name etc. to change the image I had and was known to club owners around.

    #30961
    DJ Menno
    Participant

    I think it’s a bit harsh to say they’re uneducated in music. I love jazz, and nobody listens to jazz, cause it’s too complex for the ear and requires much concentration to follow the harmonic moves. Cheesy mainstream music is exactly the opposite : relax easy to listen to music. And that’s what people wanna hear, and that’s what I play, cause the owner pays me to entertain these people, not to educate their ears. Otherwise I would play jazz, swing, rockabillies, maybe even dubstep or harsh electro…

    They may well be musicians or play in a symphonic orchestra for what you know. But they’re in that bar / club to have fun and listen to cheesy songs cause they’ve had their 08 hours of work and want to relax.

    I guess you’re looking for an underground scence indeed. I for one cannot play there because I don’t like the atmosphere in these venues.

    #30968
    D-Jam
    Participant

    Amr, your spiel is part of why I stopped gigging and went more into a hobby/blogging kind of logic. Not to mention I’m almost 40 and rather enjoy going to bed earlier now and waking up in the mornings on weekends.

    If you want to play the “cool music” and not have to pander to the mainstream, then you have to work your tail off to get there…

    1. Do some kind of online show or a podcast. Stick to it and push it so you gain a loyal following.
    2. Network your butt off with the underground promoters and the rave promoters. Even try to work your way in to helping them plan and promote events. Underground folk always have to build a scene…not convert one.
    3. Look into production, but don’t stop DJing. Yes, if you want to be the big headliner playing the music you love, then you need to churn out music so people buy it, know your name, and the industry thinks you’re bigger because your name shows up on the playlists of other DJs.
    4. BE PATIENT!!!!! Guys like Deadmau5 got lucky. Most of the major headliners are in their 30s and 40s. I’ve seen some of these guys playing when I was a teenager. It took them decades of dedication to become the big names. Even superstars of the now like Guetta have been playing for many many years. It doesn’t come overnight. Not unless you sell out and become more fluff over substance.
    #30976
    Hee Won Jung
    Participant

    DJing is a Marathon…not a sprint.

    It takes years to get your name out there and recognized. You cant be discouraged. IMO play what you like and your crowd will eventually be there…its not going to happen over night…it will take years.

    I moved into a new City 3 years ago…and i started playing out in this city about a year ago…and just NOW am i getting my own following…people who specifically come out to my nights.

    #31099
    Dj Freshboi
    Member

    I know exactly what you feel. I got a type of special music style that I prefer to DJ, but the crowd never goes as wild as I would since they have not heard about big DJs. My crowd mostly sticks to the silly mainstream music – and as someone said I am paid to entertain the crowd. Not myself.

    However, I‘ve found a great way to mix things in where I give the crowd a break to get a shot or drink and play my lovely music. Normally I continue playing the mainstream hip hop/club music that I notice my crowd enjoys (Normally takes me about an hour to adapt completely). I normally find some songs I know they enjoy at the same BPM and play about 4 or 5 of these. Then I suddenly drop some amazing beat, crowd goes wild and when the song ends I shoot in something a bit old school that I already know the crowd does not love but still do enjoy. This way, I always have someone dancing on the floor, someone having a drink and someone just going totally insane.

    I‘m not sure of what type of music you enjoy DJing to and what‘s “mainstream” at your place – I‘ve found out that this differs from club to club, city to city, country to country (Havn‘t been international yet, but I guess this is the truth). But I believe that if you try to adapt to the crowd whilst still containing your specialities, you can make great mix where you entertain the crowd AND yourself!

    #31164
    Reason808
    Participant

    Terry 42, D-Jam have given excellent tips on how to grow as an underground DJ. Hee Wong Jun is right, you’ve got a marathon ahead of you, and you’re only on gig #3.

    But nobody’s mentioned what I think is the easiest way to get past your frustrations for the next 10 gigs: Change the “Me vs. Them” attitude. Isn’t going to help you. Your DJ career will be short and bitter.

    Do you absolutely hate every big hit song out there? If not, why not? If you’re a DJ, your music tastes are broader and bigger than the average punter.

    Instead of thinking that your music is “educated” “elevated” or “better,” think about the appealing qualities of your music, and how that will appeal to others.

    Find common ground with hit tracks that are similar to your favorite music. If you get the crowd going with tracks they’re comfortable with, you can get them to follow you into unfamiliar (to them) waters.

    it’s kinda frustrating to play a great 4 hours set and all you see is people going home

    It sounds like you’ve done a lot of preparation, so your set probably was good. But it certainly wasn’t great to this crowd.

    But it’s only your 3rd gig. Don’t give up! This happens to everybody! You’ve probably read a lot on forums and blogs about ‘reading’ a crowd. This is the tough work of being a DJ.

