Home 2023 Forums The DJ Booth How to choose song order

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  • #1005008
    Steelo
    Participant

    Thats just one of the skills that separates a good DJ from a great DJ. There’s many factors that come in to it such as the time you play, the venue, the crowd, the genre/s, the crowds reactions etc.

    #1005086
    Le Doc
    Participant

    For that i guess its trial and error, but there must be some basic tips for a newbie without any live experience in a club yet?

    #1005090
    Steelo
    Participant

    Although there are a few variables, you would often start with more mellow tracks and build up the intensity/hardness/euphoria progressively through your set. It will come with experience but you will gain the ability to read the crowd and make a good assumption what they may enjoy next. For instance if you are playing a house/electro set and you play a tune thats on the harder side and people start going mental then its pretty safe to say you are on the right path. It all comes with practice and good musical knowledge.

    #1005097
    Reason808
    Participant

    Easy question to ask, hard to answer. But I’ll try – just hang with me if my examples don’t seem relevant to club DJing at first.

    Let’s start with an example of what NOT to do. I see a lot of DJ’s organize songs around a theme that makes no musical sense at all like “songs about books.” Their set jumps from heavy metal to hip-hop, to electro and god knows what else. The DJ thinks he’s being clever. The crowd wonders why in the hell they’re listening to a bunch of random music.

    So you need to make sure your music style doesn’t jump around like that, too. You can still sequence your music around a theme, just make sure the theme flows together in a musical way. The song you play should progress somehow from the previous song.

    Let’s use a classic Motown song: Ain’t No Mountain High Enough. Even though it isn’t a dance song, its a pop song with a lot of energy and a positive vibe. If I was playing this song early in the evening, I can progress in a lot of ways from it. I could continue playing Soul classics. I could switch to other genres from that era, like classic Beatles tracks. If the crowd responds to it (bobbing their heads, looking at me with a smile, coming up to the DJ booth for a request) It tells me I could transition into a mid-tempo dance song, like Michael Jackson’s Billy Jean.

    So from that one song I can start three possible sets: 1) Soul Classics that could lead into Disco and/or R&B set. 2) 60’s Pop that could lead into a Rock and/or New Wave set. 3) Mid-Tempo Dance tracks that could lead to a Club Bangers set. All these are the “right order of songs” you’re asking about. Part of that is reading the crowd, but the other part is just understanding different ways to branch off from other tracks. I’m using mainstream examples here, but the principle would work just as well if you were dealing with all the different flavors of electro.

    Another big part to getting the right order of songs is being able to build anticipation and surprise. Usually there is a big hit song in every genre that you can build your order of songs towards (or away from). So if everybody wants to hear lady gaga’s new song, you’ll have more success if you tease the crowd playing similar songs to that Gaga hit for a while. Once you have the crowd going with the big hit, you can branch off into other areas, just like you did with my previous motown example. The energy level of your dancefloor and music might change, but the process of ordering your songs is largely the same.

    Sometimes the crowd likes to be surprised. So instead of a gradual build up you make a sudden shift. Many times as a DJ I would frustrate the crowd that wanted to dance by stretching out a mid-tempo set and then slamming on a dance banger to start my peak set off with a bang. Other times I would do this organically. That’s where experience helps.

    Of course flawless beatmixing gives you ways to be even more creative with your builds and drops. But without good song selection sequencing, you’ll just have a version of “songs about books” with an auto-sync button.

    Hope this helps.

    #1005107
    Maximlee
    Blocked

    im a newbie as well and what i have learnt so far is this… every song has any energy in it… for example… some track have a good groove that make you rock your head alittle.. then some tracks have the energy to move your feet. Then it ranges to you jumping up and down with your hands in the air. Structuring a set is all about starting with tracks that are groovey but not many builds or massive breakdowns.. keep the energy constant. Then as you move a few tracks in, you start to add tracks that have more stabs and bubbly melodies (or vocals if your into that)… then over next few tracks start to introduce tracks that have alot of tension and realease… in the form of build up swooshs breakdowns. Then.. when you have clubbers in the groove… you drop ure full on tracks… ure best tracks really.