    #31176
    backtothefront
    Participant

    D-Jam, post: 31124, member: 3 wrote: Amr, your spiel is part of why I stopped gigging and went more into a hobby/blogging kind of logic. Not to mention I’m almost 40 and rather enjoy going to bed earlier now and waking up in the mornings on weekends.

    If you want to play the “cool music” and not have to pander to the mainstream, then you have to work your tail off to get there…

    1. Do some kind of online show or a podcast. Stick to it and push it so you gain a loyal following.
    2. Network your butt off with the underground promoters and the rave promoters. Even try to work your way in to helping them plan and promote events. Underground folk always have to build a scene…not convert one.
    3. Look into production, but don’t stop DJing. Yes, if you want to be the big headliner playing the music you love, then you need to churn out music so people buy it, know your name, and the industry thinks you’re bigger because your name shows up on the playlists of other DJs.
    4. BE PATIENT!!!!! Guys like Deadmau5 got lucky. Most of the major headliners are in their 30s and 40s. I’ve seen some of these guys playing when I was a teenager. It took them decades of dedication to become the big names. Even superstars of the now like Guetta have been playing for many many years. It doesn’t come overnight. Not unless you sell out and become more fluff over substance.

    Spot on, totally agree. Becoming an established DJ takes time and the best way to get in to the underground side is to go and support the nights, become friendly with the DJs/Promoters, don’t act ‘the big I am’ either – sure fire way to put off most underground dance night organisers. There is still much of the old school rave collective spirit in the underground music scene in my opinion, so intergrate with it.

    #31183
    Hee Won Jung
    Participant

    reason808, post: 31320, member: 831 wrote:
    But nobody’s mentioned what I think is the easiest way to get past your frustrations for the next 10 gigs: Change the “Me vs. Them” attitude. Isn’t going to help you. Your DJ career will be short and bitter.

    Do you absolutely hate every big hit song out there? If not, why not? If you’re a DJ, your music tastes are broader and bigger than the average punter.

    I think that there has to be a line established out there. Personally I take all types of gigs…but I dont say yes to all gigs…I wont DJ at Chart Clubs (top40 Clubs)…i just wont…or Hip Hop nights…thats not how i DJ there are plenty of good Hip Hop DJs that can do a way better job at it than i can and i dont have a fun time and it totally takes the enjoyment out of what i do.
    However i will Take on Weddings, Proms, OutDoor events etc. But i dont take these because i enjoy them…i take them because they provide a LARGE chunk of income compared to the club scene.

    I think you need to be able to expand your horizons but dont ever do a show that you dont really want to do…The Crowd will see it and you just wont enjoy yourself.

    #32409
    Amr
    Member

    DJ Menno, post: 31117, member: 3768 wrote: I think it’s a bit harsh to say they’re uneducated in music.

    by uneducated I meant (occasional listeners) rather than heads, some people just don’t care that much about music they care more about sex, drugs whatever they can get on a gig right!

    reason808, post: 31320, member: 831 wrote: It sounds like you’ve done a lot of preparation, so your set probably was good. But it certainly wasn’t great to this crowd.

    well it was probably shit to most of the crowd if not all haha, but to me it was awesome it was actually my best one (mix-wise & selection-wise) even much better than everything I ever span in my bedroom, but the connection just wasn’t there I wasn’t getting any energy back from the crowd, people were there to listen to that one particular sound and they didn’t get it!!

    reason808, post: 31320, member: 831 wrote:
    But nobody’s mentioned what I think is the easiest way to get past your frustrations for the next 10 gigs: Change the “Me vs. Them” attitude. Isn’t going to help you. Your DJ career will be short and bitter.

    that’s spot on, didn’t work in the past and probably won’t in the future definitely need to work on that a.s.a.p haha, thanks a lot
    ……….

    insane amount of help, i’m very thankful to all the members who replied to this thread, thanks a million, will definitely try some of these tips out and see if I can improve my DJing, thanks again

    Keep rocking.

    #32410
    Amr
    Member

    D-Jam, post: 31124, member: 3 wrote: Underground folk always have to build a scene…not convert one.

    wow man, great advice, thanks a lot for all the help, cheers

    #32451
    Fxn-L
    Member

    Everyone’s elaborated very well, so I’ll keep it short. If you play underground music to a mainstream crowd, people are going to look at you like you’ve got three heads and walk right out. Mainstream is mainstream for a huge reason, it’s popular. If you choose to reject popular music (and by all means, you can- that’s your choice), then you may be disoriented when people don’t understand what it is that you’re playing.

    For example, I love trance and electro. However, most of my gigs have been at lounges where people come to relax and listen to music they like while smoking/drinking/talking (read: not dance). So I when I tried to blast peak-hour progressive and no one responded, I had a very rude awakening: “Maybe this isn’t the crowd for this.” So I re-analyzed my stance as a DJ and made the choice to pander out Top 40, R&B, jazz, etc. Of course I still slip in a little of what I love in small doses, but it took some serious introspection about the direction I wanted to go before I became comfortable with what I was doing.

    For you, you’re choosing to stick to your guns. So stick to them. But make sure that you’re in the right place. If you’re on a Friday night at the local college club/bar playing music that’s so far underground that the vinyl is made from the mantle of the Earth’s core, don’t be surprised if people are upset that you’re not playing Flo Rida or Avicii. (See what I did there? People confuse the two songs all the time. It’s a joke, but after a serious post.) Ba dum tssh.

    [EDIT: I said I’d keep it short, but I didn’t. Woops.]

    #32495
    rfb
    Member

    Amr, post: 31067, member: 2522 wrote:
    should I really play shit music for uneducated crowds ? even if I hate that music!!

    I guess you got lots of helpful replies, so I’m probably not adding anything new here. I just would like to focus more on your attitude towards these things.

    See, THAT is a decision you have to make for yourself. You come off a bit frustrated, as seemingly you now found out how it works in the real world – as opposed to some fantasy where people will glorify you and go crazy to the music you play from the get-go because you are so highly educated in your musical taste and whatnot.

    I’m not making fun of you here, please don’t take any of it as offense. Sounds like you played in a club, which I never did, so props for getting that far. I’m just trying to be constructive and look at the present and the future.

    There’s only two options here: Either decide that this is gonna be a hobby and you’ll play for yourself, maybe setting up a regular podcast or sth like that, the occasional friend’s party (the route I am going down as a hobbyist). Or you gotta man the f*** up and get hustling to BUILD your following, developing your style and getting a crowd. With the latter I have no experience and it’s probably tough since many people nowadays want to be the jesus-pose DJ Hero. But what I KNOW is that being all elitist about it, complaining and NOT taking responsibility is not an option. Or at least only one that won’t get you anywhere. Check the job description again because no matter how technically well executed your set was when people just didn’t dig the music you failed in terms of what you were hired to do. Simple as that.

    And if you can’t be bothered to play “that mainstream shit” (I don’t enjoy it either) then draw the right consequences instead of blaming other people. There is no absolute for what good music is. I listen to prog jazz and progrock occasionally but THE UNIVERSE doesn’t give a f***, mate 😉

    #32504
    Fxn-L
    Member

    rfb, post: 32651, member: 2662 wrote: There is no absolute for what good music is.

    Quote of the century.

    #32521
    Amr
    Member

    rfb, post: 32651, member: 2662 wrote:
    And if you can’t be bothered to play “that mainstream shit” (I don’t enjoy it either) then draw the right consequences instead of blaming other people. There is no absolute for what good music is. I listen to prog jazz and progrock occasionally but THE UNIVERSE doesn’t give a f***, mate 😉

    thanks for the input man and no offence taken, just to clarify for the last time, I’ll try to keep it short and not to turn it into an underground vs mainstream thread.
    I came off a bit harsh there talking about tastes, it’s not that I give a single f*** what people listen to and what they don’t as long as they give it enough time before they start arguing about what’s good, let me rephrase that

    mainstream is basically all about listening to whatever buzzing atm and checking this and that chart with no focus on the music itself, just because it’s easy to find, it’s getting handled to you over the web it’s allover the place because of the websites, promoters & even the digital shops are getting huge $$$
    when it come to music people (including many DJs as well) are getting too convenient with technology and so on.

    now the reason why I called it “shit music” because the lack of originality, I used to be a big fan of mainstream a couple of years ago but then I got bored of listening to the same loop and same sample packs on each track over and over again, when watching tutorials and so on I stumbled upon this one tip by a famous producer which got me thinking!!
    he said when he’s producing a mainstream track (talking dance music here) which is Mainroom House (SHM & Avicii type of house) you basically grab a track you like and copy the same structure, all you need is a sample pack (most of the time it’s Vengeance) and a couple of VST presets and you’re set.. isn’t that just lame !! is it even by any means art !!

    now about the “uneducated” part.. I mean c’mon people can’t tell the difference between genres, they don’t know what an original mix is and what a remix is, they call everything with a 4×4 Trance and they think mixtapes are actually a continuous original production and they still believe they know all about Dance Music (talking about Egypt here).

    it’s like there is a handful of people who actually care enough about this culture (where I come from) and they did their homework knowing how it all started and how it changed over time, and every single one of them has his own taste and I still respect them for that even if I’m not the biggest fan of their sets.

    I hope you understood my point there, and thanks again for helping rfb.

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