    In summary you just need to hold back playing the tracks that you really want to play.. to explian in genre terms… minimal… progressive… tech-house… trance…. then take back down tech-house for the release… to let your listeners/clubbers soakin what just happened.

    that the best way i can explain something that cant really be explained….lol

    #1005108
    Le Doc
    Participant

    Yes indeed its pretty hard to explain, but thanks to you 3, its pretty enlightening. This is my first post on the forum, I truly didn’t expect to be answered with so much explanations.

    Reason808… about that ”songs about books” example…. can’t help but wonder about that one lol 😛

    #1005112
    Reason808
    Participant

    Yeah “music about books” just came to mind as a stupid example. 😮 It could be “dogs” or songs with “Maria” in the title or anything. However, lots of people will try to arrange music like this! Usually its not somebody who wants to be club DJ, but a brother-in-law putting together an iTunes playlist for a BBQ party, or a really bad college radio DJ who got a 3am Tuesday night slot, or something like that.

    Hey, I wrote my last post in a bit of a hurry and now thought of a few other things:

    There is a version of “music about books mixing” that DJs with good beatmixing skills can fall into. Blending on a musical detail that doesn’t matter. For example, mixing two songs together because they have the same synth sound, or blending two hi-hat patterns together for an interesting 3rd rhythm. It’s really cool in the moment, but doesn’t really help the overall flow of energy. Sometimes this can be amazing, but many times it can be a trap, especially when you want to show off your new beatmixing skills. Somewhere in my apartment is cassette of me ‘brilliantly’ mixing Nile Rodgers guitar riffs off of each other. It bombed in the club.

    Another thing to think of with song order is planning transitions from song to song and planning transitions from song set to song set (usually groups of 3-4). In film editing this is the difference between cutting from shot to shot and from scene to scene. Once I got more experience DJing, I started thinking in terms of song “scenes” – keeping in mind songs I’d play 3-4 mixes later. Sometimes the audience reaction forces you to change your what ‘scene’ you were planning next. But that’s the fun of it.

    If you really want to learn proper sequencing and song order, be a wedding DJ. Seriously. 45-90 minute sets in a ‘cool’ nightclub are not the way to learn the elusive art of song selection. You need a place where you can spin for several hours non-stop. And if you have to win over a crowd that doesn’t share your tastes in music, so much the better. A top 40 club or pub would also do. Even if the crowd are a bunch of sheep, learning to how to steer your flock is a good skill to have.

    When I DJed at NYC underground clubs, people would always compliment me on my flow and sequencing. It came from years of sweating it out in “lame” clubs playing commercial hits. Funny thing is, in retrospect, I miss those DJ moments where the crowd went wild for a corny old hit as much as the “cool” clubs I spun at. Getting the crowd to move is fun no matter where you’re doing it.

    #1005135
    Steelo
    Participant

    We are here to help!

    #1005143
    adit
    Participant

    I learned a lot about track order from mixes like Sasha’s GU 13. Check it out.

    #1005145
    Steelo
    Participant

    adit, post: 21003, member: 2099 wrote: I learned a lot about track order from mixes like Sasha’s GU 13. Check it out.

    Hells yeah! Sasha and/or Digweed are excellent and very technical DJs. Definitely check out these guys.

    #1005173
    Hamza21
    Participant

    reason808, post: 20972, member: 831 wrote:
    If you really want to learn proper sequencing and song order, be a wedding DJ. Seriously. 45-90 minute sets in a ‘cool’ nightclub are not the way to learn the elusive art of song selection. You need a place where you can spin for several hours non-stop. And if you have to win over a crowd that doesn’t share your tastes in music, so much the better. A top 40 club or pub would also do. Even if the crowd are a bunch of sheep, learning to how to steer your flock is a good skill to have.

    That’s worse advice ever! wedding djs are the bottom of barrel of the deejay world. They’re nothing but human jukeboxes playing middle of the road songs for middle of the road people. A newbie will never progress to be great solid deejay being a wedding dj. A wedding dj is where never-beens and has-beens go when they fall off. It won’t teach anything about song selection because 99% of the music you play is top 40 hits from 70’s,80’s and 90’s. It won’t teach how put together a solid mix of Hip Hop or latin grooves. It won’t teach you to dig for music. It won’t teach to be creative and experiment mixing songs you initially thought would not work together. Playing song to make 60 year old aunt betty dance won’t teach you about song selection because aunt betty has piss poor taste in music and is stuck in the past.

    to answer the OP question all songs can be mentally catagorized. Some songs you know people will dance to they 10,9. some songs some,most of the people dance to they 8,7 and some songs most people won’t dance to but will love to hear they 6. The magic foumula for rocking dance floor is:

    song 1: 10,9
    song 2: 10,9
    song 3: 8,7
    song 4: 10,9

    Rinse and repeat for how ever long your set is.

    #1005213
    Arthur Kokanov
    Participant

    Hamza21, post: 21033, member: 2284 wrote: That’s worse advice ever! wedding djs are the bottom of barrel of the deejay world. They’re nothing but human jukeboxes playing middle of the road songs for middle of the road people. A newbie will never progress to be great solid deejay being a wedding dj. A wedding dj is where never-beens and has-beens go when they fall off. It won’t teach anything about song selection because 99% of the music you play is top 40 hits from 70’s,80’s and 90’s. It won’t teach how put together a solid mix of Hip Hop or latin grooves. It won’t teach you to dig for music. It won’t teach to be creative and experiment mixing songs you initially thought would not work together. Playing song to make 60 year old aunt betty dance won’t teach you about song selection because aunt betty has piss poor taste in music and is stuck in the past.

    to answer the OP question all songs can be mentally catagorized. Some songs you know people will dance to they 10,9. some songs some,most of the people dance to they 8,7 and some songs most people won’t dance to but will love to hear they 6. The magic foumula for rocking dance floor is:

    song 1: 10,9
    song 2: 10,9
    song 3: 8,7
    song 4: 10,9

    Rinse and repeat for how ever long your set is.

    I am not understanding your formula… could you be a little more clear in your explination? Also I really don’t think that there is a “Magic formula” nothing in life has a “Magic pill”. + That was a bit harsh about wedding DJ’s I am sure you are quite wrong.

    #1005226
    Reason808
    Participant

    I stand by what I said. Being a wedding DJ is certainly not cool, or creative. But its definitely a good boot camp for song order, which is what the OP was asking about. Cool underground clubs only give new DJs short slots where they can’t really watch how song order affects a crowd over time. Weddings let you see things for a whole evening.

    I’ve DJed at a lot of places and situations that most people would think are pretty cool, cutting edge and creative – including hip-hop. Being a wedding DJ helped build the foundation to get there. Having played for both, I think mainstream crowds are much harder to figure out and entertain than underground cutting edge crowds.

    BTW – I have not DJed at a wedding for well over a decade.

    #1005236
    Rodders
    Member

    It’s very easy to get laid as a wedding DJ. Just thought I’d throw this out there..

    #1005243
    Hamza21
    Participant

    D.J.Manhattan, post: 21073, member: 1201 wrote: + That was a bit harsh about wedding DJ’s I am sure you are quite wrong.

    I’m not wrong wedding djs don’t even mix most of the time they just fade songs out. do you actually think you could develop the skill of someone like Z trip or Jazzy Jeff or Q bert being wedding dj? Of course not wedding dj’s are mostly hasbeens,people who used have great skill,quit deejaying for a few years comes back and plays simple songs for simple people to make extra money. Or they are never beens, people who never put in the time and practice in order to develop great skill so they’re stuck playing simple songs with very little skill mixing songs for simple people.

    D.J.Manhattan, post: 21073, member: 1201 wrote: I am not understanding your formula… could you be a little more clear in your explination? Also I really don’t think that there is a “Magic formula” nothing in life has a “Magic pill”.

    it’s very simple formula there songs that everybody dances to such as:
    Commodores – Brick House
    Michael Jackson – Billie Jean
    ,etc

    Then there are songs that most of the people dance to such as:
    Berlin – Metro
    Freestyle – Don’t Stop The Rock
    etc

    Start the first two songs of your set with songs Everybody dances to then your 3rd song will something most people dance to then repeat. Two songs everybody dance to one song most people dance to. It’s not magic it’s simple time tested formula every good set follows this. The only problem comes when those who have not trained to ears to know what songs everybody dances vs songs most people dance to.

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